Philipp Timischl
News:
March 7 – May 25, 2025
Philipp Timischl (Solo Show), Salon of the Museum of Contemporary Art, Belgrade (SRB)
December 7, 2024
Philipp Timischl (Special Project) HULFE x Philipp Timischl, Berlin (DE)
September 5 – November 10, 2024
July 7 – November 10, 2024
April 26, 2024 – March 31, 2025
Philipp Timischl
How to tastefully plagiarise myself, 2024
Installation view
Le Confort Moderne, Poitiers (FR)
Philipp Timischl
How to tastefully plagiarise myself, 2024
Installation view
Le Confort Moderne, Poitiers (FR)
Philipp Timischl
How to tastefully plagiarise myself, 2024
Installation view
Le Confort Moderne, Poitiers (FR)
Philipp Timischl
How to tastefully plagiarise myself, 2024
Installation view
Le Confort Moderne, Poitiers (FR)
Philipp Timischl
How to tastefully plagiarise myself, 2024
Installation view
Le Confort Moderne, Poitiers (FR)
Philipp Timischl
How to tastefully plagiarise myself, 2024
Installation view
Le Confort Moderne, Poitiers (FR)
Philipp Timischl
Evelyn Plaschg & Philipp Timischl, Action Painting / Some brains can be funny, 2023
Installation view
Layr, Vienna
Philipp Timischl
Evelyn Plaschg & Philipp Timischl, Action Painting / Some brains can be funny, 2023
Installation view
Layr, Vienna
Philipp Timischl
Evelyn Plaschg & Philipp Timischl, Action Painting / Some brains can be funny, 2023
Installation view
Layr, Vienna
Philipp Timischl
Between Pixel and Pigment. Hybrid Painting in post-digital Time, 2024
Installation view
Museum Marta Herford, Herford (DE)
Photo by Phillip Ottendörfer
Philipp Timischl
Between Pixel and Pigment. Hybrid Painting in post-digital Time, 2024
Installation view
Kunsthalle Bielefeld, Bielefeld (DE)
Photo by Phillip Ottendörfer
Philipp Timischl
Doomscroll, Feelings are Facts, 2023
Installation View
Kunstverein Eisenstadt (AT)
Philipp Timischl
I love my brain and thinking and always having thoughts, 2023
Installation view
MGKWalls, Museum für Gegenwartskunst Siegen, Siegen (DE)
Philipp Timischl
I love my brain and thinking and always having thoughts, 2023
Installation view
MGKWalls, Museum für Gegenwartskunst Siegen, Siegen (DE)
Philipp Timischl
I love my brain and thinking and always having thoughts, 2023
Installation view
MGKWalls, Museum für Gegenwartskunst Siegen, Siegen (DE)
Philipp Timischl
Pray more, worry less, 2023
Installation view
Lundgren Gallery, Palma (SP)
Philipp Timischl
Pray more, worry less, 2023
Installation view
Lundgren Gallery, Palma (SP)
Philipp Timischl
The embedded mentality of self-sufficiency, 2021
66 LED screen panels, 2 paintings (mixed media on canvas), metal mounting system, media player, 10:00 min video loop
900 × 300 × 100 cm
Art Basel Unlimited, Basel, 2021
Philipp Timischl
The embedded mentality of self-sufficiency, 2021
66 LED screen panels, 2 paintings (mixed media on canvas), metal mounting system, media player, 10:00 min video loop
900 × 300 × 100 cm
Art Basel Unlimited, Basel, 2021
Philipp Timischl
Icon of perverted values, 2022
Oil and acrylic on canvas, LED Panels, media player, Video
170 × 200 cm
Philipp Timischl
Reality is the worst case scenario
Installation view
Heidelberger Kunstverein, Heidelberg (DE)
Philipp Timischl
Kim and Kourtney FIGHT over Work Ethic, 2021
Spraypaint on fake fur above LED Panels, Mediaplayer, Video 4’49’', 200 × 100 × 50 cm
Installation view, Philipp Timischl Reality is the worst case scenario, Heidelberger Kunstverein, Heidelberg (DE)
Philipp Timischl
Reality is the worst case scenario
Installation view
Heidelberger Kunstverein, Heidelberg (DE)
Philipp Timischl
Connaisseur du conflit / Connoisseur of conflict, 2021
Installation view
LAYR Coburgbastei, Vienna
