Leah Ke Yi Zheng

Leah Ke Yi Zheng
Machine(s), 2025
Installation view
Layr Singerstraße, Vienna

Leah Ke Yi Zheng
Untitled (Machine), 2024
Acrylic on silk over pine stretcher
183.7 × 186 × 4.3 cm / 70.5 × 71.5 × 1.75 in

Leah Ke Yi Zheng
Untitled (Machine), 2024
Acrylic on silk over pine stretcher
183.7 × 186 × 4.3 cm / 70.5 × 71.5 × 1.75 in
Installation view, Leah Ke Yi Zheng, Machine(s), Layr Singerstraße, Vienna, 2025

Leah Ke Yi Zheng
No.48/Machine, 2024
Acrylic on silk over mahogany stretcher
34 × 69.9 × 5.2 cm

Leah Ke Yi Zheng
No.48/Machine, 2024
Acrylic on silk over mahogany stretcher
34 × 69.9 × 5.2 cm

Leah Ke Yi Zheng
Machine(s), 2025
Installation view
Layr Singerstraße, Vienna

Leah Ke Yi Zheng
Untitled (Machine), 2025
Silk over acrylic on silk over cherry stretcher
154 × 150.7 × 5.5 cm

Leah Ke Yi Zheng
Untitled (Machine), 2025
Silk over acrylic on silk over cherry stretcher
154 × 150.7 × 5.5 cm

Leah Ke Yi Zheng
Untitled, 2024
Acrylic on silk over mahogany stretcher
171 × 212 × 5.6 cm
Installation view, Leah Ke Yi Zheng, Machine(s), Layr Singerstraße, Vienna, 2025

Leah Ke Yi Zheng
Untitled, 2024 (detail)
Acrylic on silk over mahogany stretcher
171 × 212 × 5.6 cm

Leah Ke Yi Zheng
Untitled, 2024 (detail)
Acrylic on silk over mahogany stretcher
171 × 212 × 5.6 cm

Leah Ke Yi Zheng
Machine(s), 2025
Installation view
Layr Singerstraße, Vienna

Leah Ke Yi Zheng
Leibniz’s Machine, 2024
Acrylic on silk over mahogany stretcher
47 × 93.4 × 4.7 cm

Leah Ke Yi Zheng
Leibniz’s Machine, 2024 (detail)
Acrylic on silk over mahogany stretcher
47 × 93.4 × 4.7 cm

Leah Ke Yi Zheng
Untitled (Split), 2024-25
Acrylic on silk
64 × 130 cm (framed dimensions)
31.7 × 36.3 cm each silk (approx. dimensions)

Leah Ke Yi Zheng
Untitled (Machine), 2024
Acrylic on silk over mahogany stretcher
161.2 × 177.4 × 5.7 cm

Leah Ke Yi Zheng
Untitled (Machine), 2024 (detail)
Acrylic on silk over mahogany stretcher
161.2 × 177.4 × 5.7 cm

Leah Ke Yi Zheng
Untitled, 2025
Acrylic on silk over mahogany stretcher
159.2 × 142 × 5.2 cm
Installation view, Leah Ke Yi Zheng, Machine(s), Layr Singerstraße, Vienna, 2025

Leah Ke Yi Zheng
Untitled, 2025 (detail)
Acrylic on silk over mahogany stretcher
159.2 × 142 × 5.2 cm
Surfacing: On Leah Ke Yi Zheng
The first thing a viewer might notice about Leah Ke Yi Zheng’s Leibniz’s Machine (2024) is that, like all her canvases, it’s not rectangular. The painting’s frame is a bit skewed, a little off, and points to something outside itself that we barely notice, a clandestine convention: that almost all paintings are rectangular. The second thing we grasp, if it wasn’t the first, is that we’re looking at technology – albeit technology circa 1694, when the German mathematician Gottfried Wilhelm Leibniz completed his stepped reckoner, the first mechanical calculator, which would have profound effects on navigation, natural science and commerce; this beautiful, highly paintable object, which here seems almost to be transforming into a kind of tiered landscape, is a part of the roots of our modern, finance- and tech-centric world. Yet money and technology today are virtually abstractions, lacking visual signatures. Paying attention to an iPhone, say, there’s not much to see (or paint) except its sleek featureless chassis. Leibniz’s Machine, rewinding into an age of gear-heavy visible materiality, is a painting ‘of’ the unseen omnipresent aspects that govern modern reality, whether we’re standing in a gallery or out in the world.
Excerpt of text by Martin Herbert

