Master in Fine Art, Glasgow School of Art (UK)

Master in Public Law and State Theory, Paris/Panthéon Sorbonne, Paris (FR)

Hello, my name is Lili and we are many, Palais de Tokyo, Paris (FR)
TEETH GUMS MACHINES FUTURE SOCIETY, ajh.pm, Bielefeld (DE)
I Want All of the Above to Be the Sun, Musée d’Art Contemporain de Montréal (MACM) in Montréal (CAN)
Lili Reynaud-Dewar. Rome, 1er et 2 novembre 1975, Museum of Applied Arts, Vienna (AT)

I invited men into my hotel room and asked them very personal questions about their lives, Layr, Vienna
Rome, November 1st and 2nd, 1975, Clearing, New York (NY)

Beyond the Land of Minimal Possessions, Galerie Emanuel Layr, Vienna (AT)
Oops, I think I may have lost my lighter somewhere on the ground...Could someone please be so kind to come here and help me find it?, Clearing, New York (US)

TEETH GUMS MACHINES FUTURE SOCIETY, MUMA, Melbourne (AU)
Oops... I think I may have lost my lighter somewhere on the ground. Could someone please come down here and help me find it?, Kunsthaus Bregenz
Billboards, Bregenz (AT)
Lady To Fox, Clearing, Brussels (BEL)
Beyond the Land of Minimal Possessions, Atelier Hèrmes, Seoul (KR)
My Epidemic (A Body as Public as a Book Can Be), Asakusa, Tokyo (JP)

Beyond the Land of Minimal Possession, Artpace, San Antonio, Texas (US)
Frieze London, with Galerie Emanuel Layr, London (UK)
My Epidemic (Teaching Bjarne Melgaard ’ s class), Emanuel Layr Rome (IT)
TEETH GUMS MACHINES FUTURE SOCIETY, de Vleeshal, Middelburg (NL)
TEETH GUMS MACHINES FUTURE SOCIETY, Museion, Bolzano (IT)

Owen Piper and Lili Reynaud-Dewar on how to talk dirty and influence people, SALTS, Basel (CH)
Irreversible Intrusion, together with Isaac Julien chi K11 Art Space, Shanghai (CN)
TEETH GUMS MACHINES FUTURE SOCIETY, Galerie Kamel Mennour, Paris (FR)
TEETH GUMS MACHINES FUTURE SOCIETY, New Settings, Théâtre des amandiers, Nanterre (performance) (FR)
I sing the body electric, CAM Saint-Louis, Saint-Louis MO (US)
Safe Space, Galerie Emanuel Layr, Vienne (AT)
TEETH GUMS MACHINES FUTURE SOCIETY, Kunstverein Hamburg, Hamburg (DE)
Galerie Emanuel Layr, Vienna (AT)
I Sing The Body Electric, Clearing, New York (US)

My Epidemic (Teaching Bjarne Melgaard‘s class), Audain Gallery, Simon Fraser University, Vancouver (CA)
Independent New York, Galerie Emanuel Layr, New York (US)
Beauty Codes. Order/disorder/chaos, Prologue, CURA.BASEMENT, Rome (IT)

Live Through That?! New Museum, New York (US)
Live Through That?! Rongwrong, Amsterdam (NL)
Vivre avec ça ?! Galerie Kamel Mennour, Paris (FR)
Liste 19, w. Julian Bismuth, Galerie Emanuel Layr, Basel (CH)
My Epidemic (a body as public as a book can be), CLEARING Brussels (BE)
Live Through That ?!! Index Fondation for Contemporary Arts, Stockholm (SE)
Live Through That ?!! Emanuel Layr, Vienna (AT)
Live Through That ?!! Outpost, Norwich (UK)

Enseigner comme des adolescents - Teaching as teenagers, (with her students from the eponymous seminar she leads at HEAD Geneva) Le Consortium, Dijon (FR)
I am intact and I don‘t care, Clearing, New York (US)
I am intact and I don‘t care. 21er Raum, Belvedere, Vienna (AT)

