Lisa Holzer

Coburgbastei

Eyes hold things differently

Lisa Holzer

September 3 – October 9, 2021

Lisa HolzerRain (beige/brown), 2021Pigment print on cotton paper, black marker on wood110.3 × 80.2 cm

Lisa Holzer
Rain (beige/brown), 2021
Pigment print on cotton paper, black marker on wood
110.3 × 80.2 cm

Lisa HolzerRain (black/red), 2021Pigment print on cotton paper, black marker on wood110.3 × 80.2 cm

Lisa Holzer
Rain (black/red), 2021
Pigment print on cotton paper, black marker on wood
110.3 × 80.2 cm

Lisa HolzerEyes hold things differently, 2021Installation viewLayr Coburgbastei, Vienna

Lisa Holzer
Eyes hold things differently, 2021
Installation view
Layr Coburgbastei, Vienna

Lisa HolzerEyes hold things differently, 2021Installation viewLayr Coburgbastei, Vienna

Lisa Holzer
Eyes hold things differently, 2021
Installation view
Layr Coburgbastei, Vienna

Lisa Holzer, Eyes hold things differently, 2021

Lisa HolzerButterfly (brown), 2021Pigment print on cotton paper, black marker on wood, balloon105 × 84.2 cm

Lisa Holzer
Butterfly (brown), 2021
Pigment print on cotton paper, black marker on wood, balloon
105 × 84.2 cm

Lisa HolzerOr how I had pictured Lacan's objet petit a (the object cause of desire) years ago, 2011/2021Screenshot (sun-bleached), pigment print on cotton paper, black marker on wood80,8 × 46,7 cm

Lisa Holzer
Or how I had pictured Lacan's objet petit a (the object cause of desire) years ago, 2011/2021Screenshot (sun-bleached), pigment print on cotton paper, black marker on wood
80,8 × 46,7 cm

Lisa HolzerEyes hold things differently, 2021Installation viewLayr Coburgbastei, Vienna

Lisa Holzer
Eyes hold things differently, 2021
Installation view
Layr Coburgbastei, Vienna

Lisa HolzerBewerbung für ein Recherchestipendium für bildende Kunst, April 2021, 2021Pigment print on cotton paper, black marker on wood110.3 × 76 cm

Lisa Holzer
Bewerbung für ein Recherchestipendium für bildende Kunst, April 2021, 2021
Pigment print on cotton paper, black marker on wood
110.3 × 76 cm

Lisa HolzerEyes hold things differently, 2021Installation viewLayr Coburgbastei, Vienna

Lisa Holzer
Eyes hold things differently, 2021
Installation view
Layr Coburgbastei, Vienna

Lisa HolzerRain / Umbrella (pink/green), 2021Pigment print on cotton paper, black marker on wood110.3 × 80.1 cm

Lisa Holzer
Rain / Umbrella (pink/green), 2021
Pigment print on cotton paper, black marker on wood
110.3 × 80.1 cm

Lisa HolzerEyes hold things differently, 2021Installation viewLayr Coburgbastei, Vienna

Lisa Holzer
Eyes hold things differently, 2021
Installation view
Layr Coburgbastei, Vienna

Lisa HolzerNo love is left in the eyes or on the floor, 2021Screenshot (sun-bleached), pigment print on cotton paper, black marker on wood83.3 × 63.4 cm

Lisa Holzer
No love is left in the eyes or on the floor, 2021
Screenshot (sun-bleached), pigment print on cotton paper, black marker on wood
83.3 × 63.4 cm

Lisa HolzerEyes hold things differently, 2021Installation viewLayr Coburgbastei, Vienna

Lisa Holzer
Eyes hold things differently, 2021
Installation view
Layr Coburgbastei, Vienna

Lisa HolzerButterfly (red), 2021Pigment print on cotton paper, black marker on wood, balloon110.3 × 74.6 cm

Lisa Holzer
Butterfly (red), 2021
Pigment print on cotton paper, black marker on wood, balloon
110.3 × 74.6 cm

Lisa HolzerButterfly (blue), 2021Pigment print on cotton paper, black marker on wood, balloon110.3 × 74.6 cm

Lisa Holzer
Butterfly (blue), 2021
Pigment print on cotton paper, black marker on wood, balloon
110.3 × 74.6 cm

Lisa HolzerKazuyo Sejima, 2021Pigment print on cotton paper, black marker on wood, balloon110.3 × 79 cm

Lisa Holzer
Kazuyo Sejima, 2021
Pigment print on cotton paper, black marker on wood, balloon
110.3 × 79 cm

Hanna Magauer, (Essay) R.S.V.P., in: Texte zur Kunst (Dezember 2020)

Text for No, 30.03.2020, a video contribution for #ArtistClips, Secession, 2020

Lisa HolzerNO, 2020

Lisa Holzer
NO, 2020

Lisa HolzerWas trägt Sie?, 2019Installation viewSecession, Vienna

Lisa Holzer
Was trägt Sie?, 2019
Installation view
Secession, Vienna

Lisa HolzerTrauben, 2019Pigment print on cotton paper, acrylic metallic paint on wood110.3 x 76 cm

Lisa Holzer
Trauben, 2019
Pigment print on cotton paper, acrylic metallic paint on wood
110.3 × 76 cm

Lisa Holzer Trauben, 2019Pigment print on cotton paper110.3 x 78 cm

Lisa Holzer
Trauben, 2019
Pigment print on cotton paper
110.3 × 78 cm

Lisa HolzerWas trägt Sie?, 2019Installation viewSecession, Vienna

Lisa Holzer
Was trägt Sie?, 2019
Installation view
Secession, Vienna

Lisa HolzerWas trägt Sie?, 2019Installation viewSecession, Vienna

Lisa Holzer
Was trägt Sie?, 2019
Installation view
Secession, Vienna

Lisa HolzerWas trägt Sie?, 2019Installation viewSecession, Vienna

Lisa Holzer
Was trägt Sie?, 2019
Installation view
Secession, Vienna

Lisa Holzer, Trauben, 2019Pigment print on cotton paper, semigloss enamel on wood110.3 x 81.4cm

Lisa Holzer, Trauben, 2019
Pigment print on cotton paper, semigloss enamel on wood
110.3 × 81.4cm

Lisa Holzer, Trauben, 2019Pigment print on cotton paper, semigloss enamel on wood110.3 x 76 cm

Lisa Holzer, Trauben, 2019
Pigment print on cotton paper, semigloss enamel on wood
110.3 × 76 cm

Lisa Holzer, Trauben, 2019Pigment print on cotton paper110.3 x 74.6 cm

Lisa Holzer, Trauben, 2019
Pigment print on cotton paper
110.3 × 74.6 cm

Lisa HolzerTrauben, 2019Pigmentprint auf Baumwollpapier, Seidenglanzlack auf Holz, weiße Schokolade auf Glas / Pigment print on cotton paper, semigloss enamel on wood, white chocolate on glass110.3 x 78 cm