Leah Ke Yi Zheng
Untitled (no. 30 <-> no.14/ machine), 2024-25
Acrylic on silk over mahogany stretcher
61.6 × 61.6 × 3.81 cm

Leah Ke Yi Zheng
Untitled (no. 30 <-> no.14/ machine), 2024-25 (detail)
Acrylic on silk over mahogany stretcher
61.6 × 61.6 × 3.81 cm

Leah Ke Yi Zheng
Father Sogol, 2024
Acrylic on silk over mahogany stretcher
22.7 × 22 × 5.7 cm

Leah Ke Yi Zheng
Father Sogol, 2024
Acrylic on silk over mahogany stretcher
22.7 × 22 × 5.7 cm

Leah Ke Yi Zheng
Untitled (no.62/machine), 2025
Acrylic on silk over mahogany stretcher
67.31 × 53.34 × 5.72 cm

Leah Ke Yi Zheng
Untitled (no.62/machine), 2025
Acrylic on silk over mahogany stretcher
67.31 × 53.34 × 5.72 cm

Leah Ke Yi Zheng
I-Ching/Machine, 2025
Installation view
Mendes Wood DM, New York City (US) 2025
Courtesy Mendes Wood DM, Photo: Dheurle Photography

Leah Ke Yi Zheng
Untitled (no.49/revolution), 2024
Acrylic and pigments with ox-bone glue on silk over mahogany stretcher
190.5 × 208.3 cm, 75 × 82 in
Courtesy Mendes Wood DM, Photo: Dheurle Photography

Leah Ke Yi Zheng
Untitled (no.49/revolution), 2024 (detail)
Acrylic and pigments with ox-bone glue on silk over mahogany stretcher
190.5 × 208.3 cm, 75 × 82 in
Courtesy Mendes Wood DM, Photo: Dheurle Photography

Leah Ke Yi Zheng
I-Ching/Machine, 2025
Installation view
Mendes Wood DM, New York City (US) 2025
Courtesy Mendes Wood DM, Photo: Dheurle Photography

Leah Ke Yi Zheng
Untitled (form moving in between), 2023
Acrylic, pigments with ox bone glue, and ink on silk over mahogany artist stretcher
97 × 107 in / 246.4 × 271.8 cm

Leah Ke Yi Zheng
I-Ching/Machine, 2025
Installation view
Mendes Wood DM, New York City (US) 2025
Courtesy Mendes Wood DM, Photo: Dheurle Photography

Leah Ke Yi Zheng
No.60, 2024
Acrylic and pigments with ox-bone glue on silk over mahogany stretcher
94 × 94 cm / 37 × 37 in

Leah Ke Yi Zheng
No. 4, 2024
Acrylic on silk over mahogany stretcher
41.7 × 41.9 cm / 16 3/8 × 16 1/2 in

Leah Ke Yi Zheng
Machine, 2024
Acrylic on silk over pinewood stretcher
83 × 64 in / 210.8 × 162.6 cm

Leah Ke Yi Zheng
Untitled, 2024
Acrylic and pigments with ox-bone glue on silk over mahogany stretcher
213 × 275 × 5 cm

Leah Ke Yi Zheng
Untitled, 2024 (detail)
Acrylic and pigments with ox-bone glue on silk over mahogany stretcher
213 × 275 × 5 cm

Leah Ke Yi Zheng
Untitled, 2024 (detail)
Acrylic and pigments with ox-bone glue on silk over mahogany stretcher
213 × 275 × 5 cm

Leah Ke Yi Zheng
Untitled (window), 2024
Acrylic on silk over cherry wood stretcher
127 × 118 × 6 cm / 50 × 46 1/2 × 2 3/8 in

Leah Ke Yi Zheng, 2024
Installation view
Mendes Wood DM, Brussels

Leah Ke Yi Zheng
No.17<->No.49
Acrylic on silk over sapele wood stretcher
11.5 × 9 inches

Leah Ke Yi Zheng
No.45, 2024
Acrylic on silk over pine artist stretcher
48 × 53 ½ in / 121.9 × 135.9 cm

Leah Ke Yi Zheng
No.45, 2024 (detail)
Acrylic on silk over pine artist stretcher
48 × 53 ½ in / 121.9 × 135.9 cm

Leah Ke Yi Zheng
Untitled, 2024
Acrylic on silk over mahogany artist stretcher
9 ¾ × 12 ¼ in / 24.8 × 31cm

Leah Ke Yi Zheng
Untitled (binary machines), 2024
Acrylic on silk over mahogany stretcher
58 × 60 in

Leah Ke Yi Zheng
Untitled, 2024
Acrylic on silk over mahogany stretcher
58 × 60 in

