She knows nothing about clouds, 20 20, Vienna (AT)
DAMA Studio, Bolzano (IT)

Forgot Sunglasses, Layr, Vienna (AT)

Eyes hold things differently, LAYR, Vienna (AT)
What a beautiful idea you were, L‘etoile endettée, Berlin (DE)

Was trägt Sie?, Secession, Vienna (AT)
Esst mich!, Kunstverein, Munich (DE)

You make me very hungry / und ich hab schon wieder Hunger, Galerie im Turm, Berlin (DE)
I come in you, Galerie Emanuel Layr, Vienna (AT)

I come in you - The Party Sequel (Berlin), Galerie Gillmeier Rech, Berlin (DE)

Be A Funny Mom, Hester, New York (US)
Men What A Humble Word, Lira Gallery, Rome (IT)

The Man Who Is Unhappy and Opium In Cents Aesthetic (w. Chiara Minchio), The Composing Rooms, Berlin (DE)
Keep all Your Friends, Rowing, London (UK)

I did love you once. I did did, Frieze London, Focus Section w. Philipp Timischl, presented by Galerie Emanuel Layr, London (UK)
I did love you once, Galerie Emanuel Layr, Vienna (AT)

Art Basel Miami Beach Nova Section, w. Plamen Dejanoff, presented by Galerie Emanuel Layr, Miami Beach (US)
LISTE 18, Galerie Emanuel Layr, Basel (CH)

db Geld/Gelb bzw. Grün GGG Geh Geh Geh (w. Chiara Minchio), After Yes1, dingum 6,Tiergarten Eins, Berlin (DE)

Ich bin in der Mitte deines Bildes, Galerie Emanuel Layr, Vienna (AT)
Bread-and-Butter, Ditsies and Dumb-Dumb. (w. David Jourdan), Centre National de l‘Edition et de l‘Art Imprimé, Paris (FR)

....BBBB, Galerie Amer Abbas, Vienna (AT)

Die Hose paßt wirklich ausgezeichnet, Galerie Habres + Partner, Vienna (AT)

Die Hose paßt ausgezeichnet, Kabinett, Salzburger Kunstverein, Salzburg (AT)

Don‘t fall in love with me yet. I might be giant., auto, der neue Kunstraum, Vienna (AT)

Einige freie Flächen, Galerie 5020, Salzburg (AT)

Ringen, Loggia, Vienna (AT)
Unknown Familiars, The Vienna Insurance Group Collections, Leopold Museum, Vienna (AT)
love letters, Kunstverein Eisenstadt, Eisenstadt (AT) (upcoming)

Touch. Politiken der Berührung, European Month of Photography Berlin 2023, Amtsalon, Berlin (DE)
How to Move and Respond, Haus am Waldsee, Berlin (DE)
Exposure, Camera Austria, Graz (AT)
Double Exposure, Camera Austria, Graz (AT)

New Space Show, Layr, Vienna (AT)
Gmundner Fototage (curated by Boris Ondreicka) (AT)
Gmunden Bread and Digestifs (curated by Severin Dünser) (AT)
Callirrhoe, Athens (GR)

Duo Show with John Matthew Heard , MOUNTAINS, Berlin (DE)
Lange Nacht der künstlerischen Forschung, kunstbunker, Nürnberg (DE)

Which Gregg Araki Movie Are You From (curated by Claudia Rech), Haus, Vienna (AT)
Artists Clips, Secession, Vienna (AT) (online)
Summercamp, Kunstraum Konrad, Puchberg am Schneeberg (AT)

STREIK!, Grob Gallery, Geneva (CH)
Homework, Castiglioni Fine Arts, Milan (IT)