Interpretation, Performa, Fondation Calder, New York (US)
What a Century of hands! I shall never have my hand. Afterwards domesticity leads too far, Karma International, Zurich (CH)
Enseigner comme des adolescents - Teaching as teenagers, (with her students from the eponymous seminar she leads at HEAD geneva) FORDE, Genève (CH)
Fours Walls Speaking of Revolt, Media and Beauty, Serpentine Cinema, London (performance) (UK)
Ceci est ma maison / This is my place, Magasin, Grenoble (FR)

Fours Walls Speaking of Revolt, Media and Beauty, Tramway theater, Glasgow (performance) (UK)
Some objects blackened and body too,Mary Mary, Glasgow (UK)
‚Cleda‘s Chairs,‘ Bielefeld Kunstverein, Bielefeld (DE)

Interpretation, Kunsthalle Basel, Basel (CH)
Interpretation, 1m3, Lausanne (CH)
Structures de Pouvoir, Rituels et Sexualité chez les sténodactylos Européennes, Galerie Kamel Mennour, Paris (FR)
Antiteater, Frac Champagne-Ardenne, Reims (FR)

En réalité le sphinx est-il une annexe du monument ou le monument une annexe du sphinx ? Centre culturel Bellegarde, Toulouse (performance) (FR)
Power Structures, Rituals & Sexuality of the European Shorthand-Typists, Mary Mary, Glasgow (UK)
The Pursuit of Pleasure (with Latifa Echakhch), Barriera Fundazione, Turin (IT)
Black Mariah, Centre d‘art Parc Saint-Leger, Pouges les Eaux (FR)

LOVE = U.F.O, Lili Reynaud-Dewar, FRAC, Bordeaux (FR)
The Race, Galleria Civica d‘Arte Contemporanea di Siracusa, Montevergini Sicily (IT)

The Center & Eyes, Zoo Galerie, Nantes (FR)
(Looking Through A) Glass Onion, Mary Mary offsite project, 130 Bridgegate, Glasgow (UK)
Power, Corruption & Lies, Galerie RLBQ, Marseilles (FR)

Eggnogs & Flips, Public, Paris (collaborative project with Fiona Jardine) (FR)

Grand Decollete (collaborative project with Daniel Dewar), Mary Mary Project Space, Glasgow (UK)

Jet-Trash (collaborative Project with Owen Piper), Where The Monkey Sleeps, Glasgow (UK)

Exposed, Palais de Tokyo, Paris (FR)
Défricheuses, Cité internationale des arts, Paris (FR)

New Space Show, Layr, Vienna (AT)
L'Origine del Mondo (The Origin of the World), Fondazione per l’Arte & Banca Profilo, Rome (IT)
Bergen Assembly, with Saâdane Afif as convener, Bergen (NO)
OPEN, Heidi Horten Collection, Vienna (AT)
La Panacée MO.CO., Montpellier, France (FR)

In-Situ works, Bourse de Commerce - Pinault Collection, Paris (FR)
Prix Marcel Duchamp, Centre Pompidou, Paris (FR)
Wild Frictions: Politische Poesien der Störung, Kunstraum Kreuzberg Berlin (DE)
OFTEN VARY NEVER CHANGE, C L E A R I N G, New York (US)
Grand Ménage, C L E A R I N G, Paris (FR)
Superamas, C L E A R I N G, Brussels (BE)

CYBERNETICS OF THE POOR / Kunsthalle Wien, Vienna (AT)
CYBERNETICS OF THE POOR / Tabakalera, San Sebastian (ES)
In aller Munde. Von Pieter Bruegel bis Cindy Sherman, Wolfsburg (DE)
Fondazione Sandretto Re Rebaudengo (IT)

