Seilerstaette
Fieber
Lena Henke, Lisa Holzer, Margaret Raspé
Curated by Festival / curated by Kari Rittenbach
September 9 – November 4, 2016

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna






Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Margaret Raspé
Schweineschnitzel (Pork Schnitzel), 1971
Super 8 transferred to blu-ray, color, silent
00:04:00

Margaret Raspé
Backe, backe Kuchen (Pat-a-Cake, Pat-a-Cake), 1972
Super 8 transferred to blu-ray, color, silent
00:20:00

Margaret Raspé
Die Selbstbewegung des Grautomaten oder Schein bleibt Schein (The Auto-Motion of the Femachine, or Appearance is Still Appearance), 1977
Super 8 transferred to blu-ray, color, silent
00:12:00

Lisa Holzer
Not yet titled, 2016
Pigment print on cotton paper, crystal clear 202/1, polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Lisa Holzer
Not yet titled, 2016
Pigment print on cotton paper, crystal clear 202/1, polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Lisa Holzer
Not yet titled, 2016
Pigment print on cotton paper, crystal clear 202/1, polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Lisa Holzer
Not yet titled, 2016
Pigment print on cotton paper, crystal clear 202/1, polyurethane and acrylic paint on glass
110.3 × 86.3 cm

Lena Henke
Nie erlag ich seiner Persönlichkeit, 2016
Metal, sand, silicone, fiberglass, epoxy resin, rubber
90 × 45 × 45 cm

Lena Henke
Nie erlag ich seiner Persönlichkeit, 2016
Metal, sand, silicone, fiberglass, epoxy resin, rubber
90 × 45 × 45 cm
Detail view

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Lena Henke
Female monster, 2016
Glazed ceramic
24 × 21 × 23 cm

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Lena Henke
The fatal net, 2016
Glazed ceramic
20 × 15.5 × 12 cm

Lena Henke
The fatal net, 2016
Glazed ceramic
20 × 15.5 × 12 cm

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Lena Henke
The red tower, 2016
Ceramic
19.5 × 22.4 cm

Lena Henke
Enigma, 2016
Ceramic
29 × 20.5 × 18 cm

Lena Henke
Ihre Spülküche, 2016
Metal, sand, silicone
98.5 × 53.5 × 30 cm

Lena Henke
Ihre Spülküche, 2016
Metal, sand, silicone
98.5 × 53.5 × 30 cm

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Margaret Raspé
Der Sadist schlägt das eindeutig Unschuldige (The Sadist Beats the Unquestionably Innocent), 1971
Super 8 transferred to blu-ray, color, silent
00:06:00

Margaret Raspé
Alle Tage wieder - let them swing! (Tomorrow and Tomorrow and Tomorrow Again - Let them swing!), 1974
Super 8 transferred to blu-ray, color, silent
00:19:00

Margaret Raspé
Blau auf Weiß, Ränder und Rahmen (Blue on White Edges and Frames), 1979
Super 8 transferred to blu-ray, color, silent
00:18:00

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Lena Henke
Eure Frankfurter Küche, 2016
Metal, sand, silicone, fiberglass, epoxy resin, rubber
70 × 70 × 45 cm

Lena Henke
Eure Frankfurter Küche, 2016
Metal, sand, silicone, fiberglass, epoxy resin, rubber
70 × 70 × 45 cm
Detail view

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Lena Henke
Mein warmer Ofen, 2016
Metal, sand, silicone, fiberglass, epoxy resin, rubber
44.5 × 44 × 90 cm
Detail view

Fieber, 2016
Installation view
Layr Seilerstaette, Vienna

Margaret Raspé
Oh Tod, wie nahrhaft bist Du (Oh Death, How Nourishing You Are...), 1972-73
Super 8 transferred to blu-ray, color, silent
00:15:00

Margaret Raspé
Gelb, Rot und Blau entgegen (Towards Yellow, Red and Blue), 1983
Super 8 transferred to blu-ray, color, silent
00:28:00
Fieber
Prometheus’s reckless gift to mankind ensured his never-ending torment, and the invention of civilization as we know it. Even the Ancient Greek root of economics, or oikos, indicates “hearth and home,” although the concept of social reproduction as women’s work in particular (within the patriarchy of Western capitalism) was not radically theorized until the 1970s. Yet we still have plenty of (weak) metaphors for tending to the home fires, an expression which is sometimes taken to mean sustained passion – or maybe: sex. Shame, tuberculosis, and other pathological ailments may also cause the body to burn, or shiver, by turns; in an unregulated frenzy that may alert calmer passers-by to the hot-blooded atmosphere. Tensions are said to boil. And when the fever breaks, you sweat.