Someplace Special, Gillmeier Rech, Berlin (DE)
One Colour, Philipp Pflug Contemporary, Frankfurt am Main (DE)

in awe (curated by Melanie Onemus), Kunsthalle Exnergasse, Vienna (AT)
La vie mode d‘emploi, Centre d‘Art Contemporain Chanot, Clamart (FR)
Picture Perfect, Stuido Carnelutti, Milan (IT)
ich weiß nicht - Growing Relations between Things, Vienna Biennale, MAK, Vienna (AT)
L‘Image, Galerie Francesca Pia, Zurich (CH)
Retour Sur Mulholland Drive, La Panacée, Montpellier (FR)

It‘s only just beginnings, JOBS, Chicago (US)
Collection Joseph Kouli, Parcours Prive FIAC, Paris (FR)
Lonesome Wife (organised by Attilia Fattori Franchini), Seventeen, London (UK)
Fieber, curated by_Vienna, curated by Kari Rittenbach, Galerie Emanuel Layr, Vienna (AT)

By the Bearer in Whose Name it is Issued (curated by Quintessa Matranga), Centre for Style, Melbourne (AU) Et nous voici plus bas et plus haut que jamais (curated by Vincent Romagny), Chiso Bldg, Kyoto (JP)
Flirting with Strangers, 21erHaus, Vienna (AT)
A slowly built burner, Good Press Gallery, Glasgow (UK)
„Oh I love this one.“ & Facing Figure Wallet, Nina Beier and Lisa Holzer, Wunderkammer, Meessen De Clercq, Brussels (BE)
M‘m! M‘m! Good!, Rowing, London (UK)
New Museum Triennale: Surround Audience (cat.), New York (US)
DIDING, Ein Innen, das ein Außen bleibt? (cat.), Künstlerhaus Graz, Graz (AT)

@The Shrink, Shanaynay, curated by Simon Dybbroe Møller, Paris (FR)
Heathers (curated by Alex Ross), Rowing, London (UK)
The Elephant Test, Lothringer_13_Halle, Munich (DE)
A Matter of Taste, Dingum invited by The Ister, -1, Paris (FR)
Power of Chi, Spreez, Munich (DE)
In (The Mix) and on the go (Univers) for those in the know (Wanda), Scriptings/Achim Lengerer, Berlin (DE)
It‘s my hair and I can do what I want with it!, Galerie Kamm, Berlin (DE)
D.R.E.S.S.I.N.G., Space, London (UK)

NAIL US, mlartspace, New York (US)
It Also Says Imperceptibly, curated by gerlach en koop, Dolores, Amsterdam (NL)
Noisy Spaghetti, Allison Katz, Ditte Gantriis, Lisa Holzer & 10-gruppen, Fauna, Copenhagen (DK)
Marius Engh, Benjamin Hirte, Lisa Holzer, Galerie Emanuel Layr @ Knust x Kunz +, Munich (DE)
d @ ‚ZweiDrei‘, Berlin (DE)
FISSTHALER, HOLZER, JOURDAN, KOGER, LUX, NEUMANN, WESTPHALIE, Kunstpavillon Innsbruck, curated by Gabriele Mackert, Innsbruck (AT)
Pétrone/Pétrole, curated by Vincent Romagny, Air de Paris, Paris (FR)
Trisha Baga & No Brow, Galerie Emanuel Layr, Vienna (AT)
The Souls, a Twice-Told Tale (Second segment of the Doppelgänger cycle, curated by Vincent Romagny), CEAAC, Strasbourg (FR)

On Screen, Fotohof Galerie, Salzburg (AT)
Artissima, Turino (IT)
NADA Cologne, Galerie Emanuel Layr, Cologne (DE)
BOBOEGGOHOJOKRLEPIPOSTWI, Blattgasse 6, Vienna (AT)

Yes Or Yes, Yes Or Yes 4, Croy Nielsen, Berlin (DE)
Yes Or Yes, Yes Or Yes 3, Büro BQ, Berlin (DE)
Augusts Llen, Hotel Intercontinental, Vienna (AT)

