Anna-Sophie Berger

Anna-Sophie Bergerinstallation viewSin, JTT, New York, 2022

Anna-Sophie Berger
installation view
Sin, JTT, New York, 2022

Anna-Sophie BergerLady Wealth, 2022Velvet, cotton, thread, polyurethane, lacquer, paint, laminated paper, zip tie, frogs (Hester & Eldridge)183 x 233.5 x 239 cmSin, JTT, New York, 2022

Anna-Sophie Berger
Lady Wealth, 2022
Velvet, cotton, thread, polyurethane, lacquer, paint, laminated paper, zip tie, frogs (Hester & Eldridge)
183 × 233.5 × 239 cm
Sin, JTT, New York, 2022

Anna-Sophie BergerLady Wealth, 2022Velvet, cotton, thread, polyurethane, lacquer, paint, laminated paper, zip tie, frogs (Hester & Eldridge)183 x 233.5 x 239 cmSin, JTT, New York, 2022

Anna-Sophie Berger
Lady Wealth, 2022
Velvet, cotton, thread, polyurethane, lacquer, paint, laminated paper, zip tie, frogs (Hester & Eldridge)
183 × 233.5 × 239 cm
Sin, JTT, New York, 2022

Anna-Sophie Bergerinstallation viewThe Purloined Masterpiece. Images as Time Machines, Paintings Gallery of the Academy of Fine Arts Vienna, Vienna, 2022

Anna-Sophie Berger
installation view
The Purloined Masterpiece. Images as Time Machines, Paintings Gallery of the Academy of Fine Arts Vienna, Vienna, 2022

 
Anna-Sophie Bergermud coat 1, 2016Polyester lace, water, mud, threaddimensions variableHamlet - Body Blackout, Solutions!, Milan, 2022

Anna-Sophie Berger
mud coat 1, 2016
Polyester lace, water, mud, thread
dimensions variable
Hamlet - Body Blackout, Solutions!, Milan, 2022

Photo: Patrick Cipriani, courtesy of Hamlet and the artist

 
Anna-Sophie BergerBenjamin, 2020plaster27 x 18 x 25 cmOn Secrecy and Secret Societies, Solutions!, Milan, 2022

Anna-Sophie Berger
Benjamin, 2020
plaster
27 × 18 × 25 cm
On Secrecy and Secret Societies, Solutions!, Milan, 2022

 
Anna-Sophie BergerKirschen, 2005C-print, printed in 2021100 x 80 cm (unframed)You can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger
Kirschen, 2005
C-print, printed in 2021
100 × 80 cm (unframed)
You can have my brain, MACRO, Rome, 2021

Anna-Sophie BergerMargeriten, 2005C-print, printed in 2021100 x 80 cm (unframed)You can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger
Margeriten, 2005
C-print, printed in 2021
100 × 80 cm (unframed)
You can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak RamosInstallation viewYou can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak Ramos
Installation view
You can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak RamosSomething for Everyone, Everything for No One, 2021Ten looks composed of black and white laser prints on A4 paper, polyester, tailoring cotton, organza, suit fabrics, zippers, thread, chrome mannequins, Detail viewYou can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak Ramos
Something for Everyone, Everything for No One, 2021
Ten looks composed of black and white laser prints on A4 paper, polyester, tailoring cotton, organza, suit fabrics, zippers, thread, chrome mannequins, Detail view
You can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak RamosSomething for Everyone, Everything for No One, 2021Ten looks composed of black and white laser prints on A4 paper, polyester, tailoring cotton, organza, suit fabrics, zippers, thread, chrome mannequins, Detail viewYou can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak Ramos
Something for Everyone, Everything for No One, 2021
Ten looks composed of black and white laser prints on A4 paper, polyester, tailoring cotton, organza, suit fabrics, zippers, thread, chrome mannequins, Detail view
You can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak RamosSomething for Everyone, Everything for No One, 2021Ten looks composed of black and white laser prints on A4 paper, polyester, tailoring cotton, organza, suit fabrics, zippers, thread, chrome mannequins, Detail viewYou can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak Ramos
Something for Everyone, Everything for No One, 2021
Ten looks composed of black and white laser prints on A4 paper, polyester, tailoring cotton, organza, suit fabrics, zippers, thread, chrome mannequins, Detail view
You can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak RamosInstallation viewYou can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak Ramos
Installation view
You can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak RamosInstallation viewYou can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak Ramos
Installation view
You can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak RamosSomething for Everyone, Everything for No One, 2021Ten looks composed of black and white laser prints on A4 paper, polyester, tailoring cotton, organza, suit fabrics, zippers, thread, chrome mannequinsYou can have my brain, MACRO, Rome, 2021

Anna-Sophie Berger and Teak Ramos
Something for Everyone, Everything for No One, 2021
Ten looks composed of black and white laser prints on A4 paper, polyester, tailoring cotton, organza, suit fabrics, zippers, thread, chrome mannequins
You can have my brain, MACRO, Rome, 2021

 
Anna-Sophie BergerInstallation viewEnjoy - The Mumok Collection in Change, Mumok, Vienna, 2021

Anna-Sophie Berger
Installation view
Enjoy - The Mumok Collection in Change, Mumok, Vienna, 2021

 
Anna-Sophie BergerCloak, 2021velvet, tripod and viariable hardwaredimensions variable

Anna-Sophie Berger
Cloak, 2021
velvet, tripod and viariable hardware
dimensions variable

Anna-Sophie BergerCloak, 2021velvet, tripod and viariable hardwaredimensions variableDetail view

Anna-Sophie Berger
Cloak, 2021
velvet, tripod and viariable hardware
dimensions variable
Detail view

 
Anna-Sophie BergerTurm 1/Tower 1, 2020Polar fleece, tweed, wood, screws, wheels, staples480 x 480 x 60 cmDuel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie Berger
Turm 1/Tower 1, 2020
Polar fleece, tweed, wood, screws, wheels, staples
480 × 480 × 60 cm
Duel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie BergerInstallation viewDuel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie Berger
Installation view
Duel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie BergerInstallation viewDuel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie Berger
Installation view
Duel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie BergerDuel / Duell, 2020HD video00:49:06Duel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie Berger
Duel / Duell, 2020
HD video
00:49:06
Duel, Bonner Kunstverein, Bonn, 2020

Noemi Smolik, (Review) Anna-Sophie Berger’s Take on Immanuel Kant, in: Frieze, October 2020