Leah Ke Yi Zheng
Untitled (Leibniz‘s Calculus machine), 2024
Acrylic on silk over mahogany stretcher
27.5 × 44.5 × 4.5 cm / 10 7/8 × 17 1/2 × 1 3/4 in

Leah Ke Yi Zheng
Untitled (Pasolini’s Riccetto), 2024
Acrylic and scorched dust on silk over mahogany stretcher
28 × 25 × 4.5 cm / 11 × 9 7/8 × 1 3/4 in

Leah Ke Yi Zheng
No. 58, 2024
Acrylic on silk over mahogany stretcher
243 × 196 × 4 cm / 95 5/8 × 77 1/8 × 1 5/8 in

Leah Ke Yi Zheng
No. 60, 2023
Acrylic on silk over mahogany stretcher
65.5 × 67 × 4.5 cm / 25 3/4 × 26 3/8 × 1 3/4 in

Leah Ke Yi Zheng
Untitled (Man in bed of Roger de La Fresnaye), 2023
Acrylic on silk over mahogany stretcher
24.5 × 30.5 × 4.5 cm / 9 5/8 × 12 × 1 3/4 in

Leah Ke Yi Zheng
Untitled, 2023
Acrylic on silk over mahogany stretcher
82.5 × 146 × 4.3 cm / 32 1/2 × 57 1/2 × 1 3/4 in

Leah Ke Yi Zheng
Untitled, 2023
Acrylic, pigments with ox bone glue on silk over mahogany artist stretcher
49 ½ × 50 in / 125.7 × 127 cm

Leah Ke Yi Zheng
Untitled, 2023 (detail)
Acrylic, pigments with ox bone glue on silk over mahogany artist stretcher
49 ½ × 50 in / 125.7 × 127 cm

Leah Ke Yi Zheng
Untitled, 2023
Ink on silk over pine wood artist stretcher
10 ½ × 9in / 26.7 × 22.9 cm

Leah Ke Yi Zheng
Untitled (Fusée), 2023
Acrylic, ink and pigments with ox bone glue on silk over cherry wood stretcher
48 × 67 in / 121.9 × 170.2 cm

Leah Ke Yi Zheng
Untitled, 2023
Acrylic on silk over mahogany stretcher
35 ¾ × 33 1/2 in / 90.8 × 85.1 cm

Leah Ke Yi Zheng
The Grasshopper Lies Heavy, John Cage & Leah Ke Yi Zheng, 2024
Installation view
Castle, Los Angeles (US)
Courtesy Castle, Los Angeles, Photo: Evan McQuaid Bedford

Leah Ke Yi Zheng
Untitled (main), 2023
Pigments on silk over mahogany stretcher
12 × 9 1/4 in / 30.48 × 23.5 cm
Courtesy Castle, Los Angeles, Photo: Evan McQuaid Bedford

Leah Ke Yi Zheng
Untitled (Nijinsky), 2023
Acrylic and pigments on silk over mahogany stretcher
8 × 9 3/4 in / 20.3 × 24.8 cm
Courtesy Castle, Los Angeles, Photo: Evan McQuaid Bedford

Leah Ke Yi Zheng
The Grasshopper Lies Heavy, John Cage & Leah Ke Yi Zheng, 2024
Installation view
Castle, Los Angeles (US)
Courtesy Castle, Los Angeles, Photo: Evan McQuaid Bedford

Leah Ke Yi Zheng
No. 50, 2023
Pigments and acrylic on silk over mahogany stretcher
37 5/8 × 59 in / 95.6 × 149.9 cm
Courtesy Castle, Los Angeles, Photo: Evan McQuaid Bedford

Leah Ke Yi Zheng
No. 12, 2023
Acrylic and pigments on silk over mahogany stretcher
12 × 9 1/2 in / 30.5 × 24.1 cm
Courtesy Castle, Los Angeles, Photo: Evan McQuaid Bedford

Leah Ke Yi Zheng
The Grasshopper Lies Heavy, John Cage & Leah Ke Yi Zheng, 2024
Installation view
Castle, Los Angeles (US)
Courtesy Castle, Los Angeles, Photo: Evan McQuaid Bedford

Leah Ke Yi Zheng
Untitled (window), 2023
Acrylic, pigments with ox bone glue on silk over mahogany artist stretcher
47 ½ × 57 1/4in / 120.7 × 145.4cm

Leah Ke Yi Zheng
No.5, 2023
Acrylic, ink, and bleach on silk over mahogany artist stretcher
83 ¾ × 107 in / 212.7 × 271.8 cm

Leah Ke Yi Zheng
No.12, 2023
Oil on silk over mahogany artist stretcher
20 × 24in