Yes Or Yes, Yes Or Yes 2, Nice and Fit, Berlin (DE)
Laocoon II, COCO, Vienna (AT)
Yes Or Yes, Yes Or Yes 1, Supportico Lopez, Berlin (DE)
Abstrakt, The Forgotten Bar, Galerie Im Regierungsviertel, Berlin (DE)
Laocoon, COCO, Vienna (AT)
‚...Sorry - I didn‘t have time to google you‘, Julius Caesar, Chicago (US)
______ ho is no substitute for anything, Pro Choice, Vienna (AT)

Les pieds dans le vide, The Forgotten Bar, Galerie Im Regierungsviertel, Berlin (DE)
Economy of Plenty, Paper Bar, Künstlerhaus Passagegalerie, Vienna (AT)
Sex, Sex, Sex. Nein, Nein, Nein. Der so und sovielte Salon des Arts, Vienna (AT)
______ ho is no substitute for anything, Galerie Amer Abbas, Vienna (AT)
______ ho is no substitute for anything, Boltensternraum, Galerie Meyer Kainer, Vienna (AT)

______ ho is no substitute for anything, Vereinigung bildender Künstlerinnen Österreichs, Vienna (AT)
Matrix, Museum auf Abruf, Vienna (AT)

Beziehungsweise, works on paper, Galerie Hubert Winter, Vienna (AT)
Tension;Sex;Despair - Aber Hallo/Na Und, Kunsthalle Exnergasse, Vienna (AT)

Frisch zum Kampfe! Frisch zum Streite!, Hidden History/ies remapping Mozart, Wiener Mozartjahr, Vienna (AT)

Blick A, Blick B, Salzburger Kunstverein, Salzburg (AT)
Koschatzky Art Price, MUMOK Hofstallungen, Vienna (AT)
gosh! where are you now?, auto, der neue Kunstraum, Vienna (AT)

Positionen, Month of Photography, Werkraum, Vienna (AT)
constructa, Galerie 5020, Salzburg (AT)
Vorfreude, billboard project, Kunstbüro, Vienna (AT)
Born to be a star, with ‚a room of one‘s own‘, Künstlerhaus, Vienna (AT)
Der Widerstand der Fotografie, Camera Austria, Kunsthaus Graz, Graz (AT)
bb3 (cat.), with ‚a room of one‘s own‘, Berlin Biennal, Berlin (DE)

Mothers of invention-where is performance coming from?, with ‚ a room of one‘s own‘, MUMOK Factory, Vienna (AT)
Drei, Area 53, Vienna (AT)
Abstraction Now (cat.), Künstlerhaus, Vienna (AT)
Danke für die Illusionen, Grat/Beckmanngasse 52, Vienna (AT)
art.position 2003 (cat.), Ottakringer Brauerei, Vienna (AT)

site-seeing, die disneyfizierung der städte? (cat.), Künstlerhaus, Vienna (AT)
Das Experiment 2b (cat.), with ‚a room of one‘s own‘, Secession, Vienna (AT)
Private Space, Galerie Hubert Winter, Vienna (AT)
And Other Bargain Goods (cat.), Musée des Beaux-Arts, Calais (FR)

Fototage Herten, Herten (DE)

my house is your house, Galerie Hubert Winter, Vienna (AT)
Austrian Cultural Institute Budapest, Budapest (HU)
The First Austrotel Contemporary Art Fair (Galerie Hubert Winter), Vienna (AT)

Tuesday@Secession, Secession, Vienna (AT)
Say Nothing (Reading), Layr, Vienna (AT)

Everything, Bobshop, Berlin (DE)

Grapes in white chocolate (What comes out of pictures), Secession, Vienna (AT)

Nachspeise / Dessert, Secession Fundraising Dinner (not executed), Secession, Vienna (AT)
The reality has no door, The Performance Agency at Art Berlin, Berlin (DE)
Drives drive, Every discourse is a discourse of enjoyment, Esst mich!, Kunstverein München, Munich (DE)
The reality has no door, Wine gets depressed at times, Esst mich!, Kunstverein München, Munich (DE)
Und ich hab schon wieder Hunger / You make me very hungry, Esst mich!, Kunstverein München, Munich (DE)