Philipp Timischl
Connaisseur du conflit / Connoisseur of conflict, 2021
Installation view
LAYR Coburgbastei, Vienna
Philipp Timischl
Yung Eilish / Billie Lean, 2021
Silkscreen, acrylic paint on canvas next to LED panels, mediaplayer, video 00:04:22
150 × 150 × 50 cm
Philipp Timischl
A man of importance, a man of affairs, 2021
Silkscreen on canvas next to LED panels, mediaplayer, video 00:001:29
150 × 100 × 50 cm
Gina Folly & Philipp Timischl
ORCA - ORGANIC REDUNDANT CATASTROPHE AVERSION, 2021
Installation view
Fondation Fiminco, Paris
Philipp Timischl
Hard workers (Gold & Gold), 2021
24k gold leaves, gold effect spray paint and acrylic paint on canvas, LED panels, metal truss, media player, video 00:03:30
150 × 100 × 50 cm
Philipp Timischl
Hard workers (Pink & Pink), 2021
Mixed Media on fake fur, LED Panels, metal truss, media player, Video 3’39''
150 × 100 × 50 cm
Philipp Timischl
Hard workers (Blue & Blue), 2021
Incredibly Kleinish Blue on linen, LED panels, metal truss, media player, video 00:04:27
150 × 100 × 50 cm
Philipp Timischl
An abstract and a site-specific painting walk outside a museum, 2022
Acrylic paint, canvas, LED Panels, metal truss, media player, Video 4’27''
each sculpture: 200 × 200cm
Philipp Timischl
The most interesting person in the room, 2020
Silkscreen and acrylic paint on canvas next to LED panels, media player, video 00:00:57
150 × 100 × 50 cm
Philipp Timischl
Drip / Drop, 2020
Acrylic paint on canvas next to led panels, media player, video 00:05:00
150 × 100 × 50 cm
Philipp Timischl
Letzte Lockerung, 2019
Installation view
Kunsthalle Bern, Bern
Philipp Timischl
Downtown Bern (Helvetiaplatz), 2019
C-print, framed with custom passepartout
40 × 30 cm
Philipp Timischl
Letzte Lockerung, 2019
Installation view
Kunsthalle Bern, Bern
Philipp Timischl
Artworks for All Age Groups, 2019
Installation view
Secession, Vienna
Philipp Timischl
Artworks for All Age Groups, 2018
C-print, framed with custom passepartout
40 × 30 cm
Philipp Timischl
Artworks for All Age Groups, 2018
C-print, framed with custom passepartout
40 × 30 cm
Philipp Timischl
Artworks for All Age Groups, 2018
UV-direct print, acrylic paint on canvas and flatscreen with HD video 00:02:24
159 × 105 × 5 cm
Philipp Timischl
Artworks for All Age Groups, 2019
Installation view
Secession, Vienna
Philipp Timischl
Artworks for All Age Groups, 2019
Installation view
Secession, Vienna
Philipp Timischl
Too blessed to be stressed, too broke to be bothered., 2019
Installation view
Layr, Rome
Philipp Timischl
GOOD BOY (Seychelles, Ochre, Gold), 2019
Velvet on wooden board, oil, glitter
100 × 70 × 4 cm
Philipp Timischl
GOOD BOY (Seychelles, Sienna, Silver), 2019
Velvet on wooden board, oil, glitter
100 × 80 × 5 cm
Philipp Timischl
Too blessed to be stressed, too broke to be bothered., 2019
Installation view
Layr, Rome
Philipp Timischl
Too blessed to be stressed, too broke to be bothered. (ANGELINO HEIGHTS), 2019
C-print, framed with custom passepartout
40 × 30 cm
Philipp Timischl
Too blessed to be stressed, too broke to be bothered. (SILVERLAKE), 2019
C-print, framed with custom passepartout
40 × 30 cm
Philipp Timischl
"Fool me once, Fool me twice. We pay top cash.", 2018
Xerox print, metal chain, embossed dog tag, acrylicglass on linen, framed
120 × 90 cm
Philipp Timischl
"Your complaining is draining. Don’t be gentle with me.", 2018
Xerox print, metal chain, embossed dog tag, acrylicglass on linen, framed
120 × 90 cm
Philipp Timischl
Buckle up buttercup. And pray for my money., 2018
Xerox print, metal chain, embossed dog tag, acrylicglass on linen, framed
120 × 90 cm
Philipp Timischl