Okayama Art Summit, curated by Pierre Huyghes (JP)
Love and Ethnology. The Colonial Dialectic of Sensitivity, Haus der Kulturen der Welt, Berlin (DE)
YOU, Musée d‘Art Moderne, Paris (FR)
Futur, Ancien, Fugitif, Palais de Tokyo, Paris (FR)
Stranger Approaching, Bridget Donahue, New York (US)
United by AIDS— An Exhibition about Loss, Remembrance, Activism and Art in Response to HIV/AIDS, Migros Museum of Contemporary Art, Zürich (CH) (August)
Le vent se lève, Villa Medici, Rome (IT)
Body in Pieces, Kai 10 / Arthena Foundation, Düsseldorf (DE)
Schengen Baroque, Converso, San Paolo Converso, Milan (IT)
Who Cares, New Galerie, Paris (FR)
100 artists in the city – ZAT 2019, Mo.Co, Montpellier (FR)
DOG DAYS, C L E A R I N G, New York (US)
L’âge de raison, C L E A R I N G, Brussels (BE)

Strange Days: Memories of the Future, The New Museum at The Store X, London (UK)
The Value of Freedom, Belvedere 21, Vienna (AT)
MOVE, Centre Pompidou, Paris (FR)
A Letter in Scarlet, Frac Ile-de-France, Le Plateau, Paris (FR)
Cruising Pavilion, Spazio Punch, Venice (IT)
Dancing with Myself, Punte Della Dogana, Venice (IT)
Blind Faith, Haus der Kunst, Munich (DE)

Montag ou la bibliothèque à venir, FRAC France-Comte (FR)
Performance! Les 40 ans du Centre Pompidou, Ancien Tri Postal de Lille (FR)
Lofoten International Art Festival (NO)
Hard to Picture, A Tribute to Ad Reinhardt, MUDAM Luxembourg (LUX)
Dirty Love Autopsy, Shanaynay, Paris (FR)
The Absent Museum, WIELS, Brussels (BE)
Vertical Gardens, Antenna Space, Shanghai (CN)
Ministry Of Internal Affairs, Intimacy As Text, Museum of Modern Art, Warsaw (PL)

Time will Tell. A selection of artists from the Ricard Foundation Prize, Museo El Eco, Mexico City (MX)
The Eighth Climate, 8th Gwangju Biennale (KR)
Fireflies in the night, Stavros Niarchos Foundation Cultural Center, Athens (GR)
Pure Fiction, Marian Goodman, Paris (FR)
It can howl, Atlanta Contemporary, Atlanta (US)

The 31st Biennial of Graphic Arts: Over you/you, Ljubljana (SI)
The Freedom Principle: Experiments in Art and Music, 1965 to Now, Museum of Contemporary Art Chicago (US)
LISTE Basel 20 - Stano Filko, Benjamin Hirte, Lili Reynaud-Dewar and Ramaya Tegegne, Basel (CH)
24/7. the human condition, Vienna Biennale 2015: Ideas for Change, MAK Museum für Angewandte Kunst / Gegenwartskunst, Vienna (AT)
56th Biennale di Venezia, All the World‘s Futures, curated by Okwui Enwezor, Venice (IT)
Beauty Codes. Order/disorder/chaos, Act I, Fondazione Guiliani, Rome, (IT)
Beauty Codes. Order/disorder/chaos, Act II, Kunsthalle Lissabon, Lisbon (PT)

All that falls, Palais de Tokyo, curated by Gérard Wajcman and Marie de Brugerolle, Paris (FR)
The crime was almost perfect, curated by Cristina Ricupero, PAC - Padiglione d‘Arte Contemporanea, Milan (IT)
Soleil Politique, Museion, Bolzano (IT)
Une Histoire, Nouvel accrochage, Centre Pompidou, Paris (FR)
The Issues of Our Time 3 - More Issues Less Time, curated by Castillo Corrales, Artist Book Space, New York (US)
Interprète, Le Plateau, Paris (FR)
Procession, CAPC, Bordeaux (FR)
On Ambiguity and Other Forms To Play With, The Invisible Hand: Curating as Gesture, 2nd Cafam biennial, CAFAM, Beijing (CN)
Enseigner comme des adolescents - Teaching as teenagers, (with her students from the eponymous seminar she leads at HEAD geneva) Marrakech Biennial, Marrakech (MA)
Quand les formes sont attitudes, 40mcube, Rennes (FR)
The crime was almost perfect, Witte de With, Rotterdam (NL)
Trocadero, Nesrin Esirtgen Collection Art Space, Istanbul (TR)