Und ich hab schon wieder Hunger / You make me very hungry, Galerie im Turm, Berlin (DE)
November, Artist Lecture Series Vienna, organized by Ezara Spangl and Rainer Spangl, Skulpturinstitut, Vienna (AT)
My mascara is smeared or theirs. Runs, literally., I come in you, Galerie Emanuel Layr, Vienna (AT)
Drives drive Someplace Special, Galerie Gillmeier Rech, Berlin (DE)

This is a VIP dream, together with Trevor Lee Larson, Special Program Art Berlin (compiled by Valerie Chartrain and Nele Heinewetter), Berlin (DE)
My mascara is smeared or theirs. Runs, literally., Galerie Gillmeier Rech, Berlin (DE)

Eat Me., Sommerfest, 21erHaus, Vienna (AT)
Inducement (Shrimp Chips), Be a funny mom. Hester, New York (US)

To Make Omlettes, You cannot make an omelette without breaking eggs1, Japanese, Künstlerhaus, Halle für Kunst und Medien, Graz (AT)
To Make Omlettes, You cannot make an omelette without breaking eggs1, Japanese, Rowing, London (UK)

I did love you once. 3/1, Eoilog, Video dt., Proben 1, Performative Screenings #31, School, Vienna (AT)
My hand cooking and photographing single spaghetti against transparent milky surfaces my hand against my hand against, I did love you once, Galerie Emanuel Layr, Vienna (AT)
It‘s my hair and I can do what I want with it! (Cotton candy),It‘s my hair and I can do what I want with it!, Galerie Kamm, Berlin (DE)

Yellow, To Make Omelettes, You cannot make an omelette without breaking eggs1, Japanese; To Make Omelettes, You cannot make an omelette without breaking eggs2, French, Colour passes, permeates the glass, comes out of the picture, db Geld/Gelb bzw. Grün GGG Geh Geh Geh, After Yes1, dingum 6, Berlin (DE)

Read N‘ Utter, B-Language Performance w. David Jourdan, Centre National de l‘Edition et de l‘Art Imprimé, Paris (FR)
Lisa Holzer and Black Popcorn Talk, Yes Or Yes, Yes Or Yes 3, Croy Nielsen, Berlin (DE)
Lisa Holzer, Yes Or Yes, Yes Or Yes 3, Büro BQ, Berlin (DE)

Lisa Holzer, Yes Or Yes, Yes Or Yes 2, Nice and Fit, Berlin (DE)
Lisa Holzer, Yes Or Yes, Yes Or Yes 1, Supportico Lopez, Berlin (DE)
To Make Oneself Similar in this Sense, B-Language Performance w. David Jourdan, Bergfriedstrasse 19, Berlin (DE)

Economy of Plenty, B-Language Performance with David Jourdan, Paper Bar, Passagegalerie, Künstlerhaus, Vienna (AT)
Lobbing Rolls at a Holzer, live (After Rodney Graham), Sex, Sex, Sex. Nein, Nein, Nein. Der Fünfte Salon des Arts, Vienna (AT)

Die Hose paßt wirklich ausgezeichnet, Galerie Habres + Partner, Vienna (AT)

Die Hose paßt wirklich ausgezeichnet, Salzburger Kunstverein, Salzburg (AT)

Performance (I), La Tourelle, Paris (FR)
Performance (II), Avenue de New York, Paris (FR)

How to Move and Respond, Haus am Waldsee, Berlin (DE)

The reality doesn't have a door to knock on, just in case, Späti 71, with contributions by
Tolia Astakhishvili, Marco Bruzzone, Anke Dyes, Hanna Fiegenbaum, David Jourdan, Bob Kil, Nina Könnemann, Hans-Henning Korb, Chiara Minchio, Niklas Taleb, organized together with Hanna Fiegenbaum, Berlin (September)

No, 30.03.2020, #ArtistClips, Secession, 2020
I want to park, Instagram takeover Secession, 20. - 26. of January, 2020