Anna-Sophie Berger
Duel / Duell, 2020 (Excerpt)
HD video, 49:06 min
Duel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie BergerInstallation viewDuel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie Berger
Installation view
Duel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie BergerTower 2, 2020Polar fleece, tweed, wood, screws, wheels, staples480 x 480 x 60 cmDuel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie Berger
Tower 2, 2020
Polar fleece, tweed, wood, screws, wheels, staples
480 × 480 × 60 cm
Duel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie BergerInstallation viewDuel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie Berger
Installation view
Duel, Bonner Kunstverein, Bonn, 2020

Anna-Sophie Berger and Benjamin HirteInstallation viewThe Jurist, CICCIO, New York, 2020

Anna-Sophie Berger and Benjamin Hirte
Installation view
The Jurist, CICCIO, New York, 2020

Anna-Sophie BergerInstallation viewLife and Limbs, Swiss Institute Annual Architecture and Design Series, curated by Anna-Sophie Berger, Swiss Institute, New York, 2019

Anna-Sophie Berger
Installation view
Life and Limbs, Swiss Institute Annual Architecture and Design Series, curated by Anna-Sophie Berger, Swiss Institute, New York, 2019

Anna-Sophie BergerInstallation viewLife and Limbs, Swiss Institute Annual Architecture and Design Series, curated by Anna-Sophie Berger, Swiss Institute, New York, 2019

Anna-Sophie Berger
Installation view
Life and Limbs, Swiss Institute Annual Architecture and Design Series, curated by Anna-Sophie Berger, Swiss Institute, New York, 2019

Art Fair

Interconti Vienna

Anna-Sophie Berger

January 28 – February 7, 2021

Anna-Sophie BergerDer Zauberkünstler, 2021Plastic, polyester-satin, polyester-velours, cardboard, cotton, duroplastic plastics, plaster, gaffa-tape, pins, plastic pearls, aluminum foil, thread, wire40 x 160 x 20 cmInterconti Wien, Intercontinental, Vienna, 2021

Anna-Sophie Berger
Der Zauberkünstler, 2021
Plastic, polyester-satin, polyester-velours, cardboard, cotton, duroplastic plastics, plaster, gaffa-tape, pins, plastic pearls, aluminum foil, thread, wire
40 × 160 × 20 cm
Interconti Wien, Intercontinental, Vienna, 2021

 
Anna-Sophie BergerInstallation viewTime is Thirsty, Kunsthalle Vienna, Vienna. 2019

Anna-Sophie Berger
Installation view
Time is Thirsty, Kunsthalle Vienna, Vienna. 2019

Anna-Sophie Bergertime that breath cannot corrupt, 20193 polyester lace coats, thread, mudDimensions variableTime is Thirsty, Kunsthalle Vienna, Vienna. 2019

Anna-Sophie Berger
time that breath cannot corrupt, 2019
3 polyester lace coats, thread, mud
Dimensions variable
Time is Thirsty, Kunsthalle Vienna, Vienna. 2019

Anna-Sophie Bergertime that breath cannot corrupt, 20193 polyester lace coats, thread, mudDimensions variableTime is Thirsty, Kunsthalle Vienna, Vienna. 2019

Anna-Sophie Berger
time that breath cannot corrupt, 2019
3 polyester lace coats, thread, mud
Dimensions variable
Time is Thirsty, Kunsthalle Vienna, Vienna. 2019

Anna-Sophie Bergertime that breath cannot corrupt, 20193 polyester lace coats, thread, mudDimensions variableTime is Thirsty, Kunsthalle Vienna, Vienna. 2019

Anna-Sophie Berger
time that breath cannot corrupt, 2019
3 polyester lace coats, thread, mud
Dimensions variable
Time is Thirsty, Kunsthalle Vienna, Vienna. 2019

 
Anna-Sophie BergerInstallation viewTime, Eugster, Belgrade, 2019

Anna-Sophie Berger
Installation view
Time, Eugster, Belgrade, 2019

Maja Ciric, (Review) Anna-Sophie Berger at Eugster Belgrade, Critic’s Pick, in: Artforum 58, No. 2 (October 2019)

Anna-Sophie BergerInstallation viewTime, Eugster, Belgrade, 2019

Anna-Sophie Berger
Installation view
Time, Eugster, Belgrade, 2019

Anna-Sophie BergerTheft Box, 2019Print on plasticTime, Eugster, Belgrade, 2019

Anna-Sophie Berger
Theft Box, 2019
Print on plastic
Time, Eugster, Belgrade, 2019

Anna-Sophie BergerMlad i zdrav kao ruža / Young and Healthy as a Rose (1971) Dub, 2019Sound recording, 1h 15minwith the voices of Katarina Šoškić and Julija ZaharijevićTime, Eugster, Belgrade, 2019

Anna-Sophie Berger
Mlad i zdrav kao ruža / Young and Healthy as a Rose (1971) Dub, 2019
Sound recording, 1h 15min
with the voices of Katarina Šoškić and Julija Zaharijević
Time, Eugster, Belgrade, 2019

Anna-Sophie BergerA Sign in Decline, 2019Inkjet print, frameTime, Eugster, Belgrade, 2019

Anna-Sophie Berger
A Sign in Decline, 2019
Inkjet print, frame
Time, Eugster, Belgrade, 2019

Anna-Sophie BergerInstallation viewA Failed Play, Cell Project Space, London, 2019

Anna-Sophie Berger
Installation view
A Failed Play, Cell Project Space, London, 2019

Anna-Sophie BergerInstallation viewA Failed Play, Cell Project Space, London, 2019

Anna-Sophie Berger
Installation view
A Failed Play, Cell Project Space, London, 2019

Anna-Sophie BergerFashion is Fast (Fitting 2013), 2019UV print on aluminium50 x 270 cmA Failed Play, Cell Project Space, London, 2019

Anna-Sophie Berger
Fashion is Fast (Fitting 2013), 2019
UV print on aluminium
50 × 270 cm
A Failed Play, Cell Project Space, London, 2019

Anna-Sophie BergerFashion is Fast (Fitting 2013), 2019UV print on aluminiumDetailA Failed Play, Cell Project Space, London, 2019

Anna-Sophie Berger
Fashion is Fast (Fitting 2013), 2019
UV print on aluminium
Detail
A Failed Play, Cell Project Space, London, 2019

Anna-Sophie BergerFashion is Fast (Fitting 2013), 2019UV print on aluminiumDetail A Failed Play, Cell Project Space, London, 2019