"Hot style, sexy smile, nice ass, which class? (Hôtel de Ville)", 2018
Fine art inkjet pigment print on Hahnemühle german etching paper, framed
200 × 70 cm
Philipp Timischl
"Hot style, sexy smile, nice ass, which class? (Place Baudoyer)", 2018
Fine art inkjet pigment print on Hahnemühle german etching paper, framed
200 × 70 cm
Art Basel Hong Kong, 2018
Installation view
Hong Kong
Philipp Timischl
HOSTILE HABITS DOMESTIC MONUMENTS, CLASS DRAG, 2017
Installation view
Layr Seilerstaette, Vienna
Philipp Timischl
HOSTILE HABITS DOMESTIC MONUMENTS, CLASS DRAG, 2017
Installation view
Layr Seilerstaette, Vienna
Philipp Timischl
HOSTILE HABITS DOMESTIC MONUMENTS, CLASS DRAG, 2017
Installation view
Layr Seilerstaette, Vienna
Max Henry, (Review) Philipp Timischl at Emanuel Layr Vienna, in: Frieze (April 2017)
Seilerstaette
HOSTILE HABITS DOMESTIC MONUMENTS, CLASS DRAG
Philipp Timischl
March 29 – May 27, 2017
Philipp Timischl
Class Drag, 2017
Mixed media on canvas with engraved acrylic glass and frame
203 × 283 cm
Philipp Timischl
Untitled, 2017
Cardboard, fake fur, flatscreen, videoplaylist 00:11:47
Philipp Timischl
Problems, 2016
Installation view
Halle für Kunst Lüneburg, Lüneburg
Photo: Fred Dott, Hamburg
Philipp Timischl
Problems, 2016
Installation view
Halle für Kunst Lüneburg, Lüneburg
Philipp Timischl
Capital P, Problems, 2016
Acrylic on canvas
190 × 125 cm
Philipp Timischl
Problems, 2016
Installation view
Halle für Kunst Lüneburg, Lüneburg
Philipp Timischl
Problems, 2016
Installation view
Halle für Kunst Lüneburg, Lüneburg
Philipp Timischl
2, 2016
Installation view
Vilma Gold, London
Philipp Timischl
High 5 and Low 5 (recto), 2016
Walnut frame, cement plinth, engraved metal label, UV-print on acrylic glass
140 × 46 × 9 cm
Philipp Timischl
High 5 and Low 5 (recto), 2016
Walnut frame, cement plinth, engraved metal label, UV-print on acrylic glass
140 × 46 × 9 cm
Hans Ulrich Obrist, Simon Castets, (Interview) Philipp Timischl, in: Kaleidoskope Magazine 23 (Winter 2015)
Philipp Timischl
Far from Good, 2015
UV-direct print, acrylic paint on canvas and flatscreen with HD video 00:02:24
203 × 107 × 5 cm
Philipp Timischl
good from afar/far from good, 2015
Installation view
Martos Gallery, Los Angeles
Philipp Timischl
do you believe in horoscopes? What role does chance play?, 2015
UV-Direct Print, acrylic paint and epoxy resin on canvas with engraved acrylic glass and custom-made frame
90 × 130 cm
Philipp Timischl
"They were treating me like an object. As if I were some sextoy or shit. I don't wanna see them again.", 2014/15
Installation view
KM-Künstlerhaus, Halle für Kunst und Medien, Graz
Philipp Timischl
"They were treating me like an object. As if I were some sextoy or shit. I don't wanna see them again.", 2014/15
Installation view
KM-Künstlerhaus, Halle für Kunst und Medien, Graz
Philipp Timischl
"They were treating me like an object. As if I were some sextoy or shit. I don't wanna see them again.", 2014/15
Installation view
KM-Künstlerhaus, Halle für Kunst und Medien, Graz
Philipp Timischl
Yet, The Alternatives On Offer, 2014
Installation view
Layr An der Hülben, Vienna
Philipp Timischl
Yet, The Alternatives On Offer, 2014
Installation view
Layr An der Hülben, Vienna
Philipp Timischl
Yet, The Alternatives On Offer, 2014
UV-direct print on epoxy resin on canvas above flatscreen, video loop 00:02:00
159 × 105 × 5 cm
Philipp Timischl
Patchy at best (D/E), 2014
UV-direct print on epoxy resin on canvas above flatscreen, two videos, each 00:05:16
159 × 105 × 5 cm
Philipp Timischl
Yet, The Alternatives On Offer, 2014
UV-direct print on epoxy resin on canvas above flatscreen, video 00:02:00
159 × 105 × 5 cm