Lisa Holzer, I sweat, book presentation, Hanna Magauer in conversation with Lisa Holzer, Spike, Berlin (DE)
Lisa Holzer, Artist Lecture Series Vienna, organized by Ezara Spangl and Rainer Spangl, Skulpturinstitut, Vienna (AT)
Lisa Holzer, I sweat, book presentation, Katharina Hausladen in conversation with Lisa Holzer, Secession, Vienna (AT)

Champagne Glass, Edition, Gallery Gillmeier Rech, Berlin (DE)

Talks: AOCT 2016, Actofcomingtogether (organized by Sophie Reinhold), Villa Romana, Florence (IT)

Hair directions for Calla Henkel & Max Pitegoff‘s play Apartment, New Theatre, Whitney Museum of American Art, New York (US)
The big Other, Sweatshirt for The New Museum Store‘s Triennal Capsule Collection, New York (US)

Hair directions for Calla Henkel & Max Pitegoff‘s play Apartment, New Theater, Berlin (DE)
‚New haircut. New House. New Home.‘ with Deanna Havas and Alex Ross, Rowing, London (UK)

Augusts Llen, artists project w. Chiara Minchio

Yes Or Yes, Yes Or Yes, 4 one-night exhibitions in Berlin, an artists‘ project together w. Chiara Minchio. This project follows the project ______ ho is no substitute for anything that took place in Vienna, 2008/10.
www.lisaholzer.net/Yes

______ ho is no substitute for anything, 4 one-night exhibitions in Vienna, an artists‘ project together w. Chiara Minchio, inspired by Louise Lawler and Sherrie Levine‘s A Picture Is No Substitute for Anything, 1981-82
www.lisaholzer.net/ho

Westphalie, a publishing house for artists‘ books concerned with language: textoriented publications, including in every way any play with letters, together with David Jourdan, www.westphalie.com

Member of the artists group: a room of one‘s own

Forgot Sunglasses Again, PROVENCE Newsletter, June 3, 2023

More (or five) Doors in Appendage, prefaces to, Grazer Kunstverein, 2022
Bewerbung für ein Recherchestipendium, dis/claim magazine ISSUE 1, 2022

Lisa Holzer, Esst mich! A Reader, 2020, Kunstverein München e.V. und Westphalie Verlag
Deutsch / Englisch, Taschenbuch, 208 Seiten, 16,3 x 23,3 cm
ISBN 978-3-903216-05-1

I sweat. David Jourdan and Lisa Holzer (Ed.), Galerie Emanuel Layr and Westphalie, Vienna, 2018

I sweat. Provence Magazine Issue C, Criticism Now, Spring/Summer, 2017

Eat me. Novel Upstairs, edited by Alun Rowlands and Matt Williams, 2016

Hair directions, I did love you once, Black Pages #52, Vienna, 2014
Eight Years, David Jourdan (Ed.), Westphalie, Vienna, 2014
I did love you once, Ruler #3, Helsinki

It‘s my hair and I can do what I want with it!, Zug Magazine, Invisible #6, Innen, 2013

Six Years... (POD version) Lisa Holzer and David Jourdan (eds.), Westphalie, Vienna, 2012

The Architectural Landscape Volume 3 - Waldviertel Region, Springer Wien NewYork, 2011

previewed - Fotografie aus Wien, EIKON, 2010
Frisches Blut, 25 Minidramen, published by Lucas Cejpek and Adelheid Dahimene, 2010

Pigiarniq, Issue # 17 of the magazine, 2009
Öffentliche Kunst. Kunst im Öffentlichen Raum in NÖ - Band 9 / Public Art Lower Austria - volume 9, SpringerWienNewYork, 2009

Publish and be Damned 2008, Four Corner Books, London, 2008
Matrix, SpringerWienNewYork, 2008

Pilot 3, text by Melanie Ohnemus, London, 2007
Die Hose paßt wirklich ausgezeichnet, artist‘s book, Westphalie Verlag, Vienna
Seltener Stil, Westphalie Verlag, Vienna, 2007