The Fifth Dimension, Logan Center for the Arts, Chicago (US)
The Shadows Took Shape, Studio Museum Harlem, New York (US)
Une Odyssée, 30 ans du Frac Champagne Ardenne, Pommery, Reims (FR)
Frieze Projects 2013, London (UK)
An Anatomical Chart of Love Pains, The Model, Sligo (IE)
Lyon Biennial, Lyon (FR)
Stand In (Or A Glass of Milk), Public Fiction, Los Angeles (US)
La vie matérielle, Prix Ricard, Foundation Ricard, Paris (FR)
‚Pro-choice‘ at Kunsthalle Freiburg (FR)
Otherwise Unexplained Fires, Malmo Konsthall (SE)
The Angel of History, Ecole des Beaux Arts de Paris, Paris (FR)
Whileaway, Konsthall Oslo, Norway (NO)
An Anatomical Chart of Love Pains, The Model, Sligo (IR)
The Magic of the State, Beirut, Cairo (EG)
The Magic of the State, Lisson Gallery London (UK)
Suspicious Minds, curated by Cristina Ricupero, Galeria Vermehlo, Sao Paulo (BR)

The Body Argument curated by Florence Derieux,Galerie Emanuel Layr, Vienna (AT)
Intense Proximité, La Triennale 2012 (FR)
From the Beach to the Moon, Luma Foundation, Arles (FR)
Counter-production, Generali Foundation, Vienna (AT)
In fifteen minutes every one will be in the future, an Opera, Ancient Bath, Plovdiv (BG)
Timewave Zero, Ursula Blickle Foundation, Karichtal (DE)

The Château, CAPC musée d‘art contemporain de Bordeaux, Bordeaux (FR)
Sculpture is three dimensional work... Johan Koenig, Berlin (DE)
Jean Genet, Nottingham Contemporary, Nottingham (UK)
The End of Money, Witte de With, Rotterdam (NL)
Madam Realism, Marres Centre for Contemporary Art and Culture, Maastricht (NL)

The Discrete Charme of the Blind Spot, Westfälischer Kunstverein, Münster (DE)
Scene Shifts, Bonniers Konsthall / The Royal Dramatic Theater, Stockholm (SE)
The Morality Series, Of Facts and Fables, Witte de With, Rotterdam (NL)
The Morality Series - Performance programme, Witte de With, Rotterdam (NL)

Elles@centrepompidou, Centre Pompidou, Paris (FR)
Je n‘étais pas qu‘une simple chimère, SBC gallery, Montréal (CAN)
The Pursuit of Pleasure (with Latifa Echakhch), Barriera Fondazione, Turin (IT)
La Suite, Air de Paris, Paris (FR)
Born under a bad sign, Memphis residency & exhibition (US)
Kerhaus-Abschied von Stabilen Wanden, Westfälischer Kunstverein, Münster (DE)
Les Formes Féminines, Triangle Galerie de la Friche Belle de Mai, Marseille (FR)
Revolver, Coco Kunstverein, Vienna (AT)
Latifa Echakhch / Lili Reynaud-Dewar, Karma International at James Fuentes, New York (US)
Fugues (curated by Latifa Echakhch), Galerie Hussenot, Paris (FR)

Printemps de Septembre, Toulouse - performance (FR)
Prix Ricard, Fondation d‘entreprise Ricard, Paris (FR)
Explorations in French psychedelia 1968, CAPC, Bordeaux (FR)
5th Berlin Biennale, Berlin (DE)

