Marius Engh

Marius EnghBohemia, 2018Installation viewVIS, Hamburg

Marius Engh
Bohemia, 2018
Installation view
VIS, Hamburg

Marius EnghPack, 2018

Marius Engh
Pack, 2018

Marius EnghPack, 2018

Marius Engh
Pack, 2018

Marius EnghCore Box, 2018

Marius Engh
Core Box, 2018

Marius EnghJoachimsthal Sketches, 2018

Marius Engh
Joachimsthal Sketches, 2018

Marius EnghJoachimsthal Sketches, 2018

Marius Engh
Joachimsthal Sketches, 2018

Marius EnghDOUBLE BILL, 2018Installation viewLayr, Rome

Marius Engh
DOUBLE BILL, 2018
Installation view
Layr, Rome

Marius EnghTent Painting #2, 2018Spray-charcoal, spray-paint, acrylic paint, fixative, waterproofng spray, thread, eyelets, cord, metal coin, pre-primed cotton canvas332 x 208 cm

Marius Engh
Tent Painting #2, 2018
Spray-charcoal, spray-paint, acrylic paint, fixative, waterproofng spray, thread, eyelets, cord, metal coin, pre-primed cotton canvas
332 × 208 cm

Marius EnghTent Painting #3, 2018Spray-charcoal, spray-paint, acrylic paint, fixative, waterproofng spray, thread, eyelets, cord, metal coin, pre-primed cotton canvas339 x 209 cm

Marius Engh
Tent Painting #3, 2018
Spray-charcoal, spray-paint, acrylic paint, fixative, waterproofng spray, thread, eyelets, cord, metal coin, pre-primed cotton canvas
339 × 209 cm

Marius EnghTent Painting #1, 2018Spray-charcoal, spray-paint, acrylic paint, fixative, waterproofng spray, thread, eyelets, cord, metal coin, pre-primed cotton canvas307 x 206 cm

Marius Engh
Tent Painting #1, 2018
Spray-charcoal, spray-paint, acrylic paint, fixative, waterproofng spray, thread, eyelets, cord, metal coin, pre-primed cotton canvas
307 × 206 cm

Marius EnghNorth American Cut Off, 2016Silk screen print and acrylic paint on primed canvas90 x 67 cm

Marius Engh
North American Cut Off, 2016
Silk screen print and acrylic paint on primed canvas
90 × 67 cm

Marius EnghRadar Rock, 2016Sand-stone-pigments on screenprint on canvas90 x 67 cm

Marius Engh
Radar Rock, 2016
Sand-stone-pigments on screenprint on canvas
90 × 67 cm

Marius EnghFamily Cave, 2016Silk screen print and acrylic paint on primed canvas67 x 90 cm

Marius Engh
Family Cave, 2016
Silk screen print and acrylic paint on primed canvas
67 × 90 cm

Marius Engh, 2016Installation viewSpazio VEDA, Florence

Marius Engh, 2016
Installation view
Spazio VEDA, Florence

Marius EnghDivider, 2016CNC-carved valchromat, 4 parts250 x 92.5 x 9 cm

Marius Engh
Divider, 2016
CNC-carved valchromat, 4 parts
250 × 92.5 × 9 cm

Marius EnghRustic Canyon Studio, 2016Glass, welded steel, black powder coating, wood, lacquer, aluminum, wood, spray, glue, paint, valchromat150 x 65 x 76.5 cm

Marius Engh
Rustic Canyon Studio, 2016
Glass, welded steel, black powder coating, wood, lacquer, aluminum, wood, spray, glue, paint, valchromat
150 × 65 × 76.5 cm

Marius EnghNec Plus Ultra, 2015Installation viewTaylor Macklin, Zurich

Marius Engh
Nec Plus Ultra, 2015
Installation view
Taylor Macklin, Zurich

Marius EnghDouble Fantasy #1, 2015Photograph, inkjet on matt art paper and stamp68 x 51.5 cm

Marius Engh
Double Fantasy #1, 2015
Photograph, inkjet on matt art paper and stamp
68 × 51.5 cm

Marius EnghDouble Fantasy #2, 2015Photograph, inkjet on matt art paper and stamp68 x 51.5 cm

Marius Engh
Double Fantasy #2, 2015
Photograph, inkjet on matt art paper and stamp
68 × 51.5 cm

Marius EnghDouble Fantasy #3, 2015Photograph, inkjet on matt art paper and stamp68 x 51.5 cm

Marius Engh
Double Fantasy #3, 2015
Photograph, inkjet on matt art paper and stamp
68 × 51.5 cm

Marius EnghDouble Fantasy #4, 2015Photograph, inkjet on matt art paper and stamp68 x 51.5 cm

Marius Engh
Double Fantasy #4, 2015
Photograph, inkjet on matt art paper and stamp
68 × 51.5 cm

Marius EnghDouble Fantasy #2, 2015Photograph, inkjet on matt art paper and stamp68 x 51.5 cmDetail view

Marius Engh
Double Fantasy #2, 2015
Photograph, inkjet on matt art paper and stamp
68 × 51.5 cm
Detail view

Marius EnghAdrift, 2007Cotton fabric, nylon ropes135 x 135 x 1 cm

Marius Engh
Adrift, 2007
Cotton fabric, nylon ropes
135 × 135 × 1 cm

Marius EnghHercules, 2015Boat fender, rope, mooring ring, using both sides of wall, fender57 x 23 cm, 500 cm rope (x2)

Marius Engh
Hercules, 2015
Boat fender, rope, mooring ring, using both sides of wall, fender
57 × 23 cm, 500 cm rope (x2)

Marius EnghDouble Fantasy #5, 2015Photograph, inkjet on matt art paper and stamp68 x 51.5 cm

Marius Engh
Double Fantasy #5, 2015
Photograph, inkjet on matt art paper and stamp
68 × 51.5 cm

Marius EnghEschscholzia Californica, 2016Installation viewPF Photo Gallery, Poznan

Marius Engh
Eschscholzia Californica, 2016
Installation view
PF Photo Gallery, Poznan

Marius EnghEschscholzia Californica, 2016Installation viewPF Photo Gallery, Poznan

Marius Engh
Eschscholzia Californica, 2016
Installation view
PF Photo Gallery, Poznan

Marius EnghEschscholzia Californica, 2016Installation viewPF Photo Gallery, Poznan

Marius Engh
Eschscholzia Californica, 2016
Installation view
PF Photo Gallery, Poznan

Marius EnghBlue Lamp, 2014Metal, blue glass, lamp bulb, electrical wire, spray paint230 x 50 x 50 cm

Marius Engh
Blue Lamp, 2014
Metal, blue glass, lamp bulb, electrical wire, spray paint
230 × 50 × 50 cm

Marius EnghPhalanx, 2014Welded steel, squarepipes, spray paint152 x 92 x 10 cm

Marius Engh
Phalanx, 2014
Welded steel, squarepipes, spray paint
152 × 92 × 10 cm

Marius EnghThe Beverly Hills, 2014Inkjet on epson fine art paper, framed93 x 70 cmEdition of 3 plus 1 artist's proof

Marius Engh
The Beverly Hills, 2014
Inkjet on epson fine art paper, framed
93 × 70 cm
Edition of 3 plus 1 artist's proof

Marius EnghProfile, 2013Laser cut styrofoamDimensions variable

Marius Engh
Profile, 2013
Laser cut styrofoam
Dimensions variable

Marius EnghNero Window, 2013Stained green glass, oak frame200 x 150 x 6 cm

Marius Engh
Nero Window, 2013
Stained green glass, oak frame
200 × 150 × 6 cm

Marius EnghEschscholzia Californica, 2013Installation viewLayr An der Hülben, Vienna

Marius Engh
Eschscholzia Californica, 2013
Installation view
Layr An der Hülben, Vienna