Anna-Sophie Berger
Fashion is Fast (Fitting 2013), 2019
UV print on aluminium
Detail
A Failed Play, Cell Project Space, London, 2019

Anna-Sophie BergerThe Wearer of Clothes, 2019Nylon, steel, thread247 x 240 cmA Failed Play, Cell Project Space, London, 2019

Anna-Sophie Berger
The Wearer of Clothes, 2019
Nylon, steel, thread
247 × 240 cm
A Failed Play, Cell Project Space, London, 2019

Anna-Sophie BergerIt won’t rain, 201928 aluminium ladders, zip ties123 x 310 x 310 cmA Failed Play, Cell Project Space, London, 2019

Anna-Sophie Berger
It won’t rain, 2019
28 aluminium ladders, zip ties
123 × 310 × 310 cm
A Failed Play, Cell Project Space, London, 2019

Anna-Sophie BergerIt won’t rain, 201928 aluminium ladders, zip ties123 x 310 x 310 cmA Failed Play, Cell Project Space, London, 2019

Anna-Sophie Berger
It won’t rain, 2019
28 aluminium ladders, zip ties
123 × 310 × 310 cm
A Failed Play, Cell Project Space, London, 2019

Anna-Sophie BergerWhat The Turtleneck Is To The Shirt, 2019Framed A4 inkjet print34 x 25 cmA Failed Play, Cell Project Space, London, 2019

Anna-Sophie Berger
What The Turtleneck Is To The Shirt, 2019
Framed A4 inkjet print
34 × 25 cm
A Failed Play, Cell Project Space, London, 2019

 
Anna-Sophie BergerInstallation viewÜber das Neue, Belvedere 21, Vienna, 2019

Anna-Sophie Berger
Installation view
Über das Neue, Belvedere 21, Vienna, 2019

Anna-Sophie Bergerpreposition, 2016Calf leather, mudDimensions variableÜber das Neue, Belvedere 21, Vienna, 2019

Anna-Sophie Berger
preposition, 2016
Calf leather, mud
Dimensions variable
Über das Neue, Belvedere 21, Vienna, 2019

Anna-Sophie Bergerwhen I am with you / when I am not there, 2014Silk satin, cotton batiste, threadDimensions variableÜber das Neue, Belvedere 21, Vienna, 2019

Anna-Sophie Berger
when I am with you / when I am not there, 2014
Silk satin, cotton batiste, thread
Dimensions variable
Über das Neue, Belvedere 21, Vienna, 2019

Anna-Sophie BergerAAtlas (Wien), 2019Lambda-print60 x 90 cmÜber das Neue, Belvedere 21, Vienna, 2019

Anna-Sophie BergerA
Atlas (Wien), 2019
Lambda-print
60 × 90 cm
Über das Neue, Belvedere 21, Vienna, 2019

 

Seilerstaette

Don't smoke

Anna-Sophie Berger

November 13, 2018 – January 12, 2019

Anna-Sophie BergerInstallation viewDon't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie Berger
Installation view
Don't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie BergerInstallation viewDon't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie Berger
Installation view
Don't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie BergerRumänien (Romania), 2018Plywood, polar fleece, thread, screws, plastic wheels60 x 70 x 180 cmDon't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie Berger
Rumänien (Romania), 2018
Plywood, polar fleece, thread, screws, plastic wheels
60 × 70 × 180 cm
Don't smoke, Layr Seilerstaette, Vienna, 2018

Franz Thalmair, (Review) Anna-Sophie Berger at Galerie Emanuel Layr, Critic’s Pick, in: Artforum 57, No.4 (December 2018)

Anna-Sophie Berger, Parallelaktionen, 2019, in: PW-Magazine

Anna-Sophie BergerLitauen (Lithuania), 2018Plywood, polar fleece, thread, screws and plastic wheels30 x 40 x 48 cmDon't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie Berger
Litauen (Lithuania), 2018
Plywood, polar fleece, thread, screws and plastic wheels
30 × 40 × 48 cm
Don't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie BergerSpanien (Spain), 2018Plywood, polar fleece, thread, screws and plastic wheels40 x 40 x 65 cmDon't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie Berger
Spanien (Spain), 2018
Plywood, polar fleece, thread, screws and plastic wheels
40 × 40 × 65 cm
Don't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie BergerJasmin, 2018Lambda print on paper60 x 40 cmDon't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie Berger
Jasmin, 2018
Lambda print on paper
60 × 40 cm
Don't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie BergerEyerweib., Blatt aus der Folge „Zeichnungen nach dem gemeinen Volk besonders Der Kaufruf in Wien. etc.“ Mansfeld, Johann Ernst, ca. 1765. Sammlung des MAK. Abgedruckt in: Das große Sacher Kochbuch, 1987, 2018Digital print on paper21 x 30 cmDon't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie Berger
Eyerweib., Blatt aus der Folge „Zeichnungen nach dem gemeinen Volk besonders Der Kaufruf in Wien. etc.“ Mansfeld, Johann Ernst, ca. 1765. Sammlung des MAK. Abgedruckt in: Das große Sacher Kochbuch, 1987, 2018
Digital print on paper
21 × 30 cm
Don't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie BergerDon't smoke, 2018Lambda print on paper100 x 100 cmDon't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie Berger
Don't smoke, 2018
Lambda print on paper
100 × 100 cm
Don't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie BergerWassergasse, 2018Lambda print on paper90 x 60 cmDon't smoke, Layr Seilerstaette, Vienna, 2018

Anna-Sophie Berger
Wassergasse, 2018
Lambda print on paper
90 × 60 cm
Don't smoke, Layr Seilerstaette, Vienna, 2018

 
Anna-Sophie BergerInstallation viewArs Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger
Installation view
Ars Viva, S.M.A.K., Ghent, 2018

Anna-Sophie BergerInstallation viewArs Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger
Installation view
Ars Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger4 Sofas, 2018Print on cotton velvet, polyester fleece, wood, metall80 x 80 x 80 cm eachArs Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger
4 Sofas, 2018
Print on cotton velvet, polyester fleece, wood, metall
80 × 80 × 80 cm each
Ars Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger4 Sofas, 2018Print on cotton velvet, polyester fleece, wood, metall80 x 80 x 80 cm eachArs Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger
4 Sofas, 2018
Print on cotton velvet, polyester fleece, wood, metall
80 × 80 × 80 cm each
Ars Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger4 Sofas, 2018Print on cotton velvet, polyester fleece, wood, metall80 x 80 x 80 cm eachArs Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger
4 Sofas, 2018
Print on cotton velvet, polyester fleece, wood, metall
80 × 80 × 80 cm each
Ars Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger4 Sofas, 2018Print on cotton velvet, polyester fleece, wood, metall80 x 80 x 80 cm eachArs Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger
4 Sofas, 2018
Print on cotton velvet, polyester fleece, wood, metall
80 × 80 × 80 cm each
Ars Viva, S.M.A.K., Ghent, 2018