Lisa Holzer
Trauben, 2019
Pigmentprint auf Baumwollpapier, Seidenglanzlack auf Holz, weiße Schokolade auf Glas / Pigment print on cotton paper, semigloss enamel on wood, white chocolate on glass
110.3 × 78 cm

Grapes in white chocolate (What comes out of pictures), 2020, Secession, Vienna

Lisa Holzer
Lisa Holzer
Lisa HolzerEsst mich!, 2019Installation viewKunstverein München, München

Lisa Holzer
Esst mich!, 2019
Installation view
Kunstverein München, München

Lisa HolzerEsst mich!, 2019Installation viewKunstverein München, München

Lisa Holzer
Esst mich!, 2019
Installation view
Kunstverein München, München

Lisa HolzerGuts, 2019Pigment print on cotton paper, acrylic paint on glass110.3 x 76 cm

Lisa Holzer
Guts, 2019
Pigment print on cotton paper, acrylic paint on glass
110.3 × 76 cm

Lisa HolzerEsst mich!, 2019Installation viewKunstverein München, München

Lisa Holzer
Esst mich!, 2019
Installation view
Kunstverein München, München

Lisa HolzerGuts, 2019Pigment print on cotton paper, soot on glass, semigloss enamel on wood110.3 x 76 cm

Lisa Holzer
Guts, 2019
Pigment print on cotton paper, soot on glass, semigloss enamel on wood
110.3 × 76 cm

Lisa HolzerEsst mich!, 2019Installation viewKunstverein München, München

Lisa Holzer
Esst mich!, 2019
Installation view
Kunstverein München, München

Lisa HolzerEsst mich!, 2019Installation viewKunstverein München, München

Lisa Holzer
Esst mich!, 2019
Installation view
Kunstverein München, München

Lisa HolzerEsst mich!, 2019Installation viewKunstverein München, München

Lisa Holzer
Esst mich!, 2019
Installation view
Kunstverein München, München

The reality has no door, Wine gets depressed at timesEsst mich!, 2019Kunstverein München, Munich

The reality has no door, Wine gets depressed at times
Esst mich!, 2019
Kunstverein München, Munich

Lisa Holzer
Lisa HolzerFlush (with and without flash), 2019Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass, acrylic metallic paint on wood110.3 x 79 cm

Lisa Holzer
Flush (with and without flash), 2019
Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass, acrylic metallic paint on wood
110.3 × 79 cm

Lisa HolzerFlush (with and without flash), 2019Pigment print on cotton paper, semigloss enamel on wood110.3 x 74.5 cm

Lisa Holzer
Flush (with and without flash), 2019
Pigment print on cotton paper, semigloss enamel on wood
110.3 × 74.5 cm

Lisa HolzerFlush (with and without flash), 2019Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass, semigloss enamel on wood110.3 x 76 cm

Lisa Holzer
Flush (with and without flash), 2019
Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass, semigloss enamel on wood
110.3 × 76 cm

Lisa HolzerFlush (with and without flash), 2019Pigment print on cotton paper, semigloss enamel on wood110.3 x 79 cm

Lisa Holzer
Flush (with and without flash), 2019
Pigment print on cotton paper, semigloss enamel on wood
110.3 × 79 cm

Lisa HolzerFlush (with and without flash), 2019Pigment print on cotton paper, semigloss enamel on wood110.3 x 74.5 cm

Lisa Holzer
Flush (with and without flash), 2019
Pigment print on cotton paper, semigloss enamel on wood
110.3 × 74.5 cm

Lisa HolzerGuts, 2019Pigment print on cotton paper110.3 x 74.5 cm

Lisa Holzer
Guts, 2019
Pigment print on cotton paper
110.3 × 74.5 cm

Lisa HolzerGuts, 2019Pigment print on cotton paper, acrylic metallic paint on wood110.3 x 76 cm

Lisa Holzer
Guts, 2019
Pigment print on cotton paper, acrylic metallic paint on wood
110.3 × 76 cm

Lisa HolzerUnd ich hab schon wieder Hunger / You make me very hungry, 2018Installation viewGalerie im Turm, Berlin

Lisa Holzer
Und ich hab schon wieder Hunger / You make me very hungry, 2018
Installation view
Galerie im Turm, Berlin

Lisa HolzerTodesblumen ohne grün (Chrysanthemen) / Flowers of death devoid of green (chrysanthemums), 2018Pigment print on cotton paper, semigloss enamel on wood, vanilla ice cream on glass110 x 82 cm

Lisa Holzer
Todesblumen ohne grün (Chrysanthemen) / Flowers of death devoid of green (chrysanthemums), 2018
Pigment print on cotton paper, semigloss enamel on wood, vanilla ice cream on glass
110 × 82 cm

Lisa HolzerUnd ich hab schon wieder Hunger / You make me very hungry, 2018Installation viewGalerie im Turm, Berlin

Lisa Holzer
Und ich hab schon wieder Hunger / You make me very hungry, 2018
Installation view
Galerie im Turm, Berlin

Lisa HolzerUnd ich hab schon wieder Hunger (Vanilleeis) / You make me very hungry (vanilla ice cream), 2018Pigment print on cotton paper, semigloss enamel on wood, vanilla ice cream on glass110 x 74.5 cm

Lisa Holzer
Und ich hab schon wieder Hunger (Vanilleeis) / You make me very hungry (vanilla ice cream), 2018
Pigment print on cotton paper, semigloss enamel on wood, vanilla ice cream on glass
110 × 74.5 cm

Lisa HolzerUnd ich hab schon wieder Hunger (Erdbeereis) / You make me very hungry (strawberry ice cream), 2018Pigment print on cotton paper, semigloss enamel on wood, soot on glass110 x 74.5 cm

Lisa Holzer
Und ich hab schon wieder Hunger (Erdbeereis) / You make me very hungry (strawberry ice cream), 2018
Pigment print on cotton paper, semigloss enamel on wood, soot on glass
110 × 74.5 cm

Lisa HolzerUnd ich hab schon wieder Hunger (Erdbeereis) / You make me very hungry (strawberry ice cream), 2018Pigment print on cotton paper, semigloss enamel on wood, soot on glass110 x 74.5 cm

Lisa Holzer
Und ich hab schon wieder Hunger (Erdbeereis) / You make me very hungry (strawberry ice cream), 2018
Pigment print on cotton paper, semigloss enamel on wood, soot on glass
110 × 74.5 cm

Lisa HolzerUnd ich hab schon wieder Hunger (Vanilleeis) / You make me very hungry (vanilla ice cream), 2018Pigment print on cotton paper, semigloss enamel on wood, vanilla ice cream on glass110 x 74.5 cm

Lisa Holzer
Und ich hab schon wieder Hunger (Vanilleeis) / You make me very hungry (vanilla ice cream), 2018
Pigment print on cotton paper, semigloss enamel on wood, vanilla ice cream on glass
110 × 74.5 cm

Lisa HolzerTodesblumen ohne grün (Chrysanthemen) / Flowers of death devoid of green (chrysanthemums), 2018Pigment print on cotton paper, semigloss enamel on wood, vanilla ice cream on glass110 x 82 cm