Verborgene Geschichte/n remapping Mozart, Wiener Mozartjahr 2006, DVD

Abstraction Now, Edition Camera Austria, Graz, 2005

Neue Galerie Malmoe, Malmoe Nr.23, 2004

site-seeing, die disneyfizierung der städte?, b_books, Berlin, 2003
art.position 2003, Vienna, 2003

And Other Bargain Goods, Musée des Beaux-Arts de Calais, 2002
5020, Galerie 5020, Salzburg, 2002

Camera Austria International Nr.74, text by Susanne Neuburger, 2001

Hanna Magauer, (Essay) R.S.V.P., in: Texte zur Kunst (Dezember 2020)
Vanessa Joan Müller, (Review) Lisa Holzer. Was trägt sie?. in: Camera Austria (März 2020)

David Mistel, (Review) Lisa Holzer at Galerie Emanuel Layr, in: Artforum 56, No. 10 (Summer 2018)

Katharine Doyle, (Feature) Lisa Holzer, in: Berlin Art Link (September 2017)

Galerienprojekt ‚Curated by‘ in Wien, Ö1 Journale, 8.9.2016
Lisa Holzer, Reviews, Michael Wilson, Artforum, May 2016
i-D Magazine, Moritz Gaudlitz, 15 February 2016
Collectors Agenda, February 2016
Uomini e capitalismo, Lisa Holzer a Roma, Calogero Pirrera, Arttribune, February 28th

The open and the opaque, S. Bee, aqnb, 18/05/2015
The Great Escape, Paige K. Bradley, Artforum, DIARY, February 2015

Lisa Holzer Interview by Quintessa Matranga, Mission Comics, August 2014
Wenn Bilder sanft erröten: Pretty in Pink, NS, Falter, July 2014

Lachen mit Lacan/Laughing With Lacan, Dominikus Müller, Frieze d/e Feature, 7 June 2013

esprit de contradition, Les Inrockuptibles, 13 March 2012

Im Anfang war der Mord, Wiener Zeitung, online version, 8 February 2011
Unentschiedene Dekonstruktion, Margareta Sandhofer in artmagazine, 8 January 2011
Kunstsongs: Das Lied der glücklichen Bäcker, Nicole Scheyerer, Falter, 29 November 2011

Affine Akkumulation, Gesche Heumann in artmagazine 14 December 2009

Neue Beziehungen, Christa Benzer in Der Standard, print version 20 December 2007
Das -meist abwesende- Gegenüber, Alice Schmatzberger in artmagazine 30 April 2007
Passende Hosen, Christa Benzer in Der Standard, print version 5 April 2007

‘Koschatzky Kunstpreis‘: Veredelte Apfelbäume, Todsünden., Almuth Spiegler in Die Presse online, 6 February 2004Gegenläufige visuelle Praktiken, Walter Seidl in artmagazine 17 February 2004

Sektion einer Gattung ‚Abstraction now‘: Der Titel der Künstlerhaus-Ausstellung darf ruhig etwas ironisch verstanden werden, Doris Krumpl in Der Standard, print-version, 29 August 2003

Mit und ohne Theorie Neues von der hippsten Kunstlocation Salzburgs, wag in Der Standard, print-version, 18 March 2002

Research stipend for fine arts, Senatsverwaltung für Kultur und Europa, Berlin (DE)

Stipend ‚Staatsstipendium für bildende Kunst‘, Vienna (AT)

SoArt Residency, Millstättersee, Austria (AT)

Artist in Residence, London (UK)
Ein Platz für den Nachmittag, ‚Brunnen/Platzgestaltung Geras‘, Art in public space, permanent installation, Geras, Lower Austria (AT)

Artist in Residence, Cité Internationale des Arts, Paris (FR)Koschatzky Art Price, Vienna (AT)
Prize from the Salzburger Kunstverein and Salzburg (AT)