Laura McLean-Ferris, (Essay) A cage went in search of a bird, On Anna-Sophie Berger, catalogue, Ars Viva (2018)

Anna-Sophie Berger(left) Rock gate, (right) North West, 2018Laserprint on paperEach 59 x 42 cmArs Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger
(left) Rock gate, (right) North West, 2018
Laserprint on paper
Each 59 × 42 cm
Ars Viva, S.M.A.K., Ghent, 2018

Anna-Sophie BergerComplicit 1Acrylic paint on "heritage release" red wine bottle, chocolate bananas, mayonaise, chocolate krampus, coke zero, manner fredi biskuits, tabasco, PVC, aluminium and polyester70 x 46 x 36 cmArs Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger
Complicit 1
Acrylic paint on "heritage release" red wine bottle, chocolate bananas, mayonaise, chocolate krampus, coke zero, manner fredi biskuits, tabasco, PVC, aluminium and polyester
70 × 46 × 36 cm
Ars Viva, S.M.A.K., Ghent, 2018

Anna-Sophie BergerComplicit 2Acrylic paint on egg liquor, canned lentils, fairtrade ground coffee, herbal tea, marzipan gurine, sugar, PVC, aluminium and polyester70 x 46 x 36 cmArs Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger
Complicit 2
Acrylic paint on egg liquor, canned lentils, fairtrade ground coffee, herbal tea, marzipan gurine, sugar, PVC, aluminium and polyester
70 × 46 × 36 cm
Ars Viva, S.M.A.K., Ghent, 2018

Anna-Sophie Berger4 Sofas, 2018Balenciaga Store, Rue Saint Honororé, Paris, 2018

Anna-Sophie Berger
4 Sofas, 2018
Balenciaga Store, Rue Saint Honororé, Paris, 2018

 
Anna-Sophie BergerInstallation viewArs Viva Award, Kunstverein München, 2017

Anna-Sophie Berger
Installation view
Ars Viva Award, Kunstverein München, 2017

Anna-Sophie BergerKeeping Things, 2017Iron goals, iron shackles, locks, keyring pendantsca. 3 x 2 x 2 mArs Viva Award, Kunstverein München, 2017

Anna-Sophie Berger
Keeping Things, 2017
Iron goals, iron shackles, locks, keyring pendants
ca. 3 × 2 × 2 m
Ars Viva Award, Kunstverein München, 2017

Anna-Sophie BergerKeeping Things, 2017Iron goals, iron shackles, locks, keyring pendantsca. 3 x 2 x 2 mArs Viva Award, Kunstverein München, 2017

Anna-Sophie Berger
Keeping Things, 2017
Iron goals, iron shackles, locks, keyring pendants
ca. 3 × 2 × 2 m
Ars Viva Award, Kunstverein München, 2017

Anna-Sophie BergerKeeping Things, 2017Iron goals, iron shackles, locks, keyring pendantsca. 3 x 2 x 2 mArs Viva Award, Kunstverein München, 2017

Anna-Sophie Berger
Keeping Things, 2017
Iron goals, iron shackles, locks, keyring pendants
ca. 3 × 2 × 2 m
Ars Viva Award, Kunstverein München, 2017

Anna-Sophie Bergera rock, 2017Color inkjet print30 x 30 cmArs Viva Award, Kunstverein München, 2017

Anna-Sophie Berger
a rock, 2017
Color inkjet print
30 × 30 cm
Ars Viva Award, Kunstverein München, 2017

Anna-Sophie Bergerkrapfenwaldl (1), 2017Color inkjet print30 x 30 cmArs Viva Award, Kunstverein München, 2017

Anna-Sophie Berger
krapfenwaldl (1), 2017
Color inkjet print
30 × 30 cm
Ars Viva Award, Kunstverein München, 2017

Anna-Sophie Bergerthe well, 2017Color inkjet print30 x 30 cmArs Viva Award, Kunstverein München, 2017

Anna-Sophie Berger
the well, 2017
Color inkjet print
30 × 30 cm
Ars Viva Award, Kunstverein München, 2017

Anna-Sophie Bergerkrapfenwaldl (2), 2017Color inkjet print30 x 30 cmArs Viva Award, Kunstverein München, 2017

Anna-Sophie Berger
krapfenwaldl (2), 2017
Color inkjet print
30 × 30 cm
Ars Viva Award, Kunstverein München, 2017

Anna-Sophie Berger & Nicolás GuagniniInstallation viewIn Relation To A Spectator, Studio for Propositional Cinema at Kestner Gesellschaft, Hannover, 2017

Anna-Sophie Berger & Nicolás Guagnini
Installation view
In Relation To A Spectator, Studio for Propositional Cinema at Kestner Gesellschaft, Hannover, 2017

Anna-Sophie BergerPlayproblems, 20173 binders, laserprint on paperDimensions variableIn Relation To A Spectator, Studio for Propositional Cinema at Kestner Gesellschaft, Hannover, 2017

Anna-Sophie Berger
Playproblems, 2017
3 binders, laserprint on paper
Dimensions variable
In Relation To A Spectator, Studio for Propositional Cinema at Kestner Gesellschaft, Hannover, 2017

Anna-Sophie BergerPlayproblems, 20173 binders, laserprint on paperDimensions variableIn Relation To A Spectator, Studio for Propositional Cinema at Kestner Gesellschaft, Hannover, 2017

Anna-Sophie Berger
Playproblems, 2017
3 binders, laserprint on paper
Dimensions variable
In Relation To A Spectator, Studio for Propositional Cinema at Kestner Gesellschaft, Hannover, 2017

Anna-Sophie BergerInstallation viewThe Summer Vocation of a Teenage Bee, CAC, Vilnius, 2018

Anna-Sophie Berger
Installation view
The Summer Vocation of a Teenage Bee, CAC, Vilnius, 2018

Audrius Pocius, A Preamble to Making Strange Things. Interview with Anna-Sophie Berger, 2018, originally published by Artnews Lithuania, English translation at echogonewrong

Anna-Sophie BergerA Lion’s Fate, 20189 Ikea sofas taken from the CAC cinema hallDimensions variableThe Summer Vocation of a Teenage Bee, CAC, Vilnius, 2018