Philipp Timischl
The Blair Bitch Project, 2013/15
Installation view
Perfect Present, Copenhagen
Philipp Timischl
"Philipp, I have the feeling I'm incredibly good looking, but have nothing to say", 2013
Installation view
21er Raum at 21er Haus, Vienna
Philipp Timischl
"Philipp, I have the feeling I'm incredibly good looking, but have nothing to say", 2013
Installation view
21er Raum at 21er Haus, Vienna
Philipp Timischl
"Philipp, I have the feeling I'm incredibly good looking, but have nothing to say", 2013
Installation view
21er Raum at 21er Haus, Vienna
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Philipp Timischl “How to tastefully plagiarize myself” at Le Confort Moderne, Poitiers, Mousse Magazine & Publishing (July 2024)
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Paul Clinton (Portrait), Philipp Timischl x Numéro art, In: Numéro art (October 2023)
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Susanne El Hachimi-Schreiber (Review), Keine Angst vor dem Museum, In: Siegener Zeitung (May 2023)
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Claudia Irle-Utsch (Review), Countdown in Dauerschleife, In: Siegerländer Morgenzeitung (May 2023)
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Philipp Timischl “Reality is the worst-case scenario” at Heidelberger Kunstverein. Mousse Magazine & Publishing
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Kate Brown (Review), The 5 Most Arresting Works at Art Basel, From an Epic $750,000 Painting by Meleko Mokgosi to a Low-Fi Video That Went Viral on TikTok, In: artnet (24 September 2021)
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Philipp Timischl, Connaisseur du conflit / Connoisseur of conflict, In: Contemporary Art Daily (2021)
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Philipp Timischl at LAYR, In: Art viewer (3 June 2021)
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Philipp Timischl at LAYR Coburgbastei, Vienna, In: Contemporary Art Writing Daily (1 June 2021)
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Nicole Scheyerer (Review), Konfliktkenner in Action, in: Falter (May 2021)
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Contemporary Art Magazine, (Review) This is tomorrow, in: Contemporary Art Magazine (January 2019)
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Pia-Marie Remmers, (Interview) Philipp Timischl: Jeder kommt mit bestimmten Markern auf die Welt, in: PW Magazine (December 2018)
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Max Henry, (Review) Philipp Timischl at Emanuel Layr Vienna, in: Frieze (April 2017)
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Pierre-Alexandre Mateos and Charles Teyssou, (Interview) Interview with Philipp Timischl, in: CURA (2016)
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Hans Ulrich Obrist, Simon Castets, (Interview) Philipp Timischl, in: Kaleidoskope Magazine 23 (Winter 2015)
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Francois Quintin, (Feature) Philipp Timischl, in: Arts Magazine (December 2014)
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Alexis Jakubowicz, (Feature) Face Surface, in: Code Magazine (Autumn 2014)
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Nicolas Tremblay, (Feature) L’artiste du mois.. Philipp Timischl, in: Numéro Magazine (October 2014)
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Jonathan Griffin, (Review) The History of Technology, in: Frieze 166 (October 2014)
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Dominikus Müller, (Review) Ganz einfach. Philipp Timischl, in: Frieze d/e 16 (September 2014)