‚00s, the story of a decade that has not yet been named‘, 9th Lyon Biennial 2007 (FR)
Sweet & Extradry, Circuit, Lausanne (CH)
Utramoderne, Hall Paul Wurth, Luxembourg / La Passerelle, Brest (FR)
Freak Show, Museum of Contemporary Art, Lyon (FR)
Le Syndrome de Broadway, Centre d‘art Parc Saint Leger (FR)
White Sabbath - Lili Reynaud-Dewar / Michelle Naismith, Galerie LH, Paris (FR)
Lili Reynaud-Dewar / Frank Eon, Cortex Athletico, Bordeaux (FR)

Berlin-Paris: Affinites- Michael Beutler / Stefan Muller / Lili Reynaud-Dewar / Alexander Wolff, Jousse Entreprise, Paris (FR)
La Fabrique, Galerie AK28, Stockholm (SE)
Parcours Contemporain, Le Plateau et les jardins de la Villette Hradacany, La Generale, Paris (FR)
Rachel Tiplady, Musee des Beaux Arts de Nantes (FR)
Madame la baronne etait plutot manieree, assez rococo et totalement baroque
(A portrait in 3 shows, curated by Emilie Renard) Parts 1, 2 & 3,
Maison Populaire de Montreuil, Centre d‘art Mira Phalaina, Paris (FR)

Acid Rain, Glassbox & Galerie Michel Rein, Paris (FR)

Glassbox & Friends, Glassbox, Paris (FR)
Its Hip to be Square, Zoogalerie, Nantes (FR)
Hyperstyle, Loop, Berlin (DE)
Oasis, Glassbox, Paris (FR)

MFA Group show, Tent, Witt de Witte, Rotterdam (NL)
MFA Group show, Tramway, Glasgow (UK)
Busco Similar, Collective Gallery, Edinburgh (UK)

You Never Know, Project Rooms, Glasgow (UK)

Blue hours. Three nights on fluidity, Screening, Trafó Gallery, Budapest (HUN)

TEETH GUMS MACHINES FUTURE SOCIETY & other films, Screenings, Tate Modern, London (UK)
Small Tragic Opera of Images and Bodies in the Museum, Performance, Kunstenfestivaldesarts, Brussels (BE)
TEETH GUMS MACHINES FUTURE SOCIETY, Screening, Villa Medici, Rome (IT)

Prospectif Cinema, Centre Pompidou, Paris (FR)

Four Walls Speaking of Revolt Media and Beauty, Serpentine Cinema: Cinact, The Gate Cinema, London (UK)

Four Walls Speaking of Revolt Media and Beauty, Tramway
Interpretation, Calder Foundation, New York (US)
Four Walls Speaking of Revolt Media and Beauty, Nottingham Contemporary (UK)

Interpretation, 1M3, Lausane (CH)

En Réalité, le Sphinx est-il une annexe du monument, ou le Monument une annexe du Sphinx? Printemps de Septembre, Toulouse (FR)
In Every Room There Is The Ghost of Sex, as part of 5th Berlin Biennale, Schinkel Pavilion, Berlin (DE)
The Race, Montevergini Galleria Civica d‘arte contemporanea di Siracusa (FR)
Love=UFO, Frac Aquitaine, Bordeaux (FR)

The Face of the Four, Circuit, Lausanne (CH)

The Center & the eyes, Zoogalerie, Nantes (FR)
Queen Mother nanny of the Mountains, Maison Populaire de Montreuil, Paris (FR)

Prix Marcel Duchamp (FR)

Cybernetics of the Poor, exhibition catalogue edited by Diedrich Diederichsen and Oier Etxebarria, Tabakalera and Kunsthalle Wien