Anna-Sophie Berger
A Lion’s Fate, 2018
9 Ikea sofas taken from the CAC cinema hall
Dimensions variable
The Summer Vocation of a Teenage Bee, CAC, Vilnius, 2018

Anna-Sophie Berger, Flaka Haliti and Hayley SilvermanInstallation viewI Surrender, Dear, Salzburger Kunstverein, Salzburg, 2016

Anna-Sophie Berger, Flaka Haliti and Hayley Silverman
Installation view
I Surrender, Dear, Salzburger Kunstverein, Salzburg, 2016

Anna-Sophie Berger, Flaka Haliti and Hayley SilvermanInstallation viewI Surrender, Dear, Salzburger Kunstverein, Salzburg, 2016

Anna-Sophie Berger, Flaka Haliti and Hayley Silverman
Installation view
I Surrender, Dear, Salzburger Kunstverein, Salzburg, 2016

Anna-Sophie Berger, Flaka Haliti and Hayley SilvermanInstallation viewI Surrender, Dear, Salzburger Kunstverein, Salzburg, 2016

Anna-Sophie Berger, Flaka Haliti and Hayley Silverman
Installation view
I Surrender, Dear, Salzburger Kunstverein, Salzburg, 2016

Anna-Sophie BergerConcrete Coat (Kimono), 2016Silk taffeta,thread, concrete88 x 56 cmI Surrender, Dear, Salzburger Kunstverein, Salzburg, 2016

Anna-Sophie Berger
Concrete Coat (Kimono), 2016
Silk taffeta,thread, concrete
88 × 56 cm
I Surrender, Dear, Salzburger Kunstverein, Salzburg, 2016

Anna-Sophie BergerConcrete Coat (stripes), 2016Silk screen on cotton, thread, concrete50 x 70 cmI Surrender, Dear, Salzburger Kunstverein, Salzburg, 2016

Anna-Sophie Berger
Concrete Coat (stripes), 2016
Silk screen on cotton, thread, concrete
50 × 70 cm
I Surrender, Dear, Salzburger Kunstverein, Salzburg, 2016

Laura McLean-Ferris, (Interview) In conversation with Anna-Sophie Berger, in: Flash Art (February 2017)

Anna-Sophie BergerInstallation viewPlaces to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie Berger
Installation view
Places to fight and to make up, Mumok, Vienna, 2016

Tess Edmonson, Food, Garments, Bodies, Place, Style, Meaning, in: Manual, published by Marianne Dobner, Museum moderner Kunst Stiftung Ludwig, 2016

Wolfgang Popp, Interview about Places to fight and to make up with Anna-Sophie Berger, Radio Ö1 https://www.anna-sophie-berger.com/oe1_interview.mp3

Anna-Sophie BergerInstallation viewPlaces to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie Berger
Installation view
Places to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie BergerDrunk or Dead?, 2016Paper, pencil, wine bottle, olive oil, whiskey, balsamic vinegar, canned beans, apricot jam, marzipan figurine, concrete hand, iron weights, salt230 x 120 cmPlaces to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie Berger
Drunk or Dead?, 2016
Paper, pencil, wine bottle, olive oil, whiskey, balsamic vinegar, canned beans, apricot jam, marzipan figurine, concrete hand, iron weights, salt
230 × 120 cm
Places to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie Bergerchoicest relic (1) & choicest relic (2), 2016Water on paper, framedVarious dimensionsPlaces to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie Berger
choicest relic (1) & choicest relic (2), 2016
Water on paper, framed
Various dimensions
Places to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie BergerTrivial Pursuit, 2013Fur felt, thread35 cm x 35 cm x 10 cmPlaces to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie Berger
Trivial Pursuit, 2013
Fur felt, thread
35 cm × 35 cm × 10 cm
Places to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie BergerTrivial Pursuit, 2013Fur felt, thread35 cm x 35 cm x 10 cmPlaces to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie Berger
Trivial Pursuit, 2013
Fur felt, thread
35 cm × 35 cm × 10 cm
Places to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie BergerPea earring, 2015Silver, peaseed1 x 0,5 cmPlaces to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie Berger
Pea earring, 2015
Silver, peaseed
1 × 0,5 cm
Places to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie BergerAgony half-hourly, 2016Wood, steel, laquerDimensions variablePlaces to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie Berger
Agony half-hourly, 2016
Wood, steel, laquer
Dimensions variable
Places to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie BergerThe kids are alright, 2016Wood, steel, laquerDimensions variablePlaces to fight and to make up, Mumok, Vienna, 2016

Anna-Sophie Berger
The kids are alright, 2016
Wood, steel, laquer
Dimensions variable
Places to fight and to make up, Mumok, Vienna, 2016

Parabolic mirrors re-installed at Rochuspark, Google streetview

Parabolic mirrors re-installed at Rochuspark, Google streetview

 
Anna-Sophie Berger4 seasons (new york), 2014Silk, satin, wool linen, cotton threadDimensions variable

Anna-Sophie Berger
4 seasons (new york), 2014
Silk, satin, wool linen, cotton thread
Dimensions variable

Anna-Sophie BergerLunch, 2017Polyester, thread, cansDimensions variable

Anna-Sophie Berger
Lunch, 2017
Polyester, thread, cans
Dimensions variable

Anna-Sophie Berger29th june, 2015Highlighter, pencil, felt-tip pencil, inkjet print on paper40 x 30 cm

Anna-Sophie Berger
29th june, 2015
Highlighter, pencil, felt-tip pencil, inkjet print on paper
40 × 30 cm

Anna-Sophie Berger 25th june, 2015Highlighter, pencil, inkjet print on paper40 x 30 cm

Anna-Sophie Berger
25th june, 2015
Highlighter, pencil, inkjet print on paper
40 × 30 cm

Rome

new words

Anna-Sophie Berger

May 27 – July 29, 2017

Anna-Sophie BergerInstallation viewnew words, Layr, Rome, 2017

Anna-Sophie Berger
Installation view
new words, Layr, Rome, 2017

Anna-Sophie BergerGrace, 2017Steel, coals40 x 40 x 40 cmnew words, Layr, Rome, 2017

Anna-Sophie Berger
Grace, 2017
Steel, coals
40 × 40 × 40 cm
new words, Layr, Rome, 2017

Anna-Sophie BergerI am late / I love / I buy, 2017Ink-jet on paper (framed)45 x 62 cmnew words, Layr, Rome, 2017