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Aaron Bogart, (Review) Philipp Timischl, in: Flash Art (March/April 2014)
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Christoph Schütte, (Review) Philipp Timischl at Neue Alte Brücke Frankfurt am Main. in: FAZ (November 2013)
Portrait of the artist in Paris
Philipp Timischl
*1989 Graz, Austria
lives and works in Paris
Education
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2007-12
Akademie der bildenden Künste, Vienna (AT)
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2010-11
Städelschule, Frankfurt (DE)
Solo Exhibitions
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2025
Salon of the Museum of Contemporary Art, Belgrade (SRB) (upcoming)
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2024
I’m Just Going to Change Real Quick, High Art, Paris (FR)
Comment me plagier avec goût (How to tastefully plagiarise myself), curated by Pierre-Alexandre Mateos & Charles Teyssou, Le Confort Moderne, Poitiers (FR) -
2023
Pray more, worry less, Lundgren Gallery, Palma (SP)
I like my brain and thinking and always having thoughts, MGKWalls, Museum für Gegenwartskunst Siegen, Siegen (DE)
Action Painting / Some brains can be funny, Evelyn Plaschg & Philipp Timischl (Duo), Layr, Vienna (AT) -
2022
Reality is the worst case scenario, Heidelberger Kunstverein, Heidelberg (DE)
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2021
Connaisseur du conflit / Connoisseur of conflict, LAYR, Vienna (AT)
Public Sculpture, MQ, Vienna (AT) -
2020
“A table for 50“ (w. Gina Folly) - PCP Gallery, Paris
“:O :P :(“ - Gabi+, Vienna -
2019
Too blessed to be stressed, too broke to be bothered., Galerie Emanuel Layr, Rome (IT)
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2018
Artworks For All Age Groups, Secession, Vienna (AT)
My masters, my gods, Gallery Neue Alte Brücke, Frankfurt (DE)
Artbasel Hongkong, Discoveries, with Galerie Emanuel Layr, Hongkong (HK) -
2017
Hostile Habits Domestic Monuments, Class Drag, Galerie Emanuel Layr, Vienna (AT)
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2016
Problems, Halle für Kunst, Lüneburg (DE)
2, Vilma Gold, London (UK) -
2015
Good from afar/ Far from good, Martos Gallery, Los Angeles (US)
Meditation United, with Sarah Ortmeyer, Tank.tv, London (UK)
Independent New York, Neue Alte Bruecke, New York (US) -
2014
They were treating me like an object..., KM-K Künstlerhaus, Graz (AT)
Frieze Art Fair London, Focus Section, w. Lisa Holzer, Galerie Emanuel Layr, London (UK)
LISTE, Basel, Neue Alte Brücke, Basel (CH)
Yet, The Alternatives on Offer, Galerie Emanuel Layr, Vienna (AT)
Two Parks (w. Anne Speier), Vilma Gold Gallery, London (UK) -
2013
12346, not 5, Neue Alte Brücke, Frankfurt (DE)
Philipp, I have..., 21er Haus, Vienna (AT)
These Days (w. Min Yoon), Studio Lenikus, Vienna (AT)
The Blair Bitch Project, Perfect Present, Copenhagen (DK) -
2012
Full Motion, Zeigeraum, Vienna (AT)
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2011
It‘s so slippery, really slippery, Fondation Herz, Vienna (AT)
Nice videowall my friend, evening @ L‘otion Licker, Vienna (AT)
Selected Group Exhibitions
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2024
Cruella De-vil curated by Noam Alon, Sultana Summer Set, Arles (FR)
DIGITAL IV – Koexistenz, Fotogalerie Wien, Vienna (AT)
Unknown Familiars, The Vienna Insurance Group Collections, Leopold Museum, Vienna (AT)
Between Pixel and Pigment. Hybrid Painting in Postdigital Times, Kunsthalle Bielefeld, Bielefeld & Museum Marta Herford, Herford (DE)
The View curated by Nicolaus Schafhausen, Servais Family Collection, The Loft, Brussels (BE)