Lisa Holzer
Todesblumen ohne grün (Chrysanthemen) / Flowers of death devoid of green (chrysanthemums), 2018
Pigment print on cotton paper, semigloss enamel on wood, vanilla ice cream on glass
110 × 82 cm

Drives drive, 2018Reading at the opening of SomeplaceSpecialGalerie Gillmeier Rech, Berlin

Drives drive, 2018
Reading at the opening of SomeplaceSpecial
Galerie Gillmeier Rech, Berlin

Drives drive, 2018Reading at the opening of SomeplaceSpecialGalerie Gillmeier Rech, Berlin

Drives drive, 2018
Reading at the opening of SomeplaceSpecial
Galerie Gillmeier Rech, Berlin

Lisa HolzerI come in you, 2018Installation viewLayr Seilerstaette, Vienna

Lisa Holzer
I come in you, 2018
Installation view
Layr Seilerstaette, Vienna

Lisa HolzerI come in you, 2018Installation viewLayr Seilerstaette, Vienna

Lisa Holzer
I come in you, 2018
Installation view
Layr Seilerstaette, Vienna

Lisa HolzerThe Party Sequel (Berlin), 2017Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass110.3 × 86.3 cm

Lisa Holzer
The Party Sequel (Berlin), 2017
Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Lisa HolzerThe Party Sequel (Paris), 2017Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass110.3 × 86.3 cm

Lisa Holzer
The Party Sequel (Paris), 2017
Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Lisa HolzerThe Party Sequel (Paris), 2017Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass110.3 × 86.3 cm

Lisa Holzer
The Party Sequel (Paris), 2017
Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Lisa HolzerI come in you, 2018Installation viewLayr Seilerstaette, Vienna

Lisa Holzer
I come in you, 2018
Installation view
Layr Seilerstaette, Vienna

Lisa HolzerThe Party Sequel (Paris), 2017Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass110.3 × 86.3 cm

Lisa Holzer
The Party Sequel (Paris), 2017
Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass
110.3 × 86.3 cm

My mascara is smeared or theirs. Runs,literally.,for the opening of I come in you,Galerie Emanuel Layr, Vienna

My mascara is smeared or theirs. Runs,literally.,for the opening of I come in you,
Galerie Emanuel Layr, Vienna

Seilerstaette

I come in you

Lisa Holzer

March 21 – May 5, 2018

Lisa HolzerL‘Image, 2017Galerie Francesca Pia, Zurich

Lisa Holzer
L‘Image, 2017
Galerie Francesca Pia, Zurich

Lisa HolzerMeringues/Mayonnaise/Dear Mayo, 2013Pigment print on cotton paper88 x 68 cm

Lisa Holzer
Meringues/Mayonnaise/Dear Mayo, 2013
Pigment print on cotton paper
88 × 68 cm

Lisa HolzerMeringues/Mayonnaise/Dear Mayo, 2013Pigment print on cotton paper88 x 68 cm

Lisa Holzer
Meringues/Mayonnaise/Dear Mayo, 2013
Pigment print on cotton paper
88 × 68 cm

Lisa HolzerMeringues/Mayonnaise/Dear Mayo, 2013Pigment print on cotton paper88 x 68 cm

Lisa Holzer
Meringues/Mayonnaise/Dear Mayo, 2013
Pigment print on cotton paper
88 × 68 cm

Lisa HolzerMeringues/Mayonnaise/Dear Mayo, 2013Pigment print on cotton paper88 x 68 cm

Lisa Holzer
Meringues/Mayonnaise/Dear Mayo, 2013
Pigment print on cotton paper
88 × 68 cm

Lisa HolzerI come in you – The Party Sequel (Berlin)Installation viewGillmeier Rech, Berlin

Lisa Holzer
I come in you – The Party Sequel (Berlin)
Installation view
Gillmeier Rech, Berlin

Lisa HolzerI come in you – The Party Sequel (Berlin)Installation viewGillmeier Rech, Berlin

Lisa Holzer
I come in you – The Party Sequel (Berlin)
Installation view
Gillmeier Rech, Berlin

Lisa Holzer, I cry., 2017

Katherine Doyle, (Feature) Lisa Holzer, in: Berlin Art Link (September 2017)

Lisa Holzer
Lisa HolzerThe Party Sequel (Berlin), 2017Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass110.3 x 86.3 cm

Lisa Holzer
The Party Sequel (Berlin), 2017
Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Lisa HolzerThe Party Sequel (Berlin), 2017Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass110.3 x 86.3 cm

Lisa Holzer
The Party Sequel (Berlin), 2017
Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Lisa HolzerThe Party Sequel (Berlin), 2017Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass110.3 x 86.3 cm

Lisa Holzer
The Party Sequel (Berlin), 2017
Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Lisa HolzerThe Party Sequel (Berlin), 2017Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass110.3 x 86.3 cm

Lisa Holzer
The Party Sequel (Berlin), 2017
Pigment print on cotton paper, crystal clear 202/1 polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Lisa HolzerI cry., 2016Letter for If only, it‘s just beginning,JOBS, Chicago, 2016

Lisa Holzer
I cry., 2016
Letter for If only, it‘s just beginning,
JOBS, Chicago, 2016

Lisa HolzerMen what a humble word, 2016Installation viewLira Gallery, Rome

Lisa Holzer
Men what a humble word, 2016
Installation view
Lira Gallery, Rome

Lisa HolzerMen what a humble word, 2016Installation viewLira Gallery, Rome

Lisa Holzer
Men what a humble word, 2016
Installation view
Lira Gallery, Rome

Lisa HolzerThe Man Who Is Blue Or Blonde And Works, 2016Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass92 x 72 cm

Lisa Holzer
The Man Who Is Blue Or Blonde And Works, 2016
Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass
92 × 72 cm

Lisa HolzerThe Man Who Is Bold, 2016Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass92 x 72 cm

Lisa Holzer
The Man Who Is Bold, 2016
Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass
92 × 72 cm

Lisa Holzer
Lisa HolzerMen what a humble word, 2016Installation viewLira Gallery, Rome

Lisa Holzer
Men what a humble word, 2016
Installation view
Lira Gallery, Rome

Lisa HolzerMen what a humble word, 2016Installation viewLira Gallery, Rome

Lisa Holzer
Men what a humble word, 2016
Installation view
Lira Gallery, Rome

Lisa HolzerThe Dissidents, 2016Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass92 x 72 cm

Lisa Holzer
The Dissidents, 2016
Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass
92 × 72 cm

Lisa HolzerThe Dissidents, 2016Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass92 x 72 cm

Lisa Holzer
The Dissidents, 2016
Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass
92 × 72 cm

Lira Gallery Rome

Men what a humble word

Lisa Holzer

January 23 – March 5, 2016

Lisa HolzerNot yet titled, 2016Pigment print on cotton paper, crystal clear 202/1, polyurethane and acrylic paint on glass110.3 x 86.3 cm

Lisa Holzer
Not yet titled, 2016
Pigment print on cotton paper, crystal clear 202/1, polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Fieber, 2016Installation viewLayr Seilerstaette, Vienna