Anna-Sophie Berger
I am late / I love / I buy, 2017
Ink-jet on paper (framed)
45 × 62 cm
new words, Layr, Rome, 2017

Anna-Sophie BergerInstallation viewnew words, Layr, Rome, 2017

Anna-Sophie Berger
Installation view
new words, Layr, Rome, 2017

Anna-Sophie Bergerhunch, 2017Polyester, thread, cansDimensions variablenew words, Layr, Rome, 2017

Anna-Sophie Berger
hunch, 2017
Polyester, thread, cans
Dimensions variable
new words, Layr, Rome, 2017

Anna-Sophie Bergerzelo, 2017C-print on foamcoreEach 75 x 140 cmnew words, Layr, Rome, 2017

Anna-Sophie Berger
zelo, 2017
C-print on foamcore
Each 75 × 140 cm
new words, Layr, Rome, 2017

Anna-Sophie BergerInstallation viewnew words, Layr, Rome, 2017

Anna-Sophie Berger
Installation view
new words, Layr, Rome, 2017

Anna-Sophie Berger Installation viewDie Marmory Show, Deborah Schamoni, Munich, 2016

Anna-Sophie Berger
Installation view
Die Marmory Show, Deborah Schamoni, Munich, 2016

Anna-Sophie BergerI bought a knife: confusing twirl, 2016C-print on foamboard130 x 90 cmDie Marmory Show, Deborah Schamoni, Munich, 2016

Anna-Sophie Berger
I bought a knife: confusing twirl, 2016
C-print on foamboard
130 × 90 cm
Die Marmory Show, Deborah Schamoni, Munich, 2016

Anna-Sophie Bergerde mulieribus claris, 2016C-print on foamboard130 x 90 cmDie Marmory Show, Deborah Schamoni, Munich, 2016

Anna-Sophie Berger
de mulieribus claris, 2016
C-print on foamboard
130 × 90 cm
Die Marmory Show, Deborah Schamoni, Munich, 2016

Die Marmory Show, Deborah Schamoni, Munich, 2016

Die Marmory Show, Deborah Schamoni, Munich, 2016

Anna-Sophie Bergershe vanished (2), 2015Polyester thread waterDimensions variable

Anna-Sophie Berger
she vanished (2), 2015
Polyester thread water
Dimensions variable

Anna-Sophie Bergershe vanished 1, 2015Silk, thread and waterDimensions variable

Anna-Sophie Berger
she vanished 1, 2015
Silk, thread and water
Dimensions variable


Anna-Sophie Berger

*1989 Vienna
lives and works between Vienna and New York

Education and Teaching

  • 2015-17

    Lecturer at the Department of Art and Knowledge Transfer, University of Applied Arts, Vienna

  • 2013

    MFA, Fashion Department, University of Applied Arts, Vienna Department of Transgressive Art, University of Applied Arts, Vienna

Solo Exhibitions

  • 2022

    Sin, JTT, New York (NY)

  • 2021

    Anna-Sophie Berger and Teak Ramos (Duo Show), You can have my brain, MACRO, Rome (IT)

  • 2020

    Duel, Bonner Kunstverein, Bonn (DE)

  • 2019

    Time, Eugster, Belgrade (SRB)
    A Failed Play, Cell Project Space, London (UK)

  • 2018

    Don‘t smoke, Galerie Emanuel Layr, Vienna (AT)
    The Fool At Sea, JTT Gallery, New York (US)

  • 2017

    New York, Studio for Propositional Cinema, Düsseldorf (DE)
    new words, Galerie Emanuel Layr, Rome (IT)

  • 2016

    Places to fight and to make up, MUMOK, Vienna (AT)
    Billboards, Kunsthaus Bregenz (AT)
    The Eternal Optimist, Prince of Wales, Munich (DE)

  • 2015

    White Flag Project Library, St Louis (US)
    Growing Horns, MINI/ Goethe Curatorial Recidency Ludlow38, New York (US)
    Frieze New York, FRAME, with JTT Gallery (US)

  • 2014

    let rise, let go, 21er Haus, 21er Raum, Vienna (AT)
    Just feel, MAUVE, Vienna (AT)
    KE-17 JIGSAW, KE-03 LARGE PINKING, KE-24 SCALLOP, KE-16 POSTAL, JTT Gallery, New York (US)

Selected Group Exhibitions and Projects

  • 2022

    The Purloined Masterpiece Images as Time Machines, Academy of Fine Arts, Vienna (AT)

    HAMLET - Body Blackout, Darja Bajagić, Anna-Sophie Berger, Flavio Favelli, Wiliam E. Jones, curated by Antonio Grulli, Solutions!, Milano (IT)
    On Secrecy and Secret Societies, Solutions!, Milano (IT)

  • 2021

    PRK-1U. Tonus, Paris (FR)
    Review, Hamilton Fish Pool, New York (US) (Costumes by Anna-Sophie Berger)
    Avant-Garde and the Contemporary: The Belvedere Collection from Lassnig to Knebl, Belvedere21, Vienna (AT)
    Look! Exposing Art and Fashion, MARTa Herford, Herford (DE)
    Palai Project, Palazzo Tamborino-Cezzi, Lecce (IT)
    SARTOR RESARTUS, HFKD, Holstebro, Denmark (DK)
    Enjoy, Mumok, Vienna (AT)
    Toes, Knees, Shoulders, Heads + Butts & Gutts, Meredith Rosen Gallery, New York City (US)
    Così fan tutti (opere dalla collezione di Ernesto Esposito), Fondazione Ente Ville Vesuviane, Napoli (IT)
    Shell Game, Galeria Filomena Soares, Lisbon (PT)

  • 2020

    The Phantom Moves Through Space And Through Different Bodies, Kevin Space, Vienna (AT)
    The Jurist. With Benjamin Hirte at Ciccio New York, New York (US)
    No Joke, Milieu, Bern (CH)
    2020 Fourflags, Amsterdam (NL)

  • 2019

    Time is Thirsty, Kunsthalle Wien (AT)
    Holiday from Rules, Toffee Park Adventure Playground, London (UK)
    life and limbs. Annual Architecture and Design Series. (curatorial) Swiss Institute, New York (US)
    Mode Momente. Fotografinnen im Fokus, Landesgalerie Linz (AT)
    Schöne Neue Werte, Vienna Biennale for Change, MAK, Vienna (AT)
    26 APRIL – 15 JUNE, Galerie Fons Welters, Amsterdam (NL)
    Über das Neue. Junge Szenen in Wien, Belvedere 21, Vienna (AT)
    Baka. A Horse and a deer. Benjamin Hirte and Anna-Sophie Berger, Arakawa-Ku Tokyo (JP)
    Cecilia, Sweetwater, Berlin (DE)
    What they call my shadow here on earth is my true substance, CACBM, Paris (FR)