Psychic Topographies curated by Andrew Hodgson & Sini Rinne-Kanto, Profil, Paris (FR)
Old Friend, Bonny Poon / Conditions, Toronto (CAD)
On The Blink, At Sentiment at Studiolo, Paris (FR) -
2023
Care Package, Blue Velvet Projects, Zürich (CH)
Molinier rose saumon (nous sommes tous des menteurs), Frac Nouvelle-Aquitaine MÉCA, Bordeaux (FR)
twenty four curated by Raphael Oberhuber, Gabriele Senn Galerie, Vienna (AT)
NGV Triennial 2023, Melbourne (AUS) -
2022
New Space Show, Layr, Vienna (AT)
LOOK, Heidi Horten Collection, Vienna (AT)
Manifesto of Fragility, Lyon Biennale of Contemporary Art, Lyon (FR)
Something is Burning, Kunsthalle Bratislava, Bratislava (SK)
OPEN, Heidi Horten Collection, Vienna (AT)
Schindler House Los Angeles, Space as a Medium of Art, MAK, Vienna (AT) -
2021
Myco TV (online screening), Cinema 3, ICA, London (UK)
Avant-Garde and the Contemporary: The Belvedere Collection from Lassnig to Knebl, Belvedere21, Vienna (AT)
ORCA - Organic Redundant Catastrophe Aversion (Duo Show), Fondation Fiminco, Paris (FR)
Freedom of Sleep, Fondation Fiminco, Paris (FR) -
2020
Stay brief, and leave (with Gina Folly), Fondation d‘enterprise Pernod Ricard, Paris (FR)
Fuck You Be Nice, Air de Paris, Paris (FR)
Friends and Neighbours, High Art, Paris (FR)
Paranoia strikes deep, Osnova Gallery, Moscow (RUS)
Molly House, Exile, Vienna (AT)
The Digital Effect, Neuer Kunstverein Wien, Vienna (AT)
Diaries: Era of good feelings (online), 47Canal, New York City (US) -
2019
Letzte Lockerung, Kunsthalle Bern (CH)
In-visible Realness: 50 Jahre nach Stonewall, PS120, Berlin (DE)
Fauxthenticity, Austrian Cultural Forum Prague (CZ)
Artists use Photography, Praz Delavallade, Los Angeles (US)
Display, Dortmunder Kunstverein (DE)
Queer Art Space Vienna, Kunsthalle Exnergasse, Vienna (AT)
Über das Neue. Junge Szenen in Wien, Belvedere 21, Vienna (AT)
Cruising Pavilion, New York, Ludlow 38, New York (US)
The Santee Alley, MAK Center, Los Angeles (US) -
2018
Der Wert der Freiheit, Belvedere 21, Vienna (AT)
(In)Constancy of Space III, Galerija Prsten, Zagreb & MLU, Osijek (CR)
Carved and Shaped by Proximity, Pina, Vienna (AT)
Ahhh, real monsters, Clages Gallery, Cologne (DE)
Sundogs Sunglasses, Sundogs, Paris (FR) -
2017
The Locker Room Show, Plymouth Rock, Zurich (CH)
Wholesome Environment, Lundgren Gallery, Palma (ES)
“moi non-moi” or “carrying owls to athens”, Büro Weltausstellung, Wiener Art Foundation, Vienna (AT)
When it hasn‘t been your day, your week, your month or even your year, Weekends, Paris (FR)
How far to open up?, Forum Stadtpark, Graz (AT)
Cinéma!, Samuel le Paire, Paris (FR) -
2016
Don‘t say I didn‘t say it, Spike Place, Berlin (DE)
You never actually own anything, Galerie Lucas Hirsch, Düsseldorf (DE)
Reconstructive Memory, Gallery Valentin, Paris (FR)
Belong Anywhere, Garret Grimoire, Vienne (AT)
Overseas BF, Glovebox, Auckland (NZ)
Qidian, Zendai Zhujiajiao Art Museum, Shanghai (C)
Humble Habits Domestic Monuments 2, HHDM, New York (US)
FIAC, Paris, with Galerie Emanuel Layr, Vienna (AT)
Secret Surface, Kunst-Werke Institute for Contemporary Art, Berlin (DE) -
2015
Barriera, Turin (IT)
Filter Bubble, Luma Foundation, Zürich (CH)
20 Jahre Halle für Kunst, Halle für Kunst Lüneburg, Lüneburg (DE)
Welcome, You‘re in the Right Place, organised by AIRBNB Pavilion, Fondazione Sandretto Re Rebaudengo, Turin (IT)
After Babel, Moderne Museet, Stockholm (SE)
Mon horizontalité, untilthen, Paris (FR)
A modest proposal for radical bourgeoisie, De Hallen Haarlem, Haarlem (NL)
A Form is a social Gatherer, Plymouth Rock, Zurich (CH)
Destination Wien, Kunsthalle Wien, Vienna (AT)
The Future of Memory, Kunsthalle Wien, Vienna (AT) -