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Fieber, 2016Installation viewLayr Seilerstaette, Vienna

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Fieber, 2016Installation viewLayr Seilerstaette, Vienna

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Lisa HolzerNot yet titled, 2016Pigment print on cotton paper, crystal clear 202/1, polyurethane and acrylic paint on glass110.3 x 86.3 cm

Lisa Holzer
Not yet titled, 2016
Pigment print on cotton paper, crystal clear 202/1, polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Fieber, 2016Installation viewLayr Seilerstaette, Vienna

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Lisa HolzerNot yet titled, 2016Pigment print on cotton paper, crystal clear 202/1, polyurethane and acrylic paint on glass110.3 x 86.3 cm

Lisa Holzer
Not yet titled, 2016
Pigment print on cotton paper, crystal clear 202/1, polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Lisa HolzerNot yet titled, 2016Pigment print on cotton paper, crystal clear 202/1, polyurethane and acrylic paint on glass110.3 x 86.3 cm

Lisa Holzer
Not yet titled, 2016
Pigment print on cotton paper, crystal clear 202/1, polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Lisa HolzerBe a Funny Mom, 2016Installation viewHester, New York

Lisa Holzer
Be a Funny Mom, 2016
Installation view
Hester, New York

Lisa Holzer

Lisa Holzer, Be a funny mom, 2016

Michael Wilson, (Review) Lisa Holzer, in: Artforum (2016)

Lisa HolzerInducement, 2016Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass92 x 72 cm

Lisa Holzer
Inducement, 2016
Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass
92 × 72 cm

Lisa HolzerInducement, 2016Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass92 x 72 cm

Lisa Holzer
Inducement, 2016
Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass
92 × 72 cm

Lisa HolzerInducement, 2016Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass92 x 72 cm

Lisa Holzer
Inducement, 2016
Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass
92 × 72 cm

Lisa HolzerInducement, 2016Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass92 x 72 cm

Lisa Holzer
Inducement, 2016
Pigment print on cotton paper, Crystal Clear 202/1 polyurethane on glass
92 × 72 cm

Lisa Holzer & Chiara MinchioThe Man Who Is Unhappy and Opium In Cents Aesthetic, 2015Installation viewThe Composing Rooms, Berlin

Lisa Holzer & Chiara Minchio
The Man Who Is Unhappy and Opium In Cents Aesthetic, 2015
Installation view
The Composing Rooms, Berlin

Lisa Holzer & Chiara MinchioThe Man Who Is Unhappy and Opium In Cents Aesthetic, 2015Installation viewThe Composing Rooms, Berlin

Lisa Holzer & Chiara Minchio
The Man Who Is Unhappy and Opium In Cents Aesthetic, 2015
Installation view
The Composing Rooms, Berlin

Lisa Holzer & Chiara MinchioThe Man Who Is Unhappy and Opium In Cents Aesthetic, 2015Installation viewThe Composing Rooms, Berlin

Lisa Holzer & Chiara Minchio
The Man Who Is Unhappy and Opium In Cents Aesthetic, 2015
Installation view
The Composing Rooms, Berlin

Lisa HolzerKeep All Your Friends, 2015Installation viewRowing, London

Lisa Holzer
Keep All Your Friends, 2015
Installation view
Rowing, London

Lisa HolzerKeep All Your Friends, 2015Installation viewRowing, London

Lisa Holzer
Keep All Your Friends, 2015
Installation view
Rowing, London

Lisa HolzerHead of a Partisan, 2015Crystal Clear 202/1 polyurethane and acrylic paint on glass, pigment prints on cotton paper92 x 72 cm

Lisa Holzer
Head of a Partisan, 2015
Crystal Clear 202/1 polyurethane and acrylic paint on glass, pigment prints on cotton paper
92 × 72 cm

Lisa HolzerThe Man Who Is Unhappy, 2015Crystal Clear 202/1 polyurethane on glass, pigment prints on cotton paper92 x 72 cm

Lisa Holzer
The Man Who Is Unhappy, 2015
Crystal Clear 202/1 polyurethane on glass, pigment prints on cotton paper
92 × 72 cm

Lisa HolzerThe Man Who Is Unhappy, 2015Crystal Clear 202/1 polyurethane on glass, pigment prints on cotton paper92 x 72 cm

Lisa Holzer
The Man Who Is Unhappy, 2015
Crystal Clear 202/1 polyurethane on glass, pigment prints on cotton paper
92 × 72 cm

Lisa HolzerHead of a Partisan, 2015Crystal Clear 202/1 polyurethane and acrylic paint on glass, pigment prints on cotton paper92 x 72 cm

Lisa Holzer
Head of a Partisan, 2015
Crystal Clear 202/1 polyurethane and acrylic paint on glass, pigment prints on cotton paper
92 × 72 cm

Lisa HolzerAll Alone, 2015Crystal Clear 202/1 polyurethane on glass, pigment prints on cotton paper92 x 72 cm

Lisa Holzer
All Alone, 2015
Crystal Clear 202/1 polyurethane on glass, pigment prints on cotton paper
92 × 72 cm

Lisa HolzerI did love you once, 2014Installation viewLayr An der Hülben, Vienna

Lisa Holzer
I did love you once, 2014
Installation view
Layr An der Hülben, Vienna

Lisa HolzerI did love you once, 2014Installation viewLayr An der Hülben, Vienna

Lisa Holzer
I did love you once, 2014
Installation view
Layr An der Hülben, Vienna

An der Hülben

I did love you once

Lisa Holzer

June 27 – August 2, 2014

Lisa HolzerI did love you once, 2014Installation viewLayr An der Hülben, Vienna

Lisa Holzer
I did love you once, 2014
Installation view
Layr An der Hülben, Vienna

Lisa HolzerI did love you once, 2014Installation viewLayr An der Hülben, Vienna

Lisa Holzer
I did love you once, 2014
Installation view
Layr An der Hülben, Vienna

Lisa HolzerNude monochrome's naked dream with Ei passing under spaghetti (blushing orange), 2014Pigmentprint on cotton paper, finger paint, tactil color92 × 72 cmEdition of 1 plus 1 artist’s proof

Lisa Holzer
Nude monochrome's naked dream with Ei passing under spaghetti (blushing orange), 2014
Pigmentprint on cotton paper, finger paint, tactil color
92 × 72 cm
Edition of 1 plus 1 artist’s proof

Lisa HolzerColour passes, permeates the glass, comes out of the picture passing under Dior Dissolvant abricot and a single spaghetti, 2014Pigmentprint on cotton paper92 x 72 cm

Lisa Holzer
Colour passes, permeates the glass, comes out of the picture passing under Dior Dissolvant abricot and a single spaghetti, 2014
Pigmentprint on cotton paper
92 × 72 cm

Lisa HolzerThe Garage Picture, 2014Pigmentprint on cotton paper, Finger paint Tactil color92 x 72 cm

Lisa Holzer
The Garage Picture, 2014
Pigmentprint on cotton paper, Finger paint Tactil color
92 × 72 cm