Leah Ke Yi Zheng
No.12, 2023 (detail)
Oil on silk over mahogany artist stretcher
20 × 24in

Leah Ke Yi Zheng
Untitled (melting woman), 2023
Ink and acrylic on silk over mahogany artist stretcher
11 3/8 × 14 1/8 / 28.9 × 35.9 cm

Leah Ke Yi Zheng
Untitled (Ram), 2023
Acrylic and pigments on silk over purpleheart wood artist stretcher
10 ¾ × 14 in / 27.3 × 35.6cm

Leah Ke Yi Zheng
Untitled (Schouwen), 2023
Acrylic on silk over mahogany artist stretcher
32 × 17 × 36 × 24 ¾ in / 81.28 × 43.18 × 91.44 × 62.87 cm

Leah Ke Yi Zheng
No.37, 2023
Oil on silk over mahogany artist stretcher
14 ¾ × 11 ¾ × 13 ¾ × 11in / 37.47 × 29.85 × 34.94 × 27.94 cm

Leah Ke Yi Zheng
Soul Mapping, 2023
Installation view
Zeno X Gallery, Antwerp (BE)
Courtesy Zeno X Gallery, Antwerp, Photo: Peter Cox

Leah Ke Yi Zheng
Fusée (sanity), 2023
Acrylic, ink, bleach on silk over mahogany stretcher
213 × 160 cm
Courtesy Zeno X Gallery, Antwerp, Photo: Peter Cox

Leah Ke Yi Zheng
Untitled (fusée), 2023
Pigments and acrylic on silk over mahogany stretcher
29,8 × 25,4 cm
Courtesy Zeno X Gallery, Antwerp, Photo: Peter Cox

Leah Ke Yi Zheng
Untitled (Helmut Kolle), 2023
Pencil and ink on silk over mahogany stretcher
22,9 × 17,8 cm
Courtesy Zeno X Gallery, Antwerp, Photo: Peter Cox

Leah Ke Yi Zheng
No.16, 2023
Oil on silk over mahogany stretcher
98,4 × 73,7 cm
Courtesy Zeno X Gallery, Antwerp, Photo: Peter Cox

Leah Ke Yi Zheng
Untitled, 2023
Pigments with ox bone glue on silk over mahogany artist stretcher
9 ¼ × 12 in / 23.5 × 30.48 cm

Leah Ke Yi Zheng
Untitled (mother. saw), 2023
Pigments with ox bone glue on silk over mahogany artist stretcher
12 × 16 1/4in / 30.5 × 41.3 cm

Leah Ke Yi Zheng
Untitled, 2023
Pigments with ox bone glue and acrylic on silk over mahogany artist stretcher
9 ¾ × 10 in / 24.8 × 25.4 cm

Leah Ke Yi Zheng
Untitled, 2023
Acrylic and pigments with ox bone glue on silk over mahogany artist stretcher
85 108 in / 215.9 × 274.3cm

Leah Ke Yi Zheng
Untitled, 2023 (detail)
Acrylic and pigments with ox bone glue on silk over mahogany artist stretcher
85 108 in / 215.9 × 274.3cm

Leah Ke Yi Zheng
Untitled, 2023 (detail)
Acrylic and pigments with ox bone glue on silk over mahogany artist stretcher
85 108 in / 215.9 × 274.3cm

Leah Ke Yi Zheng
Untitled (Tree.Machine), 2022
Pigments, acrylic and pencil on silk over mahogany artist stretcher
32 × 69 3/4 in / 81.3 × 177.2 cm

Leah Ke Yi Zheng
Untitled (Nijinsky), 2023
Acrylic on silk over mahogany stretcher
17.1 × 17.1 × 4.5 cm / 6 3/4 × 6 3/4 × 1 3/4 in

Untitled (Nijinsky), 2023
Pigments and acrylic on silk over mahogany stretcher
19 × 18 × 4.5 cm / 7 1/2 × 7 1/8 × 1 3/4 in

Leah Ke Yi Zheng
Untitled (dog-form), 2022
Acrylic and pigments on silk over purpleheart artist stretcher
9 5/8 × 8 ¼ in / 24.4 × 21.1cm

Leah Ke Yi Zheng
Untitled (Cosimo Plovasco di Rondo), 2022
Pencil and ink on silk over mahogany stretcher
6 ¾ × 8 in / 20.3 × 17.1cm

Leah Ke Yi Zheng
Untitled (Droctulft),2022
Pigments and acrylic on silk
61 × 68 in / 154.9 × 172.7 cm