Marius EnghAloe Succotrina, 2013Crossed analog color photograph90 x 60 cm

Marius Engh
Aloe Succotrina, 2013
Crossed analog color photograph
90 × 60 cm

Marius EnghWinona B Stevens, 2013Crossed analog color photograph90 x 60 cm

Marius Engh
Winona B Stevens, 2013
Crossed analog color photograph
90 × 60 cm

Marius EnghWinona B Stevens, 2013Crossed analog color photograph90 x 60 cm

Marius Engh
Winona B Stevens, 2013
Crossed analog color photograph
90 × 60 cm

Marius EnghP, 2013HD video loop00:01:30

Marius Engh
P, 2013
HD video loop
00:01:30

Marius EnghEschscholzia Californica, 2013Installation viewLayr Seilerstaette, Vienna

Marius Engh
Eschscholzia Californica, 2013
Installation view
Layr Seilerstaette, Vienna

Marius EnghGhost Station, 2012Analog c-print on Fuji crystal digital print II matt paper123 x 142 x 5 cm

Marius Engh
Ghost Station, 2012
Analog c-print on Fuji crystal digital print II matt paper
123 × 142 × 5 cm

Marius EnghGhost Station, 2012Analog c-print on Fuji crystal digital print II matt paper123 x 142 x 5 cm

Marius Engh
Ghost Station, 2012
Analog c-print on Fuji crystal digital print II matt paper
123 × 142 × 5 cm

Marius EnghUntitled (Stamps/Pigs/Europe), 2013Digital color prints, with 20 Norway Post die-cut stamps on self-adhesive paper (x4)21 x 29.7 cm

Marius Engh
Untitled (Stamps/Pigs/Europe), 2013
Digital color prints, with 20 Norway Post die-cut stamps on self-adhesive paper (x4)
21 × 29.7 cm

Marius EnghUntitled (Stamps/Pigs/Europe), 2013Digital color prints, with 20 Norway Post die-cut stamps on self-adhesive paper (x4)21 x 29.7 cmDetail view

Marius Engh
Untitled (Stamps/Pigs/Europe), 2013
Digital color prints, with 20 Norway Post die-cut stamps on self-adhesive paper (x4)
21 × 29.7 cm
Detail view

Marius EnghUntitled (Stamps/Pigs/Europe), 2013Digital color prints, with 20 Norway Post die-cut stamps on self-adhesive paper (x4)21 x 29.7 cmDetail view

Marius Engh
Untitled (Stamps/Pigs/Europe), 2013
Digital color prints, with 20 Norway Post die-cut stamps on self-adhesive paper (x4)
21 × 29.7 cm
Detail view

Marius EnghDrain, 2012Welded aluminum150 x 100 x 11 cm

Marius Engh
Drain, 2012
Welded aluminum
150 × 100 × 11 cm

Marius EnghStargazer, 2011Sephacryl45 x 45 x 9 cm

Marius Engh
Stargazer, 2011
Sephacryl
45 × 45 × 9 cm

Marius EnghStargazer, 2011Sephacryl45 x 45 x 9 cmDetail view

Marius Engh
Stargazer, 2011
Sephacryl
45 × 45 × 9 cm
Detail view

Marius EnghDesperate Cases and Lost Causes, 2011Metal75 x 55 x 35 cm

Marius Engh
Desperate Cases and Lost Causes, 2011
Metal
75 × 55 × 35 cm

Marius EnghMy Target is your Eyes, 2010Installation viewGalleria Gentili, Prato

Marius Engh
My Target is your Eyes, 2010
Installation view
Galleria Gentili, Prato

Marius EnghMy Target is your Eyes, 2010Installation viewGalleria Gentili, Prato

Marius Engh
My Target is your Eyes, 2010
Installation view
Galleria Gentili, Prato

Marius EnghMy Target is your Eyes, 2010Installation viewGalleria Gentili, Prato

Marius Engh
My Target is your Eyes, 2010
Installation view
Galleria Gentili, Prato

Marius EnghManhole, 2011Charcoal on paper on aluminium277 x 277 x 4 cm

Marius Engh
Manhole, 2011
Charcoal on paper on aluminium
277 × 277 × 4 cm

Marius EnghMy Target is your Eyes, 2010Installation viewGalleria Gentili, Prato

Marius Engh
My Target is your Eyes, 2010
Installation view
Galleria Gentili, Prato

Marius EnghZap Shadow, 2010Inkjet on german etching paper68 x 49 x 4 cm

Marius Engh
Zap Shadow, 2010
Inkjet on german etching paper
68 × 49 × 4 cm

Marius EnghThe Living are governed by the Dead, 2012Installation viewUniversity of Bergen, Bergen

Marius Engh
The Living are governed by the Dead, 2012
Installation view
University of Bergen, Bergen

Marius EnghA Dog's Name, 2010Welded aluminum, screws125 x 75 x 89 cm

Marius Engh
A Dog's Name, 2010
Welded aluminum, screws
125 × 75 × 89 cm

Marius EnghLead, Follow or Get the Hell out of the Way, 2008C-print on Fuji digital print photo paper, three parts94 x 64 cm

Marius Engh
Lead, Follow or Get the Hell out of the Way, 2008
C-print on Fuji digital print photo paper, three parts
94 × 64 cm

Marius EnghLead, Follow or Get the Hell out of the Way, 2008C-print on Fuji digital print photo paper, three parts94 x 64 cmDetail view

Marius Engh
Lead, Follow or Get the Hell out of the Way, 2008
C-print on Fuji digital print photo paper, three parts
94 × 64 cm
Detail view

Marius EnghLead, Follow or Get the Hell out of the Way, 2008C-print on Fuji digital print photo paper, three parts94 x 64 cmDetail view

Marius Engh
Lead, Follow or Get the Hell out of the Way, 2008
C-print on Fuji digital print photo paper, three parts
94 × 64 cm
Detail view

Marius EnghStraight, 2010Plexiglas, wood, lacquer136 x 162 x 45 cm

Marius Engh
Straight, 2010
Plexiglas, wood, lacquer
136 × 162 × 45 cm

Marius EnghAggretation of Adversary, 2010Installation viewLayr Seilerstaette, Vienna

Marius Engh
Aggretation of Adversary, 2010
Installation view
Layr Seilerstaette, Vienna

Marius EnghAggretation of Adversary, 2010Installation viewLayr Seilerstaette, Vienna

Marius Engh
Aggretation of Adversary, 2010
Installation view
Layr Seilerstaette, Vienna

Marius EnghDestabilized, 2010Linoleum, wood, aluminum, lacquerDimensions variable

Marius Engh
Destabilized, 2010
Linoleum, wood, aluminum, lacquer
Dimensions variable

Marius EnghFigurehead (Bonjour), 2010Lightjet on Fuji photopaper37 x 30 cm

Marius Engh
Figurehead (Bonjour), 2010
Lightjet on Fuji photopaper
37 × 30 cm

Marius EnghFigurehead (Unknown Data), 2010Lightjet on Fuji photo paper37 x 30 cm

Marius Engh
Figurehead (Unknown Data), 2010
Lightjet on Fuji photo paper
37 × 30 cm

Marius EnghExume to consume, 2009Installation viewSupportico Lopez, Berlin

Marius Engh
Exume to consume, 2009
Installation view
Supportico Lopez, Berlin

Marius EnghExume to consume, 2009Installation viewSupportico Lopez, Berlin

Marius Engh
Exume to consume, 2009
Installation view
Supportico Lopez, Berlin

Marius EnghExume to consume, 2009Installation viewSupportico Lopez, Berlin

Marius Engh
Exume to consume, 2009
Installation view
Supportico Lopez, Berlin

Marius EnghSaltire, 2008Oak wood228 x 120 x 5 cm

Marius Engh
Saltire, 2008
Oak wood
228 × 120 × 5 cm


Marius Engh

*1974 Oslo, Norway
lives and works in Oslo

Education

  • 2001-02

    The National Academy of Fine Arts, Master studio, Oslo

  • 1999-2000

    The Royal Danish Art Academy, Copenhagen

  • 1996-2000

    The National Academy of Fine Arts, Oslo

  • 1994-96

    Strykejernet Art School, Oslo

Solo Exhibitions

  • 2022

    Marius Engh, VEDA, Florence (IT)