Lisa Holzer
Lisa Holzer
Lisa Holzer
Lisa Holzer
Lisa HolzerNude monochrome's naked dream at Frieze, 2014Crystal Clear 202/1 polyurethane on glass, champagne and pigment print on cotton paper92 x 72 cm

Lisa Holzer
Nude monochrome's naked dream at Frieze, 2014
Crystal Clear 202/1 polyurethane on glass, champagne and pigment print on cotton paper
92 × 72 cm

Lisa HolzerNude monochromes naked dream with Ei passing under spaghetti at Frieze, 2014Crystal Clear 202/1 polyurethane on glass, champagne and pigment print on cotton paper92 x 72 cm

Lisa Holzer
Nude monochromes naked dream with Ei passing under spaghetti at Frieze, 2014
Crystal Clear 202/1 polyurethane on glass, champagne and pigment print on cotton paper
92 × 72 cm

Lisa HolzerIt's my hair and I can do what I want with it! at Frieze, 2014Crystal Clear 202/1 polyurethane on glass, champagne and pigment print on cotton paper92 x 72 cm

Lisa Holzer
It's my hair and I can do what I want with it! at Frieze, 2014
Crystal Clear 202/1 polyurethane on glass, champagne and pigment print on cotton paper
92 × 72 cm

Lisa HolzerListe Basel, 2013Installation viewListe Basel, Basel

Lisa Holzer
Liste Basel, 2013
Installation view
Liste Basel, Basel

Lisa HolzerListe Basel, 2013Installation viewListe Basel, Basel

Lisa Holzer
Liste Basel, 2013
Installation view
Liste Basel, Basel

Lisa HolzerOmelette passing under dripping nail polish, 2013Pigment print on cotton paper92 × 72 cmEdition of 1 plus 1 artist’s proof

Lisa Holzer
Omelette passing under dripping nail polish, 2013
Pigment print on cotton paper
92 × 72 cm
Edition of 1 plus 1 artist’s proof

Lisa HolzerListe Basel, 2013Installation viewListe Basel, Basel

Lisa Holzer
Liste Basel, 2013
Installation view
Liste Basel, Basel

Lisa HolzerMayo passing under strawberry jam stains, 2013Acrylic on glass, pigment print on cotton paper92 × 72 cmEdition of 1 plus 1 artist’s proof

Lisa Holzer
Mayo passing under strawberry jam stains, 2013
Acrylic on glass, pigment print on cotton paper
92 × 72 cm
Edition of 1 plus 1 artist’s proof

Lisa HolzerColour passes, permeates the glass; comes out of the picture, 2012

Lisa Holzer
Colour passes, permeates the glass; comes out of the picture, 2012

Lisa HolzerTo Make Omelettes, You cannot make an omelette without breaking eggs1, Japanese, 2012

Lisa Holzer
To Make Omelettes, You cannot make an omelette without breaking eggs1, Japanese, 2012

Lisa HolzerKinder Egg passing under poem, 2012

Lisa Holzer
Kinder Egg passing under poem, 2012

Lisa HolzerEi passing under spaghetti, 2012 /Sunday

Lisa Holzer
Ei passing under spaghetti, 2012 /Sunday

Lisa HolzerOmelette passing under door, 2012Pigment print on cotton paper88 x 68 cm

Lisa Holzer
Omelette passing under door, 2012
Pigment print on cotton paper
88 × 68 cm

Lisa HolzerOmelette passing under door, 2012Pigment print on cotton paper92 x 72 cm

Lisa Holzer
Omelette passing under door, 2012
Pigment print on cotton paper
92 × 72 cm

Lisa HolzerOmelette passing under Merely A, 2012

Lisa Holzer
Omelette passing under Merely A, 2012

Lisa HolzerMerely A (The Big Other), 2011 Pigment print on cotton paper78 x 60,5 cm

Lisa Holzer
Merely A (The Big Other), 2011
Pigment print on cotton paper
78 × 60,5 cm

Lisa HolzerMerely A (The Big Other), 2011Pigment print on cotton paper 78 x 60,5 cm

Lisa Holzer
Merely A (The Big Other), 2011
Pigment print on cotton paper
78 × 60,5 cm

Yes Or Yes, Yes Or Yes, 2011Installation view Croy Nielsen, Berlin

Yes Or Yes, Yes Or Yes, 2011
Installation view
Croy Nielsen, Berlin

Lisa HolzerMerely A (The Big Other), 2011Pigment print on cotton paper78 x 60,5 cm (detail shot)

Lisa Holzer
Merely A (The Big Other), 2011
Pigment print on cotton paper
78 × 60,5 cm (detail shot)

Lisa HolzerMerely A (The Big Other), 2011Pigment print on cotton paper78 x 60,5 cm

Lisa Holzer
Merely A (The Big Other), 2011
Pigment print on cotton paper
78 × 60,5 cm

Yes Or Yes, Yes Or Yes, 2011
Installation views
Croy Nielsen, Berlin

Yes Or Yes, Yes Or Yes, 2011Installation viewCroy Nielsen, Berlin

Yes Or Yes, Yes Or Yes, 2011
Installation view
Croy Nielsen, Berlin

Lisa HolzerI am in the middle of your picture, 2011Installation viewLayr An der Hülben, Vienna

Lisa Holzer
I am in the middle of your picture, 2011
Installation view
Layr An der Hülben, Vienna

Lisa HolzerI am in the middle of your picture, 2011Installation viewLayr An der Hülben, Vienna

Lisa Holzer
I am in the middle of your picture, 2011
Installation view
Layr An der Hülben, Vienna

Lisa HolzerI am in the middle of your picture, 2011Installation viewLayr An der Hülben, Vienna

Lisa Holzer
I am in the middle of your picture, 2011
Installation view
Layr An der Hülben, Vienna

Lisa HolzerI am in the middle of your picture, 2011Installation viewLayr An der Hülben, Vienna

Lisa Holzer
I am in the middle of your picture, 2011
Installation view
Layr An der Hülben, Vienna

Lisa HolzerI am in the middle of your picture, 2011Installation viewLayr An der Hülben, Vienna

Lisa Holzer
I am in the middle of your picture, 2011
Installation view
Layr An der Hülben, Vienna

Lisa Holzer

*1971 Vienna
lives and works in Berlin and Vienna

Solo Exhibitions

  • 2021

    Eyes hold things differently, LAYR, Vienna (AT)
    What a beautiful idea you were, L‘etoile endettée, Berlin (DE)

  • 2019

    Was trägt Sie?, Secession, Vienna (AT)
    Esst mich!, Kunstverein, Munich (DE)

  • 2018

    You make me very hungry / und ich hab schon wieder Hunger, Galerie im Turm, Berlin (DE)
    I come in you, Galerie Emanuel Layr, Vienna (AT)

  • 2017

    I come in you - The Party Sequel (Berlin), Galerie Gillmeier Rech, Berlin (DE)

  • 2016

    Be A Funny Mom, Hester, New York (US)
    Men What A Humble Word, Lira Gallery, Rome (IT)