  • 2018

    The Way Things Run, PS120, Berlin (DE)
    NOISE!, Frans Hals, Otherwise, Frans Hals Museum, Haarlem (BE)
    In a very complex country, Mother Culture, Los Angeles (US)
    Communauté, EVAC, London, Ontario (CA)
    GRAND OPENING (Summer Rhapsody), KURA., Milan (IT)
    Blackout, 3 + 1, Lisbon (PT)
    A window, a floor, credit cards, a bench, Emalin, London (UK)
    Ars Viva, S.M.A.K., Gent (BE)
    The summer vocation of a teenage bee, Contemporary Art Center, Vilnius (LT)
    The First Morning Fest of Unreasonable Acts, Palazzo Bentivoglio, Bologna (IT)

  • 2017

    Ars Viva, Kunstverein Munich (DE)
    Transfashional, frei_raum, Q21, Vienna (AT)
    New Literacy: 4th Ural Industrial Biennale, curated by Joao Ribas, Ekaterinenburg (RU)
    Wild West, Austrian Cultural Forum, New York (US)
    On the Wall in Chalk is Written - 2nd Studio for Propositional Cinema Film Festival, Kestner Gesellschaft, Hannover (DE)
    Instructions for Happiness, 21er Haus, Vienna (AT)
    Americans 2017, Luma Westbau, Zurich (CH)
    The Breakfast Pavilion, A Plus A Gallery curated by Luca lo Pinto, Venice (IT)
    Teeter, Carl Louie, Ontario (CA)
    Oh... Jakob Lena Knebl and the Mumok Kollektion, Mumok, Vienna (AT)
    In Between. Franz West Library Visit a part of: Publishing as an artistic toolbox: 1989-2017, Kunsthalle, Vienna (AT)
    Jahresgaben 2017/2018, Kunstverein für die Rheinlande und Westfalen, Düsseldorf (DE)
    New Human Agenda, And Now, Dallas (US)
    In Relation to a Spectator, Kestnergesellschaft, Hannover (DE)
    Anna-Sophie Berger, Oscar Enberg, Zac Langdon-Pole: ars viva 2017/18, Kunstverein München (DE)

  • 2016

    Se nos cayo el teatro, Lodos, Mexico City (MEX)
    Hayley Silverman and Anna-Sophie Berger, Salzburger Kunstverein (AT)
    Jenny say qua, Rogaland Kunstsenter, Stavanger, Norway (NO)
    Exhibition by 31 Women, Philipp Pflug Contemporary, Frankfurt (DE)
    Dead Letter Office, organized by Anna-Sophie Berger, JTT, New York (US)
    Dress Rehearsal, Centre for Style, Berlin Biennale, Berlin (DE)
    Das Tal der Krisen 3, Belle Air, Essen (DE)
    Finding Ling Ling’s Head, Cookie Butcher, Antwerp (BE)
    Die Marmory Show III , Deborah Schamoni, Munich (DE)
    Basic Structures Of, Austrian Cultural Forum London (UK)
    Instructions for Happiness, curated by Olympia Tzortzi and Severin Dünser, Athens (GR)
    I Surrender, Dear, Hayley Aviva Silverman, Flaka Haliti and Anna-Sophie Berger, Salzburger Kunstverein, Salzburg (AT)
    Lodos presents A Play @ PEEE, Museo Experimental El Eco, Mexico City (MEX)
    Das Gespenst der Freiheit; 15 Einreichungen. As part of the exhibition Das Neue at Kunstverein Düsseldorf, Headquaters of Westdeutscher Rundfunk, Cologne (DE)
    9th Berlin Biennial, Dress Rehearsal organized by Centre for Style, Akademie der Künste, Berlin (DE)
    Ver Lento, Centro de la Imagen, Mexico City (MX)

  • 2015

    The Weatherstone, Anna-Sophie Berger and Zak Kitnick, And Now, Dallas, Texas (US)
    Playtime, 9800 Sepultura Blvd., Los Angeles (US)
    The Value of Food, The Cathedral Church of Saint John the Divine, New York (US)
    Annagramma, Basement Roma (CURA), Rome (IT)
    Fantods, with Lucia Elena Prusa, Gallerie Kunstburo, Vienna (AT)
    A Rare Earth Magnet, Derek Eller, New York (US)
    Centre For Style US Tour, New York and Los Angeles (US)
    New Needs, Wittmann Haus, Etsdorf an der Kamp, (AT)
    Wow! Woven? Entering the (sub)Textiles, Kunstlerhaus KM-, Graz (AT)
    In a Future April, Performance with Dena Yago, Ludlow38, New York (US)
    Abstraction Rhapsody, Well Well Well, Vienna (AT)
    Maximum Sideline: Postscript, Proxy, Providence / Rhode Island (US)
    Hotel Moon, New Theater, Berlin (DE)
    Was die Wange roethet, kann nicht ubel seyn, Kerstin Engholm Gallerie, Vienna (AT)
    I bought a Knife, Artist Lecture Series Vienna (AT)
    New Needs, Haus Wittmann by Johannes Spalt, Etsdorf/Kamp, Austria (AT)

  • 2014

    NADA Miami Beach, with JTT 24/7, Monte Carlo, Miami Beach (US)
    rail curatorial projects Got tortilla with butter on phone. Think it’s the end?, Rod Barton, London (UK)
    Silly Canvas, Utopian Slumps, Melbourne (AU)
    White Flag, Lust Gallery, Vienna (AT)
    I Multiplied Myself to Feel Myself, Kunstraum Niederösterreich, Vienna (AT)
    Bavarian Fire Drill, 247365, Brooklyn, New York (US)
    Tell me what to do, performance, Lust Gallery, Vienna (AT)
    The Styled Canvas, Tell me what to do, performance, Mathew Gallery, Melbourne (AU)
    Bouvier‘s Bedroom, Tell me What to do, performance, Mathew Gallery, Melbourne (AU)
    Particular Pictures, Suzanne Geiss Company, New York (US)
    Graphic Design, Futura, Prague (CZ)
    Morning and Evening Asylum, Tanya Leighton, Berlin (DE) and Off Vendome, Dusseldorf (DE)
    Tell me what to do, performance, JTT, New York (US)