  • 2021

    Marius Engh, Out of the Blue: Marius Engh’s Faustroll, Jane / Krutthuset Oslo, Oslo (NO)
    Marius Engh, Bohemia (Livres Pairs), Hulias, Oslo (NO)

  • 2020

    Marius Engh, Bohemia (In the Gesture of Swimming or Praying), Kunstnerforbundet, Oslo (NO)
    Bohemia (Les Jours et les Nuits), Luis Adelantado, Valencia (ES)

  • 2019

    Marius Engh, Krutthuset i Maridalen, Oslo (NO)

  • 2018

    Bohemia, VIS, Hamburg (DE)
    DOUBLE BILL, Galerie Emanuel Layr, Rome (IT)

  • 2017

    ESCHSCHOLZIA CALIFORNIA, STANDARD Oslo, Oslo (NO)

  • 2016

    ESCHSCHOLZIA CALIFORNIA, VEDA, Florence, Italy (IT)
    „Cover with the Moon“, (with Daniel Jensen), Trøndelag Senter for Samtidskunst, Trondheim (NO)
    ESCHSCHOLZIA CALIFORNIA, Centrum Kultury Zamek, Galeria Przedmiot Fotografii, Poznan (PL)

  • 2015

    Ornamental Sleep (with Morten Slettemeas), Luis Adelantado, Valencia (ES)
    Nec Plus Ultra, Taylor Macklin, Zurich (CH)
    A Gaze Blank and Pitiless as the Sun, NoPlace, Oslo (NO)

  • 2014

    Nothing in Return, STANDARD (OSLO), Oslo (NO)
    Berlin Brandenburg Surf Club (with Jordan Rosenfeld), Gaasa, Oslo (NO)

  • 2013

    My Target Is Your Eyes, Permanent Exhibition, Ørje Tollsted, Ørje (NO)
    Eschscholzia Californica, Galerie Emanuel Layr, Vienna (AT)
    No Know, W17 Atelierprogram, Kunstnernes Hus, Oslo (NO)

  • 2012

    Order, Calm, Silence and Drain, STANDARD (OSLO), Oslo (NO)

  • 2011

    The Living are Governed by the Dead, permanent exhibition, University of Bergen, Faculty of History and Philosophy Bergen (NO)
    Desperate Cases and Lost Causes, Ve.Sch - Raum und Form für bildende Kunst, Vienna (AT)
    Fruits, Flowers and Clouds, artfair MAK Vienna, solo presentation, Galerie Emanuel Layr, Vienna (AT)

  • 2010

    My Target Is Your Eyes, Galleria Gentili, Prato (IT)
    Dead Ahead, Landings Art Space, Vestfossen (NO)
    Figureheads, Supportico Lopez, Frieze Frame, Frieze Art Fair, London (UK)
    An Aggregation of Adversary, Layr Wustenhagen Contemporary, Vienna (AT)
    Time Has Turned Into Space And There Will Be No More Time, Till I Get Out Of Here, STANDARD (OSLO), Oslo (NO)

  • 2009

    Exhume to Consume, Supportico Lopez, Berlin (DE)
    Center of the World, Curator: Jonas Ekeberg, Preus Museum, Horten (NO)
    Toe Pincher, SnowballEditions, Oslo (NO)

  • 2008

    Lycanthropic Chamber, STANDARD (OSLO), Oslo (NO)

  • 2006

    All Items Must Fit In Basket, STANDARD (OSLO), Oslo (NO)
    The Moon is a Harsh Mistress (with Ida Ekblad), Green Gallery, Milwaukee (US)

  • 2005

    No Comply, curator: Paul Brewer, Richard and Dolly Maass Gallery, State University of New York, Purchase College, New York (US)
    B-Sides, Projekt 0047, Berlin (DE)
    Cum Taedio In Infinitum (with Tarje Eikanger Gullaksen), Q, The Royal Danish Academy of Art, Copenhagen (DK)

  • 2003

    Free Drinks, Fotogalleriet, Oslo (NO)

  • 1999

    Notes From The Underground (with Gardar Eide Einarsson), Galleri 21:25, Oslo (NO)

Selected Group Exhibitions

  • 2021

    KÖSK, Oslo (NO)

  • 2020

    Bouquet, Caravan, Oslo (NO)
    One Plus One, STANDARD (OSLO), Oslo (NO)
    Ups & Downs, STANDARD (OSLO), Oslo (NO)
    Friatletisk Gruppeutstilling 2.0, Galleri Fjordheim, Biri, (NO)

  • 2019

    Boneless and Economical. Notes and Illustration, Spazio VEDA, Florence (IT)
    “Friatletisk gruppeutstilling #1.5“, Palmera, Bergen (NO)
    Oslo Open, Krutthuset Oslo (NO)
    „Freigänger”, SOETH7, Berlin (DE)

  • 2018

    Artissima, Main Section (w. Lili Reynaud-Dewar, Matthias Noggler), Galerie
    Emanuel Layr, Turin (IT)
    Black Pages, Salzburger, Kunstverein, Salzburg (AUS)

  • 2017

    When We Dead Awakens, Munchmuseet on the Move, Kunsthall Oslo (NO)
    Lucia,curator:Kristian Skylstad,Blomqvist Kunsthandel, QB Gallery, Oslo (NO)

  • 2016

    The Discovery of a Leak in the Roof of Marcel Breuer’s Wellfleet Summer Cottage on the Morning of September 16, 1984, Commercial Street, Provincetown, Massachusetts, (USA)
    Folkeobservatoriet, Teknisk Museum, Holmenkollen (NO)
    Cover with the Moon (with Daniel Jensen), Trøndelag Senter for Samtidskunst, Trondheim (NO)
    “The Metro is a Stranger“, Henrik Ibsens gate 60,Oslo (NO)
    “MMMMMMMMMM“, NoPlace, Oslo (NO)
    “Skyggenes tale -Edvard Munch‘s atelier, Ekely, Oslo (NO)
    Berlin Brandenburg Surf Club, Jordan Rosenfeld and Marius Engh, Zabriskie Point, Geneva (CH)

  • 2015

    “Pa den andre siden av vinden” / “On the Other Side of the Wind“, Harpefoss Hotell, Harpefoss (NO)
    Kjerringøy Land Art Biennale 2015, (with Tarje Eikanger Gullaksen), Kjerringøy / Bodø Kunstforening, Bodø (NO)
    “Tilfældet Oslo“, Ringsted galleriet, Ringsted (DK)
    Norwegian Sculpture Biennal 2015, Vigelandsmuseet, Oslo (NO)
    Ri-pensare il medium: il fantasma del disegno, Casa Masaccio Centro per l’Arte Contemporanea, San Giovanni Valdarno (IT)
    Spring Depot, Tenthaus, Oslo (NO)
    Silicon, curator:Magnus Vatvedt, U1, Oslo (NO)
    Menneskeberget, Edvard Munch‘s studio, Ekely, Oslo (NO)
    On the Other Side of the Wind (III), Harpefoss Hotell, Harpefoss (NO)

  • 2014

    Vi lever pa en stjerne/We are living on a star, Henie Onstad Art Center, Høvik, (NO)
    Art Basel Miami Beach, Nova Section (w. Nick Oberthaler), Galerie Emanuel Layr
    Ökonomie der Aufmerksamkeit, Kunsthalle Wien, Vienna (AT)
    Decorum - Carpets and Tapestries by modern and contemporary artists, curated by Anne Dressen, Power Station of Art, Shanghai (CN)
    Polarity and Resonance, Sammlung Lenikus, Vienna (AT)
    Third Act, Selected works from Nordea Norway Art Collection, Drammens Museum, Drammen (NO)
    El Rey de Icod, curated by Anna Haukeland,Tenerife Espacio de las Artes, Tenerife (ES)
    Collection as Allocated Objects“, Tidens Krav, Oslo (NO)
    On the Other Side of the Wind (II), w. Tarje Eikanger Gullaksen, Harpefoss Hotell, Harpefoss (NO)
    Common Trade, Sequel Tiempo / Ulving Kunsthandel, Tønsberg (NO)