  • 2015

    The Man Who Is Unhappy and Opium In Cents Aesthetic (w. Chiara Minchio), The Composing Rooms, Berlin (DE)
    Keep all Your Friends, Rowing, London (UK)

  • 2014

    I did love you once. I did did, Frieze London, Focus Section w. Philipp Timischl, presented by Galerie Emanuel Layr, London (UK)
    I did love you once, Galerie Emanuel Layr, Vienna (AT)

  • 2013

    Art Basel Miami Beach Nova Section, w. Plamen Dejanoff, presented by Galerie Emanuel Layr, Miami Beach (US)
    LISTE 18, Galerie Emanuel Layr, Basel (CH)

  • 2012

    db Geld/Gelb bzw. Grün GGG Geh Geh Geh (w. Chiara Minchio), After Yes1, dingum 6,Tiergarten Eins, Berlin (DE)

  • 2011

    Ich bin in der Mitte deines Bildes, Galerie Emanuel Layr, Vienna (AT)
    Bread-and-Butter, Ditsies and Dumb-Dumb. (w. David Jourdan), Centre National de l‘Edition et de l‘Art Imprimé, Paris (FR)

  • 2009

    ....BBBB, Galerie Amer Abbas, Vienna (AT)

  • 2007

    Die Hose paßt wirklich ausgezeichnet, Galerie Habres + Partner, Vienna (AT)

  • 2006

    Die Hose paßt ausgezeichnet, Kabinett, Salzburger Kunstverein, Salzburg (AT)

  • 2004

    Don‘t fall in love with me yet. I might be giant., auto, der neue Kunstraum, Vienna (AT)

  • 2002

    Einige freie Flächen, Galerie 5020, Salzburg (AT)

Selected Group Exhibitions

  • 2021

    Lange Nacht der künstlerischen Forschung, kunstbunker, Nürnberg (DE)

  • 2020

    Which Gregg Araki Movie Are You From (curated by Claudia Rech), Haus, Vienna (AT)
    Artists Clips, Secession, Vienna (AT) (online)
    Summercamp, Kunstraum Konrad, Puchberg am Schneeberg (AT)

  • 2019

    STREIK!, Grob Gallery, Geneva (CH)
    Homework, Castiglioni Fine Arts, Milan (IT)

  • 2018

    Someplace Special, Gillmeier Rech, Berlin (DE)
    One Colour, Philipp Pflug Contemporary, Frankfurt am Main (DE)

  • 2017

    in awe (curated by Melanie Onemus), Kunsthalle Exnergasse, Vienna (AT)
    La vie mode d‘emploi, Centre d‘Art Contemporain Chanot, Clamart (FR)
    Picture Perfect, Stuido Carnelutti, Milan (IT)
    ich weiß nicht - Growing Relations between Things, Vienna Biennale, MAK, Vienna (AT)
    L‘Image, Galerie Francesca Pia, Zurich (CH)
    Retour Sur Mulholland Drive, La Panacée, Montpellier (FR)

  • 2016

    It‘s only just beginnings, JOBS, Chicago (US)
    Collection Joseph Kouli, Parcours Prive FIAC, Paris (FR)
    Lonesome Wife (organised by Attilia Fattori Franchini), Seventeen, London (UK)
    Fieber, curated by_Vienna, curated by Kari Rittenbach, Galerie Emanuel Layr, Vienna (AT)

  • 2015

    By the Bearer in Whose Name it is Issued (curated by Quintessa Matranga), Centre for Style, Melbourne (AU) Et nous voici plus bas et plus haut que jamais (curated by Vincent Romagny), Chiso Bldg, Kyoto (JP)
    Flirting with Strangers, 21erHaus, Vienna (AT)
    A slowly built burner, Good Press Gallery, Glasgow (UK)
    „Oh I love this one.“ & Facing Figure Wallet, Nina Beier and Lisa Holzer, Wunderkammer, Meessen De Clercq, Brussels (BE)
    M‘m! M‘m! Good!, Rowing, London (UK)
    New Museum Triennale: Surround Audience (cat.), New York (US)
    DIDING, Ein Innen, das ein Außen bleibt? (cat.), Künstlerhaus Graz, Graz (AT)

  • 2014

    @The Shrink, Shanaynay, curated by Simon Dybbroe Møller, Paris (FR)
    Heathers (curated by Alex Ross), Rowing, London (UK)
    The Elephant Test, Lothringer_13_Halle, Munich (DE)
    A Matter of Taste, Dingum invited by The Ister, -1, Paris (FR)
    Power of Chi, Spreez, Munich (DE)
    In (The Mix) and on the go (Univers) for those in the know (Wanda), Scriptings/Achim Lengerer, Berlin (DE)
    It‘s my hair and I can do what I want with it!, Galerie Kamm, Berlin (DE)
    D.R.E.S.S.I.N.G., Space, London (UK)

  • 2013

    NAIL US, mlartspace, New York (US)
    It Also Says Imperceptibly, curated by gerlach en koop, Dolores, Amsterdam (NL)
    Noisy Spaghetti, Allison Katz, Ditte Gantriis, Lisa Holzer & 10-gruppen, Fauna, Copenhagen (DK)
    Marius Engh, Benjamin Hirte, Lisa Holzer, Galerie Emanuel Layr @ Knust x Kunz +, Munich (DE)
    d @ ‚ZweiDrei‘, Berlin (DE)
    FISSTHALER, HOLZER, JOURDAN, KOGER, LUX, NEUMANN, WESTPHALIE, Kunstpavillon Innsbruck, curated by Gabriele Mackert, Innsbruck (AT)
    Pétrone/Pétrole, curated by Vincent Romagny, Air de Paris, Paris (FR)
    Trisha Baga & No Brow, Galerie Emanuel Layr, Vienna (AT)
    The Souls, a Twice-Told Tale (Second segment of the Doppelgänger cycle, curated by Vincent Romagny), CEAAC, Strasbourg (FR)

  • 2012

    On Screen, Fotohof Galerie, Salzburg (AT)
    Artissima, Turino (IT)
    NADA Cologne, Galerie Emanuel Layr, Cologne (DE)
    BOBOEGGOHOJOKRLEPIPOSTWI, Blattgasse 6, Vienna (AT)

  • 2011

    Yes Or Yes, Yes Or Yes 4, Croy Nielsen, Berlin (DE)
    Yes Or Yes, Yes Or Yes 3, Büro BQ, Berlin (DE)
    Augusts Llen, Hotel Intercontinental, Vienna (AT)

  • 2010

    Yes Or Yes, Yes Or Yes 2, Nice and Fit, Berlin (DE)
    Laocoon II, COCO, Vienna (AT)
    Yes Or Yes, Yes Or Yes 1, Supportico Lopez, Berlin (DE)
    Abstrakt, The Forgotten Bar, Galerie Im Regierungsviertel, Berlin (DE)
    Laocoon, COCO, Vienna (AT)
    ‚...Sorry - I didn‘t have time to google you‘, Julius Caesar, Chicago (US)
    ______ ho is no substitute for anything, Pro Choice, Vienna (AT)