2014
The History of Technology, Jessica Silverman Gallery, San Francisco (US)
Screen Play, SWG3 Gallery, Glasgow (UK)
Über das radikale Nebeneinander, Halle für Kunst, Lüneburg (DE) -
2013
Serpentine 89+ Marathon, Serpentine Gallery, London (UK)
Draft for a particular vision of the future, Babette‘s, Berlin (DE)
HelloGoodbye, Annual Exhibition Collection Lenikus, Vienna (AT)
No Brow, Galerie Emanuel Layr, Vienna (AT)
Über unheimliche Zustände und Körper, Lakeside Kunstraum, Klagenfurt (AT)
Grundfrage, (Graphic Contribution), CRAC Alsace (FR) -
2012
neinteenneinteennein, ONO Gallery, Oslo (NO)
Der Würfel / Le dé, COCO, Vienna (AT) -
2011
Modeling Agency, 68 squaremeters, Copenhagen (DK)
Boys in town - The Berlin Project, Galerie fiebach minninger, Berlin (DE)
BYOB, Magazin, Vienna (AT) -
2010
Fomo, Farbenfabrik, Frankfurt (DE)
Pro Choice @ Schattendorf, curated by Will Benedict & Lucie Stahl, Kunstraum Schattendorf, Burgenland (AT)
Fuzzy Sets, after the butcher, Berlin (DE)
Gruppenausstellung mit H. Phettberg, Schaukästen Praterstern, Vienna (AT) -
2009
Welches Leben?, curated by Sabine Breitwieser Semperdepot, Vienna (AT)
… und der Fiaker räumt die Scheiße nachher weg., Flat1, Vienna (AT)
Viennafair09, ve.sch, Messe, Vienna (AT)
Projects
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Founder of HHDM - Hinter Haus des Meeres (AT) | www.hhdm.eu Project Space run by Daphne Ahlers, Philipp Timischl and Roland X. Roland 2012
Residencies
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2020
Fondation Fiminco, Paris (FR)
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2018
MAK Centre, Los Angeles (USA)
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2016
Auslandsatelierstipendium Paris (FR)
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2014
Google plus Residency, Paris (FR)
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2012
Förderprogramm der Sammlung Lenikus (AT)
Publications
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‚Ronny Raccoon - He fought society but society won‘, Le Confort Moderne, 2024
‚yes i'm an academic how could you tell‘, supported by Bundeskanzleramt, 2023
‚Artworks for all Age Groups‘, Didier Eribon and Paul Clinton, Revolver Publishing, Secession 2018, Vienna
‚Problems‘ Helle für Kunst Lüneburg, self-published, 2016
‚They were treating me like an object. As if I were some sextoy or shit. I don‘t wanna see them again.‘, saxpublishers, Vienna, 2015
‚These Days‘, Studio Lenikus, Vienna (with Min Yoon), 2013
Bibliography
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Novembre Magazine, Interview with Mark Pieterson, May 2019
Contemporary Art Magazine, This is tomorrow, January 2019
PW Magazine, Philipp Timischl: »Jeder kommt mit bestimmten Markern auf die Welt«, Interview by Pia-Marie Remmers, December 2018
Frieze, Max Henry, Review, 19 April 2017
CURA, Philipp Timischl with Pierre-Alexandre Mateos and Charles Teyssou, 2016
Spike Magazine, The Body, Phil Up, Spring 2016
Mimi Magazine, Editorial, May 2016
Petunia #7, Photospread Phil Up, June 2016
Spike Online, In the studio of Philipp Timischl, May 2015
Kaleidoscope, Hans Ulrich Obrist, Simon Castets, Intrview, Winter 2014/15
Numéro Magazine, Nicolas Temblay, Artiste du mois, December 2014
Frieze, Jonathan Griffin, The history of technology, October 2014
Arts Magazine, Francois Quintin, Philipp Timischl, October 2014
Code Magazine, Alexis Jakubowicz, Face-sur-Face, Autumn 2014
Frieze D/E, Dominikus Müller, Ganz einfach/It‘s complicated, September 2014
Flash Art, Aaron Bogart, Brandnew, March/April 2014
Frankfurter Allgemeine Zeitung, Christoph Schütte, 12346,not 5, 1.11.2013