  • 2013

    Decorum - Carpets and Tapestries by modern and contemporary artists, Curated by Anne Dressen, Musée d’Art moderne de la Ville de Paris / ARC, Paris (FR)
    languageleaps, curated by Adriana Elena Blidaru, Galeria Plan B, Berlin (DE)
    Dienstag Abend, curated by Ludwig Kittinger, Gdansk (PL)
    Fremtidsruiner / Future Ruins, curated by Eivind Slettermeas, Haprefoss Hotell, Harpefoss (NO)
    On the Other Side of the Wind (with Tarje Eikanger Gullaksen), Future Ruins curated by Eivind Slettemeaas, Kulturhuset Banken, Lillehammer (NO)
    The Beyond Within, Galleria Gentili, Florence (IT)

  • 2012

    Friends, Countrymen, Gaudel de Stampa, Paris (FR)
    Oscar knows Gardar. Gardar knows Matias. Matias knows Frederic. Frederik sorf of knows Gardar. But Gardar knows Marius. And that Gardar knows Matias we already know. But Matias also knows Anders, STANDARD (OSLO), Oslo (NO
    Als Morandi mit der Kinematographie liebäugelte, Supportico Lopez, Berlin (DE)
    Calumet, Galleria Gentili, Solo Object - ARCO, Madrid (ES)
    Fantasie Fluttuanti, curated by Giacomo Zaza, Torrione Passari Art Center, Molfetta, Bari (IT)

  • 2011

    Run, Comerade, the Old World is Behind You, Kunsthall Oslo, Oslo (NO)
    Selected workds - Marius Engh and Tillman Kaiser, Galerie Emanuel Layr, Vienna (AT)
    Dienstag Abend, Vesch - Raum und Form für bildende Kunst, Vienna (AT)
    Galerie Im Körnerpark, Berlin (DE)
    Studio 9, curated by Eva Maria Stadler, Sammlung Lenikus, Vienna (AT)
    You Don*t Love Me Anymore, curated by Katja Schroeder, Westfälischer Kunstverein, Münster (DE)
    Wallpaperism, curated by Nick Oberthaler, Motel Campo, Geneva (CH)

  • 2010

    Babel, Stenersen Contemporary, Bergen Art Museum, Bergen (NO)
    When do you see yourself in ten years?, STANDARD (OSLO), Oslo (NO)
    I Really Like The Works, But My Wife Is Still Concern. Please Keep Me Inform About New Works, STANDARD (OSLO), Oslo (NO)
    Statoil Art Award, Rogaland Museum of Fine Art, Stavanger (NO)
    “Mike, Alec or Rufus?“ („Tom, Dick or Harry“), Layr Wuestenhagen Contemporary, Vienna (AT)
    No Sould for Sale, Torpedo Bookshop / Press, Oslo, Tate Modern, Turbine Hall, London (UK)
    Kiosk, curatedy by DAvid Horvitz, Golden Parachutes, Berlin (DE)
    Kiosk, curated by David Horvitz, RAID Projects and Workspace, Los Angeles (US)
    Like Tears in Rain, cur. by Ana Luiza Teixeira de Freitas, The Palácio das Artes / Fábrica de Talentos, Porto (PT)
    Stadt Einrichten - Stadt Berichten - Stadt Ausrichten (Rearranging the City - Reporting the City, Reorienting the City), Weltecho Galerie, Chemnitz (DE)

  • 2009

    Six Degrees of Separation, Mehdi Chouakri, Berlin (DE)
    Two in One, Witte de With Center of Contemporary Art and De Appel, Christie‘s, Amsterdam (NL)
    Gjengangere, Bastard, Oslo (NO)
    Statoil Art Award, Kunstnerforbundet, Oslo (NO)
    Survival Kit, Curator: Solvita Krese, Latvian Centre for Contemporary Art (LCCA), Riga (LV)

  • 2008

    Show Me, Don‘t Tell Me, Witte de With Contemporary Art Center, curators: Nicolaus Schafhausen and Florian Waldvogel, Brussels Biennial 1,Brussels (BE)
    Horror Vacui, Layr Wuestenhagen Contemporary, Vienna (AT)
    We Have Never Met Before, But It‘s With Great Anticipation of Your Understanding That I‘m Writing You And I Hope You Will In Good Faith Give A Deep Consideration To My Proposal Below. curated by Mikkel E. Astrup and Eivind Furnesvik, STANDARD (OSLO), Oslo (NO)
    Frieze Art Fair, STANDARD (OSLO), London (UK)
    When You Carry A Hammer A Lot Of Things Look Like Nails,Skalitzer Strasse 64, Berlin (DE)
    Figureheads, Torpedo Bokhandel / The White Tube, Oslo (NO)
    Hydro Corporate Collection, Henie Onstad Art Center, Høvik (NO)
    Nerhagen Skogsfestival, Vang (NO)
    Nationalmuseum, curated by Lars Monrad Vaage, Nationalmuseum Berlin, Schönleinstr. 6, Berlin (DE)
    Master of Puppets (with Sverre Gullesen), Planka, Oslo (NO)

  • 2007

    Tempo Skien 2007, Public Art Project, Skien (NO)
    Robert Smithson, curated by Lina Viste Grønli and Anders Smebye, Fotogalleriet, Oslo (NO)
    Routines of Resistance, curated by Eivind Furnesvik, STANDARD (OSLO), Oslo (NO)
    Unknown Unknowns, curated by Tarje Gullaksen, Nord-Jyllands Kunstmuseum, Aalborg (DK)
    Future Primitive, curated by Helga Marie Nordby, UKS - Young Artists Society, Oslo (NO)
    Skate Culture, curated by Jonas Ekeberg / Gardar Eide Einarsson, Bildmuseet, Umeå (SW)
    Paris Was Yesterday, curatoed by Hanne Mugaas, La Vitrine, Paris (FR)
    Dislocations (Don‘t Try Popping Them Back Into Place), curated by Chus Martinez, with Gardar Eide Einarsson and Matias Faldbakken, ARCO - Special Projects Section STANDARD (OSLO), Madrid (ES)

  • 2006

    Dice Thrown (Will Never Annul Chance), curated by Joao Ribas, Bellwether Gallery, New York (US)
    White Stains, STANDARD (OSLO) / Extra City, Antwerpen (BE)
    Skate Culture, curated by Jonas Ekeberg / Gardar Eide Einarsson, Bergen Kunsthall, Bergen (NO)
    Cross My Heart And Hope To Die, curated by Gudrun Benonysdottir, Hildigunnur Birgisdottir, Gunnar Tor Vilhjalmsson and Sigrun Edvardsdottir, Torpedo Bokhandel, Oslo (NO)
    Street: Behind The Cliché, curated by Nicolaus Schaffhausen and Renske Janssen, Witte de With Contemporary Art Center, Rotterdam (NL)
    Bokaktig, Fotogalleriet, Oslo (NO)
    Milwaukee International, Willy Wonka Inc., Milwaukee (US)
    The Norwegian Sculpture Biennial, curated by Cecilia Widernheim, The Vigeland Museum, Oslo (NO)
    There Are Two Paths, curated by Ida Ekblad and Hanne Mugaas Torpedo Kunstbokhandel, Oslo (NO)
    Giving the People What They Want, curated by Hanne Mugaas Glassbox, Paris (FR)
    Several Ways Out, curated by Craig Buckley, UKS Gallery, Oslo (NO)
    Skate Culture, curated by Jonas Ekeberg / Gardar Eide Einarsson, Preus Museum, Horten (NO)
    50 / 50“, AK 28, Stockholm (SE)
    Villa Jelmini - The Complex of Respect, curated by Philippe Pirotte, Kunsthalle Bern, Bern (CH)

  • 2005

    Blankness Is Not A Void, curated by Gardar Eide Einarsson, STANDARD (OSLO), Oslo (NO)
    Gardar Eide Einarsson / Marius Engh / Matias Faldbakken, STANDARD (OSLO), Oslo (NO)
    LISTE 05, STANDARD (OSLO), Basel (CH)