  • 2009

    Les pieds dans le vide, The Forgotten Bar, Galerie Im Regierungsviertel, Berlin (DE)
    Economy of Plenty, Paper Bar, Künstlerhaus Passagegalerie, Vienna (AT)
    Sex, Sex, Sex. Nein, Nein, Nein. Der so und sovielte Salon des Arts, Vienna (AT)
    ______ ho is no substitute for anything, Galerie Amer Abbas, Vienna (AT)
    ______ ho is no substitute for anything, Boltensternraum, Galerie Meyer Kainer, Vienna (AT)

  • 2008

    ______ ho is no substitute for anything, Vereinigung bildender Künstlerinnen Österreichs, Vienna (AT)
    Matrix, Museum auf Abruf, Vienna (AT)

  • 2007

    Beziehungsweise, works on paper, Galerie Hubert Winter, Vienna (AT)
    Tension;Sex;Despair - Aber Hallo/Na Und, Kunsthalle Exnergasse, Vienna (AT)

  • 2006

    Frisch zum Kampfe! Frisch zum Streite!, Hidden History/ies remapping Mozart, Wiener Mozartjahr, Vienna (AT)

  • 2005

    Blick A, Blick B, Salzburger Kunstverein, Salzburg (AT)
    Koschatzky Art Price, MUMOK Hofstallungen, Vienna (AT)
    gosh! where are you now?, auto, der neue Kunstraum, Vienna (AT)

  • 2004

    Positionen, Month of Photography, Werkraum, Vienna (AT)
    constructa, Galerie 5020, Salzburg (AT)
    Vorfreude, billboard project, Kunstbüro, Vienna (AT)
    Born to be a star, with ‚a room of one‘s own‘, Künstlerhaus, Vienna (AT)
    Der Widerstand der Fotografie, Camera Austria, Kunsthaus Graz, Graz (AT)
    bb3 (cat.), with ‚a room of one‘s own‘, Berlin Biennal, Berlin (DE)

  • 2003

    Mothers of invention-where is performance coming from?, with ‚ a room of one‘s own‘, MUMOK Factory, Vienna (AT)
    Drei, Area 53, Vienna (AT)
    Abstraction Now (cat.), Künstlerhaus, Vienna (AT)
    Danke für die Illusionen, Grat/Beckmanngasse 52, Vienna (AT)
    art.position 2003 (cat.), Ottakringer Brauerei, Vienna (AT)

  • 2002

    site-seeing, die disneyfizierung der städte? (cat.), Künstlerhaus, Vienna (AT)
    Das Experiment 2b (cat.), with ‚a room of one‘s own‘, Secession, Vienna (AT)
    Private Space, Galerie Hubert Winter, Vienna (AT)
    And Other Bargain Goods (cat.), Musée des Beaux-Arts, Calais (FR)

  • 2001

    Fototage Herten, Herten (DE)

  • 1999

    my house is your house, Galerie Hubert Winter, Vienna (AT)
    Austrian Cultural Institute Budapest, Budapest (HU)
    The First Austrotel Contemporary Art Fair (Galerie Hubert Winter), Vienna (AT)

Performances / Gestures

  • 2017

    This is a VIP dream, together with Trevor Lee Larson, Special Program Art Berlin (compiled by Valerie Chartrain and Nele Heinewetter), Berlin (DE)
    My mascara is smeared or theirs. Runs, literally., Galerie Gillmeier Rech, Berlin (DE)

  • 2016

    Eat Me., Sommerfest, 21erHaus, Vienna (AT)
    Inducement (Shrimp Chips), Be a funny mom. Hester, New York (US)

  • 2015

    To Make Omlettes, You cannot make an omelette without breaking eggs1, Japanese, Künstlerhaus, Halle für Kunst und Medien, Graz (AT)
    To Make Omlettes, You cannot make an omelette without breaking eggs1, Japanese, Rowing, London (UK)

  • 2014

    I did love you once. 3/1, Eoilog, Video dt., Proben 1, Performative Screenings #31, School, Vienna (AT)
    My hand cooking and photographing single spaghetti against transparent milky surfaces my hand against my hand against, I did love you once, Galerie Emanuel Layr, Vienna (AT)
    It‘s my hair and I can do what I want with it! (Cotton candy),It‘s my hair and I can do what I want with it!, Galerie Kamm, Berlin (DE)

  • 2012

    Yellow, To Make Omelettes, You cannot make an omelette without breaking eggs1, Japanese; To Make Omelettes, You cannot make an omelette without breaking eggs2, French, Colour passes, permeates the glass, comes out of the picture, db Geld/Gelb bzw. Grün GGG Geh Geh Geh, After Yes1, dingum 6, Berlin (DE)

  • 2011

    Read N‘ Utter, B-Language Performance w. David Jourdan, Centre National de l‘Edition et de l‘Art Imprimé, Paris (FR)
    Lisa Holzer and Black Popcorn Talk, Yes Or Yes, Yes Or Yes 3, Croy Nielsen, Berlin (DE)
    Lisa Holzer, Yes Or Yes, Yes Or Yes 3, Büro BQ, Berlin (DE)

  • 2010

    Lisa Holzer, Yes Or Yes, Yes Or Yes 2, Nice and Fit, Berlin (DE)
    Lisa Holzer, Yes Or Yes, Yes Or Yes 1, Supportico Lopez, Berlin (DE)
    To Make Oneself Similar in this Sense, B-Language Performance w. David Jourdan, Bergfriedstrasse 19, Berlin (DE)

  • 2009

    Economy of Plenty, B-Language Performance with David Jourdan, Paper Bar, Passagegalerie, Künstlerhaus, Vienna (AT)
    Lobbing Rolls at a Holzer, live (After Rodney Graham), Sex, Sex, Sex. Nein, Nein, Nein. Der Fünfte Salon des Arts, Vienna (AT)

  • 2007

    Die Hose paßt wirklich ausgezeichnet, Galerie Habres + Partner, Vienna (AT)

  • 2006

    Die Hose paßt wirklich ausgezeichnet, Salzburger Kunstverein, Salzburg (AT)

  • 2005

    Performance (I), La Tourelle, Paris (FR)
    Performance (II), Avenue de New York, Paris (FR)

Projects

  • 2016

    Talks: AOCT 2016, Actofcomingtogether (organized by Sophie Reinhold), Villa Romana, Florence (IT)

  • 2015

    Hair directions for Calla Henkel & Max Pitegoff‘s play Apartment, New Theatre, Whitney Museum of American Art, New York (US)
    The big Other, Sweatshirt for The New Museum Store‘s Triennal Capsule Collection, New York (US)

  • 2014

    Hair directions for Calla Henkel & Max Pitegoff‘s play Apartment, New Theater, Berlin (DE)
    ‚New haircut. New House. New Home.‘ with Deanna Havas and Alex Ross, Rowing, London (UK)