  • 2013

    Arcades, Center for Style, Bus Projects, Melbourne (AU)
    A Wand Stirs The Juice, Clearing, Brussels (BE)
    Oh, that‘s also good, The International Picture House, London (UK)
    HHDM, Parallel Vienna, Vienna Art Fair (AT)
    The Essence 2013, Kunstlerhaus, Vienna (AT)
    Modeanweisung, v.esch, Vienna (AT)

  • 2012

    Snout to Tail, JTT, New York (US)

Awards

  • 2018

    Ars Viva Award, Kulturkreis der deutschen Wirtschaft, (DE)

  • 2016

    Kapsch Price, MUMOK, (AT)

  • 2014

    Startstipendium, BKA, (AT)

  • 2013

    Swiss Textile Award, (CH)

  • 2011

    Fred Adlmueller Scholarship, (AT)

Lectures/Talks

  • 2019

    A conversation with Philipp Kleinmichel, Cell Project Space, London (UK)

  • 2017

    Any Thing Inc: Lecture held at CAC Vilnius (LT)

  • 2016

    A Bargain in Fossils: Lecture held at Mumok Library Vienna (AT)

Selected Bibliography and Online Projects

  • 2020

    Noemi Smolik, Anna-Sophie Berger’s Take on Immanuel Kant, Frieze, October 2020

  • 2019

    Parallelaktionen, PW-Magazine, July 2019 (Text by the artist)
    Artforum. September 2019. Ćirić, Maja: Time at Eugster Belgrade, Critic‘s Pick.

  • 2018

    Artforum. December 2018. Thalmaier, Franz: Don‘t smoke Critics‘ Pick.
    Anna-Sophie Berger, The Fool at Sea, Review, Art Review, May 2018.
    Audrius Pocius, A Preamble to Making Things Strange. Interview with Anna-Sophie Berger, Echo Gone Wrong, 2018
    The Summer Vocation of a Summer Bee, Review, Art Agenda, March 22, 2018.
    Hirte, Benjamin: The Fool At Sea. Catalogue Essay for Exhibition Catalogue, 2018.
    Artwriting Daily. Review of The Fool at Sea at JTT, 2018
    Ars Viva 2018. Catalogue for Ars Viva 2018 published by Sternberg Press, 2017
    21 x 28 cm, 128 pages. With A Cage went in Search of a Bird an essay by Laura McLean-Ferris

  • 2017

    Camera Austria. Hoeller, Christian: Review of Places to fight and to make up. Issue 137, Artforum.
    Kleinmichel, Philipp: Review of Places to fight and to make up. February 2017.
    Artforum. March 2017. Kleinmichel, Philipp: Review of Places to fight and to make up.
    Flash Art International. Issue 312. Take Care. Interview with Laura McLean-Ferris.
    Süddeutsche Zeitung. Oktober 2017. Moises, Jürgen: Review of Ars Viva at Kunstverein Munich.
    Flashart. August 2017. Milani, Eleonora: Review of new words.
    Artribute. Lucarelli, Niccolò: Review of new words. 2017.Frieze, Issue 184. Feldmann, Max: Review of Places to fight and to make up. 2017.
    Cura Magazine, Issue 23. Anna Gritz about Centre for Style. 2017.
    Text Means Tissue. Francesca Capone, 2017. 202 p. Paperback.

  • 2016

    Cura. Grulli, Antonio: Review of Places to fight and to make up. December 2016.
    Artwriting Daily. Review of the Places to fight and to make up at Mumok, 2016
    Manual. Artist Book published with Museum moderner Kunst Stiftung Ludwig, 2016. 17,5x10,5cm, 240pages. With essays by Marianne Dobner and Tess Edmonson.
    Der menschliche Umgang mit der Objektwelt – Anna-Sophie Berger Radio Ö1 / Interview about Places to fight and to make up. 21.10.2016.
    Der Standard. Interview about Places to Fight and to make up. 5.11.2016.
    Die Presse Schaufenster. 20.10.2016.
    Purple Online. Places to Fight and to make up. 31.10.2016. Online.
    Tote Bag Edition for Texte zur Kunst Issue #103 Poetry. Online.
    Salzburger Nachrichten, Monday September 26th 2016: Review of I Surrender, Dear. Pandora. Anna-Sophie Berger and Lucia Elena Prusa. First Edition June 2016.
    Art Agenda. Edmonson, Tess. “The Present in Drag,” 9th Berlin Biennial, Online.
    Kuba Paris. Brunnmeier, Quirin. Review of The Eternal Optimist. Online.
    Monopol Magazin. Völzke, Daniel. Watchlist, Mai 2016.
    KUB Billboards, Radio Vorarlberg / ORF Interview. Audio.
    The Gap. Sumi, Denise. Review KUB Billboards. Online
    Wut Magazine. Behrndt, Ashlyn. Interview with Anna-Sophie Berger. Online.
    Blue Paper. Interview with Hayley Aviva Silverman. Issue 7. January 2016. Artist Lecture Series Vienna, Transcript.

  • 2015

    Kuba Paris, Issue 3. Weiss, Diana. Interview with Anna-Sophie Berger.
    Blue Paper. Interview with Tomas Absolon. Issue 6. September 2015.
    Artforum, 10 Things, September 2015.
    New York Times. Smith, Roberta: A Rare Earth Magnet, August 2015.
    Linde, Matthew. Interview with Anna-Sophie Berger. Centre For Style Rag, 2014.
    Kaleidoscope, Issue 23. Winter 2015.

  • 2014

    Frieze d/e. Gross, Jack. Feeling Fashion. Fall 2014.
    Petunia Issue 6. Fall 2014.
    Dazed Digital. Burke, Harry. Fashion as Performance Art. Online September 2014.
    Artforum. Thomson, Allese: Review of Jigsaw Pinking Scallop Postal at JTT, May 2014.
    Whitewall Magazine. Steadman, Ryan. To Watch: Anna-Sophie Berger. Spring 2014.
    Purple Magazine. Issue 21. Fernandes, Annabel. Anna-Sophie Berger. Spring 2014.

  • 2013

    Feldhaus, Timo. Interview with Anna-Sophie Berger.
    DE:BUG Magazine. Issue. 178.
    Heraldseth, Geir. Interview with Anna-Sophie Berger, Tableau Paper. Issue 1.
    Bullet Magazine. Duncan, Fiona. Interview with Anna-Sophie Berger. Online.New York Observer. Russeth, Andrew. Snout To Tail. 22.01.2013.

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