Lili Reynaud-Dewar, Artist Monograph Series, Monograph, Phaidon, Diederichsen Diedrich, Lebovici Elisabeth, Sczeczwyk Monika, edited by Michele Robecchi.
Futur, Ancien, Fugitif, une scène française, Magazine PALAIS #30, exhibition magazine published by Palais de Tokyo, Paris, 2019
Love and Ethnology, The Colonial Dialectic of Sensitivity (after Hubert Fichte), exhibition catalogue edited by Diedrich Diederichsen, Anselm Franke, and Haus der Kulturen der Welt, published by Sternberg Press, Haus der Kulturen der Welt, Berlin, 2019
You, OE uvres de la collection Lafayette Anticipations, exhibition catalogue published by éditions Paris Musées, Musée d’ Art Moderne, Paris, 2019
If the Snake, exhibition catalogue edited by Pierre Huygue and Anne Stenne, design by de Valence, Okayama Art Summit 2019, Japan, 2019
United By AIDS. An Anthology on Art in response to HIV / AIDS, catalogue exhibition edited by Raphael Gygax and Heike Munder, published by Scheidegger & Spiess, Migros Museum, Zurich, 2019
Body in Pieces, exhibition catalogue published by Spector Books, KAI 10 | Arthena Foundation, Düsseldorf, 2019

Dancing with Myself, exhibition catalogue edited by Marsilio Editori, Punte della Dogana, Venice, Italy, 2018.
The Value of Freedom, exhibition catalogue edited by Stella Rollig, Severin Dünser, Belvedere 21, Vienna, Austria, 2018.
Blind Faith, exhibition catalogue edited by Anna Schneider, Haus der Kunst, Munich, 2018
TEETH GUMS MACHINES FUTURE SOCIETY, Monograph, Hatje Cantz, 2018
Strange Days: Memories of the Future, exhibition catalogue published by The Store X and New Museum, The Store X, London, 2018

500 Self-Portraits, Julian Bell, Phaidon, 2017
The Absent Museum, exhibition catalogue edited by Dirk Snauwaert, Wiels, Bruxelles, 2017
L‘esprit du Bauhaus, exhibition catalogue, Musée des arts Décoratifs, Paris, 2017

Social Medium: Artists Writing, 2000-2015, Jennifer Liese ed., Paper Monument, New York, 2016
The Force of Photography, Works from The Museion Collection, exhibition catalogue edited by Letizia Regalia, Museion, Bolzano, 2016
Soleil Politique, exhibition catalogue edited by Pierre Bal Blanc, Paraguay Press, Paris, 2016.
Friedrich Kiesler : Life Visions, exhibition catalogue edited by Christoph Thun-Hohenstein, Dieter Bogner, Maria Lind, and Bärbel Vischer, MAK Vienna/ Birkhäuser Verlag, Basel, 2016.

The Freedom Principle, Experiments in Art and Music, 1965 to Now, exhibition catalog edited by Noami Beckwith and Dieter Roelstraete, MCA Chicago, 2015
Selection, edited by Patrice Joly and Aude Launay, Zerodeux editions, Nantes, 2015
Over You / You – Nad Tabo / Ti, 31st Biennial of Graphic Arts Ljubljana, exhibition catalog edited by Stella Bottai and Nicola Lee, MGLC editions, Ljubljana, 2015.
My Epidemic (texts on my work and the work of other artists), edited by Thomas Boutoux and Lili Reynaud-Dewar, Paraguay Press, Paris, May 2015
All The World’ s Futures, 56th Venice Biennial, exhibition catalog edited by Okwui Enwezor, Biennale di Venezia, Venise, May 2015

Lili Reynaud-Dewar, Live Through That ?! Monograph edited by Helga Christofferssen, New Museum, New York, 2014
The Crime Was Almost Perfect, exhibition catalogue edited by Cristina Ricupero, Defne Ayas, Amira Gad, Witte de With Publishers and Sternberg Press, Rotterdam,Berlin, 2014.
The Fifth Dimension, exhibition catalogue edited by Monika Szewczyk, Logan Center for the Arts, Chicago, 2014
Une Histoire - Art, architecture, design des années 1980 à nos jours, exhibition catalog edited by Christine Macel, Centre Pompidou, Flammarion, Paris, Juin 2014.
Morality, in Fragments, exhibition catalogue, Witte de With Publishers, Rotterdam May 2014