Leah Ke Yi Zheng
Untitled (Droctulft), 2022 (detail
Pigments and acrylic on silk
61 × 68 in / 154.9 × 172.7 cm

Leah Ke Yi Zheng
Untitled (Eye), 2021
Pigments on silk with ox bone glue over shaped stretcher
11 ¾ × 12 3/4 in / 29.8 × 32.4cm

Leah Ke Yi Zheng
Untitled (Fusée), 2021
Pigments and ink with ox bone glue on silk over shaped stretcher
32 × 35 in

Leah Ke Yi Zheng
Untitled, 2021
Ink and pigments with ox bone glue on silk over cherry wood artist stretcher
79x49 in / 200.7 × 124.5cm

Leah Ke Yi Zheng
Untitled, 2021
Ink and pigments with ox bone glue on silk over rosewood artist stretcher
78 × 48 in / 198.1 × 121.9cm

Leah Ke Yi Zheng
Untitled (Red Desert), 2021
Pigments and acrylic on silk over mahogany artist stretcher
94 × 107 ½ in / 238.8 × 273.1 cm
Leah Ke Yi Zheng and Danny Bredar, 2022, Installation view, Arts Club of Chicago, Chicago (US)
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Hana Ostan-Ožbolt-Haas: Leah Ke Yi Zheng Distills Structure into Sensation, in: Frieze (2025)
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Annikka Olsen: How Leah Ke Yi Zheng Marries Mechanics and Mysticism: ‘There’s This Uncanny Balance’, in: Artnet (2025)
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Hindley Wang: Leah Ke Yi Zheng, in: The Brooklyn Rail (2023)
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John Yau: Let Legibility in Art Be Damned, in: Hyperallergic (2023)
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Alexandra Drexelius: Leah Ke Yi Zheng, in: Artforum (2023)
Leah Ke Yi Zheng
*1988, Wuyishan, China
Lives and works in Chicago
Education
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2019
School of the Art Institute of Chicago – MFA in PTDW, Chicago (US)
Solo Exhibitions
-
2025
The Renaissance Society, Chicago (US) (upcoming)
Machine(s), Layr, Vienna (AT)
I-Ching / Machine, Mendes Wood DM, New York (US)
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2024
Leah Ke Yi Zheng, Mendes Wood DM, Brussels (BE)
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2023
Leah Ke Yi Zheng, David Lewis, New York (US)
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2021
Currency @ Swiss National Bank, Zurich, Soccer Club Club, Chicago (US)
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2020
Fisherman on the shore, abandoned venture capital office, Chicago (US)
It Will Never Go Back to What It Was, project with Currency, Munster (DE)
Uffizi, Taqueria Los Alamos, Chicago (US)
Group Exhibitions
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2025
The New Museum, New York (US) (upcoming)
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2024
Everyone Loves Picabia, David Lewis, New York (US)
Naked Name, Derosia, New York (US)
Meet me by the lake, CLEARING, New York (US)
Leah Ke Yi Zheng with John Cage, CASTLE, Los Angeles (US)
How Mundane, Lévy Gorvy Dayan, Hong Kong (HK)
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2023
Soul Mapping, Zeno X Gallery, Antwerp (BE)
Ravens and Crows, Winter Street Gallery, Paris (FR)
(Silence. By this point, everything is different): Five years of Apparatus Projects, Apparatus Project, Chicago (US)
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2022
Leah Ke Yi Zheng and Danny Bredar, Arts Club of Chicago, Chicago (US)
Immagini, Currency at Caffé Centrale, Monte Castello di Vibio (IT)
Loud Lord, Good Weather, Chicago (US)
A Mimetic Theory of Desire, David Lewis Gallery, New York (US)
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2021
Sleeping Twin, MICKEY, Chicago (US)
carbon copy 4, John Hancock Tower Parking Garage, Chicago (US)
Leah Ke Yi Zheng and David Hartt, Paris London Hong Kong, Chicago (US)
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2019
carbon copy 3: die prosperous, Chicago (US)
carbon copy: þ, The Garden, Chicago (US)
The Turf, Research House for Asian Art, Chicago (US)
With a Capital P: Selections by Six Painters, Elmhurst Art Museum, Elmhurst (US)
carbon copy: 7 Rings for the Window Elves (thesis exhibition), Sullivan Galleries, Chicago (US)
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2018
UCLA Wight Gallery Biennial, Los Angeles (US)
Residencies and Awards
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2019-2021
Fellowship from Arts Club of Chicago, Chicago (US)
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2019
The Studios at MASS MoCA, North Adams (US)
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2017
Ox-Bow Residency, Saugatuck (US)