  • 2004

    Standard Escape Routes, curated by Eivind Furnesvik, ISCP, New York (US)
    Pilot 1 - International Art Forum, Limehouse Town Hall, London (UK)
    Rank Xerox, curator: Gardar E. Einarsson and Matias Faldbakken, Bergen Kunsthall, Bergen (NO)
    10 Years After (with Anders Smebye), Bomuldsfabriken Kunsthall, Arendal (NO)
    Shugacube, Vincent Lunges Institutt, No. 9 - Visningssted for Samtidskunst, Oslo (NO)
    Salon 100 - Works on Paper, Heimdalsgaten 4, (temporary exhibition space), Oslo (NO)
    Vækerø Sculpture Garden, Public Art Project, Oslo (NO)
    Listepop, Fotogalleriet, Oslo (NO)

  • 2003

    Institiution 2, curated by Jens Hoffmann, Oslo Kunsthall, Kiasma,
    Helsinki (FI)
    Rathaus, Oslo Open, Atelier C, Rådhuset, Oslo (NO)
    Merry-Go-Round, Video program, Oslo Open, Oslo (NO)

  • 2002

    Museum of Installation, London (UK)
    Bjørvika 17. august, Skur 55, Bjørvika, Subcomandante, Oslo (NO)
    Brøl, Zoo Copenhagen, Frederiksberg (DK)
    I Deal Art For The Market, Curatorial Market, curated by Tone Hansen, Cuchifritos, New York (US)

  • 2001

    UKS biennalen 2001, Seilduksfabrikken, Oslo (NO)
    Fane, Galleri Elbowroom, Gothenburg (SE)
    Måske, (with Tarje Eikanger Gullaksen) Norbergfestivalen, Norberg (NO)
    Heavy Backstage, Ballongmagasinet

  • 2000

    Postprofessionalism, VCA, Melbourne (AU)
    Presenting the piece / Her er værket!, OTTO, Galleri Rhizom, Århus (DK)
    Cantine del Borgo II, Underhaugsveien, Oslo (NO)
    Graduation Show, The National Academy of Fine Arts, Stenersenmuseet, Oslo (NO)
    Bergen Museum For Samtidskunst, Plakat, Bergen (NO)
    Forrett, Statens kunstakademi, Seilduksfabrikken, Oslo (NO)

  • 1999

    Weisse Zwerge und Grosse Riesen, Galleri Neu Deli, Bauhaus Universität, Weimar (DE)
    Cantine del Borgo, Galleri 21:25, SKA, Oslo (NO)
    Vibrations, Rogaland Kunstnersenter, Stavanger (NO)

  • 1998

    Die Faster Recordings, Quicksilver Galelry, Middlesex School of Art, London (UK)Heavy Backstage - Live in Bergen, Bergen Museum For Samtidskunst, Bergen (NO)
    The Great Rock‘n‘Roll Battle (Best of The Frode Fivel), Heavy Backstage, Galleri 21:25, Oslo (NO)
    Heavy Backstage (with Daniel Jensen), Høskolen i Bø, Telemark (NO)
    Annekset, Galleri 21:25, Oslo

  • 1997

    Heavy Backstage with Daniel Jensen, The Annex, The National Academy of Fine Arts, Oslo (NO)
    Punkpartyperformance, Gallery 21:25, Oslo (NO)

Curating

  • 2019

    TBA (Marius Engh, Tarje Eikanger Gullaksen and Steinar Haga Kristensen),
    VEDA, Florence (JAN)
    MARS Project Space, (Co-curating w/ Lars Monrad Vaage), Ål in Hallingdal,
    Norway (SEP)

  • 2016

    Folkeobservatoriet, (with Jordan Rosenfeld), Norwegian Museum of Science and Technology / Folkeobservatoriet, Oslo (NO)

  • 2008

    “When You Carry A Hammer A Lot Of Things Look Like Nails”, (with Marco Bruzzone), Skalitzer Strasse 64, Berlin

  • 2007

    Tarje Eikanger Gullaksen, Bastard, Oslo (NO)

  • 2006

    Bastard. Co-founder and curator of artist-run space in Oslo, with Anders Smebye, Olso (NO)
    Daniel Jensen, ’’The Adoration of Sir Flex-A-Lot’’, Bastard, Oslo (NO)
    Ida Ekblad, ’’C.U.(on the other)SIDE’’, Bastard, Oslo (NO)
    AK28, Bastard, Oslo (NO)

  • 2005

    Jone Skjensvold,’’Atotal - State of Soul’’, Bastard, Oslo (NO)
    Erik Pisani, ‘’’A19’’, Bastard, Oslo (NO)
    Liv Bugge, ’’Willing Suspension of Disbelief’’, Bastard, Oslo (NO)
    Per-Oskar Leu, ‘’THREE TO GET READY - the Second Skin’’, Bastard, Oslo (NO)
    ’’Join the Union’’, Union (Ed. Karl Larsson and Kim West) art magazine release, Bastard, Oslo (NO)

  • 2004

    “Nabolaget / Neighborhood“, Bastard, Oslo Oslo (NO)

  • 2003

    Vaekeroe Skulpturhage, Oslo (NO)

  • 1998

    ÆØA, co-curating an exchange student exhibition from The National Academy of Fine Arts, Oslo at Quicksilver Gallery, Middelsex School of Art, London (UK)

Public Commissions

  • 2020

    Marius Engh, Hermopolis, KORO – Public Art Norway, Oslo / Tolldirektoratet, Oslo (NO)

Publications

  • 2020

    Leonora Carrington, The Skeletons Holiday, ed. Marius Engh, Hermetiske Skygger (Bouquiniste), Oslo
    David Hammons, Excerpts from an interview, ed. Marius Engh, Hermetiske Skygger (Bouquiniste), Oslo
    Gunvor Hofmo, En annen virkelighet, ed. Marius Engh, Hermetiske Skygger (Bouquiniste), Oslo
    Claude Cahun, Golden Mask, ed. Marius Engh, Hermetiske Skygger (Bouquiniste), Oslo
    Felix Fénéon, ed. Marius Engh, Hermetiske Skygger (Bouquiniste), Oslo
    Alfred Jarry, Rachilde, Marius Engh: Mon Rêve - Le Tripode, Hermetiske Skygger (Bouquiniste), Oslo

  • 2018

    Marius Engh, „My target is your eyes“, catalogue, KORO, Oslo, 2018
    Marius Engh, “Garden of the Gods“, artist book, modified 2. edition Cornerkiosk Press, Oslo / Galerie Emanuel Layr, Rome, 2018

  • 2017

    Marius Engh, „Eschscholzia Californica“, artistbook, STANDARD (BOOKS), Oslo, 2017
    Tarje Eikanger Gullasen and Marius Engh, „Pa den andre siden av vinden“, artist book and sound recording, Museum of the void press / TILT #3, 2017

  • 2016

    Marius Engh, “Garden of the Gods“, artist book, Cornerkiosk Press, Oslo / Galerie Emanuel Layr, Vienna, 2016
    Marius Engh, “Marius“, Black Pages #69, publication, Vienna, 2016
    Daniel Jensen and Marius Engh, „Blanket“, publication / posters, A4/A2 x 4, Trøndelag Senter for Samtidkunst, Trondheim, 2016

  • 2013

    Marius Engh, „The Living Are Governed By The Dead“, publication, University of Bergen - Faculty of History and Philosophy / KORO, WTF Kodex, Bergen, Second edition, 2013

  • 2012

    Tarje Eikanger Gullaksen and Marius Engh, „A Nuthing in a Nutshell“, The Museum Of The Void Press, 2012
    Marius Engh, „The Living Are Governed By The Dead“, publication, University of Bergen - Faculty of History and Philosophy / KORO, WTF Kodex, Bergen, 2012

  • 2009

    Marius Engh, „An Aggregation of Adversary“, Torpedo Press, Oslo, 2011 Marius Engh / Ingrid Book and Carina Heden, Preus Museum - National Museum for Photography, Horten, catalogue, 2009

  • 2008

    Marius Engh, “Figureheads”, 28 pages pamphlet, Torpedo Books, Oslo, 2008 Gardar Eide Einarsson and Marius Engh, „Notes From The Underground“, pamphlet, 1999

  • 1997

    Daniel Jensen and Marius Engh, „Heavy Backstage“, fanzine, 1997

Selected Press

  • 2021

    Stian Gabrielsen, Waiting for Spring / Mens vi venter på våren, kunstkritikk.no, Oslo, January 13.