  • 2011

    Augusts Llen, artists project w. Chiara Minchio

  • 2010/11

    Yes Or Yes, Yes Or Yes, 4 one-night exhibitions in Berlin, an artists‘ project together w. Chiara Minchio. This project follows the project ______ ho is no substitute for anything that took place in Vienna, 2008/10.
    www.lisaholzer.net/Yes

  • 2008/10

    ______ ho is no substitute for anything, 4 one-night exhibitions in Vienna, an artists‘ project together w. Chiara Minchio, inspired by Louise Lawler and Sherrie Levine‘s A Picture Is No Substitute for Anything, 1981-82
    www.lisaholzer.net/ho

  • 2007-13

    Westphalie, a publishing house for artists‘ books concerned with language: textoriented publications, including in every way any play with letters, together with David Jourdan, www.westphalie.com

  • 2002-05

    Member of the artists group: a room of one‘s own

Publications

  • 2020

    Lisa Holzer, Esst mich! A Reader, 2020, Kunstverein München e.V. und Westphalie Verlag
    Deutsch / Englisch, Taschenbuch, 208 Seiten, 16,3 x 23,3 cm
    ISBN 978-3-903216-05-1

  • 2018

    I sweat. David Jourdan and Lisa Holzer (Ed.), Galerie Emanuel Layr and Westphalie, Vienna, 2018

  • 2017

    I sweat. Provence Magazine Issue C, Criticism Now, Spring/Summer, 2017

  • 2016

    Eat me. Novel Upstairs, edited by Alun Rowlands and Matt Williams, 2016

  • 2014

    Hair directions, I did love you once, Black Pages #52, Vienna, 2014
    Eight Years, David Jourdan (Ed.), Westphalie, Vienna, 2014
    I did love you once, Ruler #3, Helsinki

  • 2013

    It‘s my hair and I can do what I want with it!, Zug Magazine, Invisible #6, Innen, 2013

  • 2012

    Six Years... (POD version) Lisa Holzer and David Jourdan (eds.), Westphalie, Vienna, 2012

  • 2011

    The Architectural Landscape Volume 3 - Waldviertel Region, Springer Wien NewYork, 2011

  • 2010

    previewed - Fotografie aus Wien, EIKON, 2010
    Frisches Blut, 25 Minidramen, published by Lucas Cejpek and Adelheid Dahimene, 2010

  • 2009

    Pigiarniq, Issue # 17 of the magazine, 2009
    Öffentliche Kunst. Kunst im Öffentlichen Raum in NÖ - Band 9 / Public Art Lower Austria - volume 9, SpringerWienNewYork, 2009

  • 2008

    Publish and be Damned 2008, Four Corner Books, London, 2008
    Matrix, SpringerWienNewYork, 2008

  • 2007

    Pilot 3, text by Melanie Ohnemus, London, 2007
    Die Hose paßt wirklich ausgezeichnet, artist‘s book, Westphalie Verlag, Vienna
    Seltener Stil, Westphalie Verlag, Vienna, 2007

  • 2006

    Verborgene Geschichte/n remapping Mozart, Wiener Mozartjahr 2006, DVD

  • 2005

    Abstraction Now, Edition Camera Austria, Graz, 2005

  • 2004

    Neue Galerie Malmoe, Malmoe Nr.23, 2004

  • 2003

    site-seeing, die disneyfizierung der städte?, b_books, Berlin, 2003
    art.position 2003, Vienna, 2003

  • 2002

    And Other Bargain Goods, Musée des Beaux-Arts de Calais, 2002
    5020, Galerie 5020, Salzburg, 2002

  • 2001

    Camera Austria International Nr.74, text by Susanne Neuburger, 2001

Selected Press

  • 2020

    Hanna Magauer, (Essay) R.S.V.P., in: Texte zur Kunst (Dezember 2020)
    Vanessa Joan Müller, (Review) Lisa Holzer. Was trägt sie?. in: Camera Austria (März 2020)

  • 2018

    David Mistel, (Review) Lisa Holzer at Galerie Emanuel Layr, in: Artforum 56, No. 10 (Summer 2018)

  • 2017

    Katharine Doyle, (Feature) Lisa Holzer, in: Berlin Art Link (September 2017)

  • 2016

    Galerienprojekt ‚Curated by‘ in Wien, Ö1 Journale, 8.9.2016
    Lisa Holzer, Reviews, Michael Wilson, Artforum, May 2016
    i-D Magazine, Moritz Gaudlitz, 15 February 2016
    Collectors Agenda, February 2016
    Uomini e capitalismo, Lisa Holzer a Roma, Calogero Pirrera, Arttribune, February 28th

  • 2015

    The open and the opaque, S. Bee, aqnb, 18/05/2015
    The Great Escape, Paige K. Bradley, Artforum, DIARY, February 2015

  • 2014

    Lisa Holzer Interview by Quintessa Matranga, Mission Comics, August 2014
    Wenn Bilder sanft erröten: Pretty in Pink, NS, Falter, July 2014

  • 2013

    Lachen mit Lacan/Laughing With Lacan, Dominikus Müller, Frieze d/e Feature, 7 June 2013

  • 2012

    esprit de contradition, Les Inrockuptibles, 13 March 2012

  • 2011

    Im Anfang war der Mord, Wiener Zeitung, online version, 8 February 2011
    Unentschiedene Dekonstruktion, Margareta Sandhofer in artmagazine, 8 January 2011
    Kunstsongs: Das Lied der glücklichen Bäcker, Nicole Scheyerer, Falter, 29 November 2011

  • 2009

    Affine Akkumulation, Gesche Heumann in artmagazine 14 December 2009

  • 2007

    Neue Beziehungen, Christa Benzer in Der Standard, print version 20 December 2007
    Das -meist abwesende- Gegenüber, Alice Schmatzberger in artmagazine 30 April 2007
    Passende Hosen, Christa Benzer in Der Standard, print version 5 April 2007

  • 2004

    ‘Koschatzky Kunstpreis‘: Veredelte Apfelbäume, Todsünden., Almuth Spiegler in Die Presse online, 6 February 2004Gegenläufige visuelle Praktiken, Walter Seidl in artmagazine 17 February 2004

  • 2003

    Sektion einer Gattung ‚Abstraction now‘: Der Titel der Künstlerhaus-Ausstellung darf ruhig etwas ironisch verstanden werden, Doris Krumpl in Der Standard, print-version, 29 August 2003

  • 2002

    Mit und ohne Theorie Neues von der hippsten Kunstlocation Salzburgs, wag in Der Standard, print-version, 18 March 2002

Grants and Awards

  • 2017

    Stipend ‚Staatsstipendium für bildende Kunst‘, Vienna (AT)

  • 2007

    Artist in Residence, London (UK)
    Ein Platz für den Nachmittag, ‚Brunnen/Platzgestaltung Geras‘, Art in public space, permanent installation, Geras, Lower Austria (AT)

  • 2005

    Artist in Residence, Cité Internationale des Arts, Paris (FR)Koschatzky Art Price, Vienna (AT)
    Prize from the Salzburger Kunstverein and Salzburg (AT)

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