The Shadows Took Shape, exhibition catalogue edited by Naima J. Keith and Zoe Whitley, Studio Museum Harlem and Content Object, Los Angeles, December 2013
Notes on the Magic of the State, exhibition catalogue edited by Antonia Alampi, Jens Maier-Rothe, Sarah Rifky, Sylvia Sgualdini, Lisson Gallery, London and Beirut, Cairo, October 2013
La vie matérielle, exhibition catalogue edited by Yann Chateigné, editions Fondation Ricard pour l’ art contemporain, Paris, Août 2013.
Now, Suddenly and Then, 12th Lyon Biennial, exhibition catalogue edited by Thomas Boutoux and Gunnar B. Gvaran, Les Presses du réel, Dijon, 2014.
L’ange de l’ histoire, exhibition catalogue edited by Nicolas Bourriaud, Beaux-Arts de Paris editions, Paris, April 2013

Politique Fiction, exhibition catalog edited by Alexandra Midal, Cité du Design, Saint-Etienne, 2012
Counter-Production, digital publication edited by Diana Baldon and Ilse Lafer, Generali Foundation, Vienna, 2012
Cosmic Laughter n°1. Timewave Zero, then what ?, exhibition catalogue edited by Fabian Marti and Cristina Ricupero, Ursula Blilckle Foundation, Sternberg Press, Berlin, 2012
Intense Proximité, Une Anthologie du Proche et du Lointain, exhibition catalogue edited by Melanie Bouteloup, Okwui Enwezor, Abdellah Karoum, Emilie Renard, Claire Staebler, La Triennale / Palais de Tokyo / CNAP, Paris, 2012
Lili Reynaud Dewar, Interpretation, edited by Benjamin Thorel and Adam Szymczyk, Paraguay Press Paris and Kunsthalle Basel, 2012.
Cosey Complex, edited by Richard Birkettt and Maria Fusco, Koenig Books, 2012
Before « This is my place », conversation with Lili Reynaud-Dewar, exhibition publication edited by Yves Aupetitallot & Lili Reynaud-Dewar, Le Magasin, Grenoble, 2012

Scene Shifts, edited by Sara Arrhenius och Magnus Florin, Bonniers Konsthall, Stockholm, 2011
The End of Money, digital exhibition publication edited by Juan A. Gaitán, Witte de With, 2011

Rotterdam Dialogues, The Critics, The Curators, The Artists, edited by Zoe Gray, Miriam Kathrein, Nicolaus Shafhausen, Monika Szewczyk, Ariadne Urlus, Witte de With Publishers / Post Edition, Rotterdam, 2009.
Creamier, Contemporary Art in Culture, Szymczkyk, Adam, Phaidon Press, London.

The Pursuit of Pleasure, with Latifa Echakhch, exhibition catalog edited by Salvatore Lacagnina, Barriera Fondation, 2009

When things cast no shadow, 5th Berlin Biennial for Contemporary Art, exhibition catalog edited by Elena Filipovic and Adam Szymczkyk, KW Institute for Contemporary Art, Berlin, 2008

00s, L’ histoire d’ une décennie qui n’ est pas encore nommée, 8th Biennale de Lyon exhibition catalogue edited by Stéphanie Moisdon and Hans Ulrich Obrist, Presses du réel, Dijon, 2007
The Freak Show, exhibition catalogue, Musée d’ art contemporain de Lyon, 2007
Ultramoderne, exhibition catalogue edited by Yann Chateigné, Hall Paul Wurth, Luxembourg & La passerelle, editions La Passerelle, Brest, 2007
Madame la baronne était plutôt maniérée, assez rococo et totalement baroque, exhibition catalogue edited by Emilie Renard, Maison Populaire de Montreuil, Centre d’Art Mira Phalaina, Montreuil, 2007