  • 2020

    Stian Gabrielsen, Lenge leve patafysikken!, kunstkritikk.no, December 21.
    Kjetil Røed, Oppdaterer klassisk motiv, kunstavisen.no, Oslo, November 15.
    Hilde Mørch, Krutthus, kunst og forskning, kunstavisen.no, Oslo, October 23.
    Stian Gabrielen, Dritter!, Kunstkritikk.no, September 11.
    Kjetil Røed, Når korset treffer kaffekoppen, Kunstavisen.no, August 24.
    Marius Engh, Mon Rêve - Le Tripode, Hermetic Shades (Bouquiniste), Oslo
    Norsk kunstårbok 2020, Dollartegnets opprinnelse, p. 73, Pax Forlag, Oslo
    Kåre Bulie, Tollens buktninger, Klassekampen, Kunst / Anmeldelser, p. 33, May 13.
    ‘Bouquet’, A Group Show at Caravan, Oslo, tzvetnik.online, Moscow, April
    Kjetil Røed, Opprør eller solidaritet?, p. 38-53, Billedkunst, No. 1, Oslo
    José Luis Clemente, El future (del arte) a está aquí, EL CULTURAL. El Mundo newspaper, p. 32, February 7.-13.

  • 2018

    Marius Engh, Angle-series, Multipress, Oslo, September
    Nicholas Norton, „Slumrende oppvakning“, Kunstkritikk.no, January 24.

  • 2017

    “Marius Engh at Standard (Oslo)”, Contemporary Art Daily.com, September 12.
    „Himmellegmer“/“Celestial Bodies“, Norsk kunstårbok 2017, Pax forlag, Oslo
    Arve Rød, „Høstsykluser“, Arkitektur & Kunst, Dagbladet, August 28.
    Stian Gabrielsen, „Stø kurs for buskaset“, Kunstkritikk.no, October 30.
    „Marius Engh, Eschscholzia Californica at Standard (Oslo)”, moussemagazine.it, Exhibitions, August
    Kjetil Røed, „Hva skjuler seg der inne?“, Aftenposten.no, Kultur, April 21.

  • 2016

    Arve Rød, “Kikkert-Olsens minne“, Dagbladet, Arkitektur og Kunst, p. 32-33, September 5.
    „Ny utstilling på Teknisk museum om Folkeobservatoriet“, converstation with Henrik Treimo, Frokostradio, NRK P1, Oslo, August 26.
    Marius Engh, “Garden of the Gods“, artist book, Cornerkiosk Press, Oslo / Galerie Emanuel Layr, Vienna “Group show at Commercial Street“, Contemporary Art Daily.com, September 24.
    “Jensen og Engh“, Perspektiv, Klassekampen, March 16.
    Gustav S. Borgersen, “Ooops! Fanget av konvensjonene“, trondheimkunsthall.com / artscenetrondheim, April 7.

  • 2015

    “New Scandinavian Photography”, Ed: Bjarne Bare & Behzad Farazollahi,
    “Bodily Transformations: The Work of Marius Engh”, Sara R. Yazdani, p. 60-77, Black Dog Publishing, London
    Juan Bautista Peiró, “Ornamental Sleep”, El Levante, Cultural, Posdata, Arte, Valencia, October 17.
    Oda Bahr, „Frihet i tre dimensjoner“, Morgenbladet, p. 42-43, No. 47, Nov. 27 - Des. 3.
    “Norwegian Sculpture Biennial 2015 - Art belong to those who see it“, Ed. Anne Szefer Karlsen, published by The Association of Norwegian Sculptors, p. 44-47, Oslo
    Line Ulekleiv, “Vellykket energikobling“, Klassekampen, Kunst & Kritikk, p. 26, October 14.
    Simon Joachim Helsvig,“I skyggen av skjermen”, Kunstkritikk.no, October 14.
    Lars Elton, “Fadermord eller naturlig utvikling?”, Kultur/Kunst, Dagsavisen, October 13.
    Arve Rød, “Skjermkulturen”, Signaler, Dagbladet, p. 31, October 12.
    Sara R. Yazdani, „Objectets sociala process“, Kunstkritikk.no, January 27.
    Åse Anna Markussen, „Villa Moderne i Arcueil - Kunstakademiets Atelierhus i 75 år“, p. 126-128, The Academy of Fine Art, Oslo
    “Going Out in Vienna - Artist’s Pick: Loos Bar“, Spike Art Magazine, October 5.
    „On the Other Side of the Wind“ , with text by Erling Moestue Bugge,October

  • 2014

    Arve Rød, „Hotellkultur“, Dagbladet.no, August 20.
    Arve Rød, „Ingenting tilbake“, Dagbladet.no, July 7.
    Kristian Skylstad, „Marius blandt ruinene“, Kunstkritikk.no, July 3.
    Gunnar Danbolt, „Frå Modernisme til det kontemporære - tendensar i norsk samtidskunst etter 1990“, Samlaget Forlag, „Den relasjonelle kunsten“, chap. 3, p. 47 / „Om det konseptuelle“, chap. 6, p. 89
    „Out There - John Divola and Marius Engh in conversation with Dorothée Perret“, Paris, LA #11; Spring 2014, Photography Here and Now, p. 74-83
    Hilde Berteig Rustan, „Mellom stjernestøv og betongklosser“, Argument, Nummer to, Kultur, p. 32-33
    Even Smith Wergeland, Martin Braathen, Johanne Borthne, Vilhelm Christensen, Marius Engh, „Gjenopprett Arne Garborgs plass“, Aftenposten.no / Aftenposten, Oslo, p. 10, February 28.
    Stian Gabrielsen, „Ordskyer og sårede landskap“, Kunstkritikk.no, February 27.
    Even Smith Wergeland, Martin Braathen, Johanne Borthne, Vilhelm Christensen, Marius Engh, „Behold Y-blokka og gjenopprett Arne Garborgs plass“, Arkitektnytt.no, Debatt, February 21.
    Kjetil Røed, „Teppet som ble bombet i stykker“, Aftenposten, Kultur & Meninger, page 13, February 1.
    „Kjent av Mange og Ingen“/“Known to Many and Nobody“, Kunstforum #1, Portrettet/Portrait, p. 28-33/58-59

  • 2013

    “Drawing Quote!“, Ed. Nick Oberthaler/PIGNA Project Space Roma, Roma
    Erling Moestue Bugge, „Ruinen som kunstnerisk erfringsrom“, Objektiv - Tidss krift for kamerabasert kunst, Issue 8, page 28-37
    Tia Karlsen, „Og teppet var ikke dødt“, D2, Dagens Næringsliv, October 11, p.56
    „Marius Engh at Emanuel Layr, Contemporary Art Daily.com, Aug 5.
    „Marius Engh and Plamen Dejanoff at Emanuel Layr, Vienna!, Moussemagazine.it, July 28.
    Christa Benzer, „Rund um die Murphy Ranch“, derStandard.at, June 19.
    Sverre Malling, „Tre bøker om forbindelser og brudd“, Kunstforum, No. 3, p.51
    Tom Egil Hverven, „Framtidsruiner“, Klassekampen, Bokmagasinet, page 58, June 1.
    Johanne Nordby Wernøm, „Kunstseminar på Litteraturfestivalen“, Kunstkritikk.no, May 27.
    „Hegdehaugsveien 3“, STANDARD BOOKS
    Stian Gabrielsen, „Å gå å gå“, interview with Tarje Eikanger and Marius Engh, Kunstkritikk.no, January 17.

  • 2012

    Marius Engh, conversation with Benjamin Hirte, Annual Art Magazin, Issue 52011
    Simon Rees, „Marius Engh & Tillman Kaiser“, Frieze d/e, Issue 3, Winter 2011/12

  • 2010

    Øystein Ustvedt, New Norwegian Art since 1990 / Ny Norsk Kunst etter 1990 Fagbokforlaget, Bergen Lærke Hein, De Stora Maleboken Hatterud, Bjørn
    "Djevelsk fjellklatring“, Billedkunst, No. 3, May 10
    Oberthaler, Nick (ed.), „Wallpaperism“, Boa Books, Geneva, Switzerland
    Eva Klerck Gange, Objektiv-Tidsskrift for kamerabasert kunst, No. 3
    Contemporary Art Daily, „Group exhibition at Westfälischer Kunstverein“, May 13 2010
    Kjetil Røed, „Through the Looking Glass“, Kunstkritikk.no, June 7
    Jonas Ekeberg, „Ingen sjel til salgs I London“, Kunstkritikk.no, May 15
    Peter Amdam, „Emosjon og stillstand“, Kunstkritikk.no, February 22
    Contemporary Art Daily, „Marius Engh at Layr Wuestenhagen“, February 4
    Marisa Mazria Katz, „The Wannabe Art Capital“, Monocolumn, Monocle.com,
    Los Angeles, February 1Christian Zuern, „Opening night at three midtown galleries“, theartview.blogspot.com. January 22
    Arve Rød, „Graastandarden“, Dagens Näringsliv, January 9./10.
    Kjetil Røed, „Gullrekka“, Kunstkritikk.no, January 11.
    Mona Pahle Bjerke, „Meditativt og inspirerende“, NRK news/culture, nrk.no, January 11.

  • 2009

    Trond Olav Svendsen, „Marius Engh“, Store Norske Leksikon Stefania Palumbo
    Devils, Werewolfs and Other Myths“, Statoil Art Award 2009, catalogue
    Positions in Nordic Photography 2“, Ed. Jonas Ekeberg and Susanne Ø.
    Line Ulekleiv, „Dagens helter“, Morgenbladet, December 11 2009
    Trond Olav Svendsen, „Marius Engh“, Store Norske Leksikon
    Stefania Palumbo, „Devils, Werewolfs and Other Myths“, Statoil Art Award 2009, catalogue
    Stefania Palumbo, „Suggest a song“, Mousse Magazine issue 18, page 106-108
    Marius Engh, Frieze Yearbook 2008-09
    “Positions in Nordic Photography 2“, Ed. Jonas Ekeberg and Susanne Ø. Line Ulekleiv, „Dagens helter“, Morgenbladet, December 11

  • 2008

    “Brussels Biennial“, Ed. Barbara Vanderlinden, Verlag der Buchhandlung Walther König, catalogue
    Rolf Wienkötter, „Im Vollbesitz der Leere“, Horror Vacui, Spike Art Quarterly, Reviews, Winter 2008
    Nina Marie Haugen Holmefjord, „Kunst, kapital og fordervelse“, Dagsavisen, Nov.
    Petter Snare, „Frontal Frieze“, Kunstkritikk.no, Oslo
    “Horror Vacui“, www.Events.at, Ausstellungen, Vienna
    Nicole Scheyerer, „Galerien: In Patrick Swayzes Armen“, Die Presse, Vienna
    “A4 No. 1“, Attåt (publisher), magazine, 20 pages, Edition of 200, Oslo
    Geir Haraldseth, „Kunsten å kjøpe kunst“, Elle Mann, spring/summer, Oslo
    Andreas Schlaegel, „Summer‘s White Night“, Flash Art, March / April
    Tommy Olsson, „Dear Gonzo, I know you love me“, Kunstkritikk.no, March 7
    André Gali, „Er du Square?“, Kunstmagasinet, No 1 Arve Rød, „Ren Tortur“, Dagens Næringsliv, February 23
    Harald Flor, „Skulptur og Bur“, Dagbladet, February 24
    Ika Kaminka, „Primitive Future“, Norwegian Art Yearbook 2007, Pax Publishing, Oslo

  • 2007

    Cecilie Malm Brundtland (ed.), „Norwegian Contemporary Art Photography 1970–2007“, Arnoldsche Verlagsanstalt, catalogue Nicolaus Schafhausen / Renske Jansen (ed.) „Changing Roles“, Witte de With Contemporary Art Center, catalogue
    Line Ruud Ørslien, „Refleksjoner i byrommet“, Billedkunst no. 5
    Erling Mostue Bugge, „Ut med industrien – inn med kunsten“, Kunstkritikk.no, August 24
    Arve Rød, „Beskjeden i Skien“, Dagens Næringsliv, August 18 Tempo Skien 2007, catalogue
    “Unknown Unknowns“ by Tarje Gullaksen, „Match Race“ Nordjyllands kunstmuseum, catalogue
    Marit Paasche, „Fausts dilemma“, Kunstkritikk.no, May 4
    “Paris was Yesterday“, Paris Art, paris-art.com, April
    “Paris Was Yesterday“, Nettime.org
    “Misc. New Art“, Yale Arts Library, Artslibrary.wordpress.com, August 20
    Tommy Olsson, „I det tomme rom“, Morgenbladet, May 11

  • 2006

    Roberta Smith, Dice Thrown (Will Never Annul Chance), Art in Review, The New York Times, November 3
    Michael Gibbs, „Street: Behind the Cliché“, Exhibitions-Reviews, Art Monthly, November 6
    Martin Herbert, „Rich Pickings“, Modern Painters, June
    Daniela Paes, „Street: Behind the cliché“, Arte Capital, artecapital.net
    Truls Ramberg, „Emerging Norway“, Art Review, No. 6, p. 110-111
    Caroline Ugelstad, „Intro“, Art Review, No. 6, p. 88
    Kjetil Røed, „Standard“, Norwegian Art Yearbook, p. 21-28
    Anne Doran, „Dice Trown“, Time Out New York, November 2 – 8, issue 57
    “Dice Thrown (Will Never Annul Chance)“,Trigger Magazine, New York, September 2006,
    „Shortcuts“, Rich Kids On LSD, Sleek Magazine for Art and Fashion, winter 2006/2007
    “Street: Behind the cliché“, Witte de With, catalog
    Tommy Olsson, „All beer must remain in gallery“, Morgenbladet No. 3
    Tommy Olsson, „Konseptuelle kulisser“, Billedkunst, No. 3
    Gudrun Benonysdottir (ed.), „Cross My Heart and Hope to Die“, bookproject, Oslo and Island
    Peter Amdam, Kunst, Natt & Dag, FebruarKjetil Røed, „Konseptuelle kulisser“, Billedkunst No. 3
    Marius Wang, „Skate Culture?“, Billedkunst No. 3
    André Gali, „Minimale strukturer…“, Kunstkritikk.no
    André Gali, „Kritisk blikk på nykonseptualisme“, Kunstkritikk.no
    Norwegian Sculpture biennial 2006, catalogue

  • 2005

    Kjetil Røed, „Sterk kuratorstemme“, Billedkunst No. 7
    Halvor Haugen, „Bilde, tekst, tapet“, Billedkunst No. 1
    Power Ekroth, „Fast Track“, ArtReview, (Bastard)
    Marit Paasche, „Rykter om et annet rom“, Utsmykkingsfondet for offentlige bygg 2004, catalogue
    “Monumenter og mellomrom“, Norwegian Art Yearbook 2004
    Øystein Aasan, „Don‘t eat stuff off the sidewalk“, Billedkunst No. 6
    Peter Amdam, „Bastardforsøk“, Natt & Dag, December
    “Skate Culture“, Om Fotografi, Preus Museum, catalogue

  • 2004

    Tommy Olsson, „Opptegnelser fra et kjellerdyp“, Billedkunst, No. 4
    Anders Smebye and Marius Engh, „Cro-Mag“, Magazine
    Anna B. Jenssen, Lars Laumann and Lena Ulven (ed.): „Nesten“, Aschehoug, Oslo

  • 2003

    Sonia Hedstrand, „Framtidens konstförmedling“, Dagens Nyheter, 6. December
    Mari Grinde Arntzen, „Fotogalleriet gjenåpner I nytt rom“, Aftenposten
    Tone Hansen and Marit Paasche (ed.): „Noe kommer til å skje 2003-2020“, Frotté Factory, Oslo
    Jonas Ekeberg (ed.): „New Institutionalism“, Verksted #1, Office for Contemporary Art Norway, Oslo
    Lars Laumann: „Dasslokket“, Lars‘sommergalleri, Morgenbladet, Nr. 33, Oslo

  • 2002

    “Brøl – progressiv nutidskunst“, Zoo, Copenhagen, catalogue

  • 2001

    “UKS biennalen“, catalogue“Barokkminimalist #1“, UKS biennalen

Collections

  • KODE Art Museums, Bergen (NO)
    National Museum, Oslo (NO)
    KORO – Public Art Norway, Oslo (NO)
    The National Museum for Contemporary Art, Architecture and Design, Oslo (NO)
    Nordea Art Collection, Oslo (NO)
    JPMorgan Chase Art Collection, New York (US)
    Norsk Hydro, Corporate Collection, Oslo (NO)
    Telenor, Corporate Collection, Oslo(NO)
    KORO - Kunst i Offentlig Rom, Oslo / Universitetet I Bergen - Fakultet for
    Historie og Filosofi, Bergen (NO)
    KORO - Kunst i Offentlig Rom, Oslo / Ørje Tollsted, Ørje (NO)
    Deka
    Bank, Frankfurt am Main (DE)
    Preus Museum - National Museum of Photography, Horten (NO)
    Fondazione Mora Grecco, Naples (IT)
    Norwegian Art Council, Oslo (NO)
    Sammlung Lenikus, Vienna (AT)
    Acid Cats Foundation, London (UK)
    Private Collection, Miami (US)
    Private Collections, New York (US)Private Collections, Oslo (NO)
    Private Collection, London (UK)
    Private Collection, Amsterdam (NL)
    Private Collection, Brussels (BE)
    Private Collection, Montreux (CH)
    Private Collection, Graz (AT)
    Private Collection, Vienna (AT)
    Private Collection, Los Angeles (US)
    Private Collection, Chicago (US)

Residencies

  • 2020

    Nordisk Kunstnarsenter Dale / Nordic Artists’ Centre Dale, Dale, Norway

  • 2018

    Norwegian Sculptors Society / Norsk Billedhoggerforening, Studio 11 - Skulpturenzentrum / Hermann Noack Bildgiesserei, Berlin

  • 2013

    OCA - Office for Contemporary Art Norway / 18th Street Art Center, Santa Monica, California (US)
    W17 - BKH Atelierprogram, Kunstnernes Hus, Oslo (NO)

  • 2012

    Folkeobservatoriet, 4 years residency - Kulturetaten, City Council, Oslo (NO)
    W17 - BKH Atelierprogram, Kunstnernes Hus, Oslo (NO)

  • 2010

    Lenikus Sammlung Residency Program, Vienna (AT)

  • 2006

    OCA Office for Contemporary Art Norway / Platform Garanti Residency Program Istanbul (TR)
    Milwaukee International Residency Program, Milwaukee (US)

  • 2005

    The National Academy of Fine Arts, Oslo - Arcueil, Paris (FR)

Initiative (HERMETISKE SKYGGER / HERMETIC SHADES, OSLO, hermetiskeskygger.no)

  • 2021

    Christian Death - Extended Play, Hermetiske Skygger, Oslo
    + Claude Cahun, Screening of Barbara Hammer’s Lover / Other, 2006, Hermetiske Skygger, Oslo (MARS)
    + Mike Kelley, Screening of Day is Done, Hermetiske Skygger, Oslo (MARS)
    Joseph Beuys, 1 / 7000 Eichen, Hermetiske Skygger, Oslo (APRIL)
    Lars Monrad Vaage, Hermetiske Skygger, Oslo (MAI)

  • 2020

    ”Christian Death”, Hermetiske Skygger, Oslo
    Tarje Eikanger Gullaksen, ‘’Fire finger frampeik med et unntak / Verdenshånden’’, Hermetiske Skygger, Oslo
    Tarje Eikanger Gullaksen, ‘’Fire finger frampeik med et unntak’’, Hermetiske Skygger (Soirée), Oslo

Grants

  • 2017

    Norsk Kulturfond - Project Support: Nar vi døde vagner, Kunsthall Oslo, Oslo (NO)
    Norsk Kulturfond - Publication Support: Eschscholzia Californica, STANDARD (BOOKS), Oslo (NO)
    Norsk Kulturfond - Project Support: Eschscholzia Californica, STANDARD (OSLO), Oslo (NO)
    Billedkunstnernes Vederlagsfond - Project Support: Eschscholzia Californica, STANDARD (OSLO), Oslo (NO)

  • 2016

    Arts Council Norway – Project Support, Exhibition, Trøndelag Senter for Samtidskunst

  • 2015

    OCA – Office for Contemporary Art Norway, Internasjonal Support: Taylor Macklin, Zurich
    Arts Council Norway – Project Support, Publication
    Arts Council Norway – State Grant for the Arts, Work Grant for Established Artists, 10 years
    Billedkunstnernes Vederlagsfond - Project Support, Folkeobservatoriet
    Arts Council Norway - Project Support, Exhibition, Folkeobservatoriet

  • 2014

    Norwegian Arts Council - Project Support

  • 2013

    W17 - Bildende Kunstneres Hjelpefond Atelierprogram, Kunstnernes Hus, Oslo (NO)
    OCA - Office for Contemporary Art Norway / 18th Street Arts Center, Santa Monica, California (US)
    OCA - International Support: Musée d‘Art Moderne de la Ville de Paris / ARC, Paris (FR)

  • 2012

    Statens Arbeidsstipend for Biledkunstnere - 3-year work grant
    W17 - Bildende Kunstneres Hjelpefond Atelierprogram, Kunstnernes Hus, Oslo (NO)

  • 2011

    Billedkunstnernes Vederlagsfond - Project Support
    OCA - Office for Contemporary Art Norway, International Support: Torrione Passari, Molfetta, Bari

  • 2010

    Norwegian Arts Council - Project Support
    Billedkunstnernes Vederlagsfond - Project Support
    OCA - Office for Contemporary Art Norway, International Support: Weltecho, Chemnitz (DE)

  • 2009

    Billedkunstnernes Vederlagsfond - Prosject support
    Billedkunstnernes Hjelpefond - 3 year work grant
    Frie Fotografers Fond - Exhibition support

  • 2008

    Norwegian Arts Council, Exhibition support, Preus National Museum of Photography
    OCA - Office for Contemporary Art Norway, International Support: Brussels Biennial 1, Brussels
    Billedkunstnernes Vederlagsfonds - 1 year work grant

  • 2007

    Billedkunstnernes Vederlagsfond - Project Support
    OCA - Office for Contemporary Art Norway, International Support: La Vitrine, Paris
    Stockholm Stads Kulturstipend: AK28, Stockholm

  • 2006

    Statens Arbeidsstipend for Fotografer, 2 years work grant
    OCA Residency and travel support: Platform Garanti Istanbul Residency Program, Istanbul
    OCA International Support: Witte de With Contemporary Art Center, Rotterdam

  • 2005

    OCA International Support: Richard and Dolly Maass Gallery, SUNY, New York
    OCA International Support: Kunsthalle Bern, Bern
    Billedkunstnernes Vederlagsfond - Project Support

  • 2004

    Statens Arbeidsstipend for yngre kunstnere, 2 years work grant

  • 2003

    Billedkunstnernes Vederlagsfonds stipend, 1 year work grant
    Norwegian Arts Council, Debut Support
    Norsk Fotografisk Fond - Project Support

  • 2002

    OCA International Support: Museum of Installation, London
    Norwegian Arts Council, Material Support

  • 2000

    Thv. Erichsens Fond, The Academy of Fine Arts, Oslo

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