The Man in the Moone, Marli Matsumoto Arte Contemporânea, São Paulo (BR) (upcoming)

Beat the Matrix, Simone Subal, New York (NY)

Language in Disquiet, curator: Jesus Fuenmayor, University of Florida, Gainesville, Florida (FL) (upcoming)

Harlequinades, Galerie Vallois, Paris (FR)

Shore Drift, Galerie Parisa Kind, Frankfurt (DE)

Scene, The Box, LA (USA)

Hiaitsiihi, MAM Museu do Arte Moderno, Rio de Janeiro, Brasil

Nomas Foundation, Rome (IT)
Stücke, Galerie Emanuel Layr, Vienna (AT)

Façade project at The Box, Los Angeles, CA (USA)
Galerie Parisa Kind, Frankfurt (DE)

streams, Galerie Simone Subal, New York (US)
Sibyl Sybil, La Criée. Centre d‘Art Contemporain, Rennes (FR)

Julien Bismuth, Solomon R. Guggenheim Museum, New York (US)
Partitions, Galerie Vallois, Paris (FR)
Zitat, Lira Gallery, Rome (IT)

Stenograms, Galerie Emanuel Layr, Vienna (AT)
Julien Bismuth, The Box LA, Los Angeles (US)

Liste 19, w. Lili Reynaud-Dewar, Galerie Emanuel Layr, Basel (CH)
Galerie Emanuel Layr, Vienna (AT)
Simone Subal, New York (US)

Smoke Screen, Galerie Emanuel Layr, Vienna (AT)
Le Signe Singe, Julien Bismuth/Virginie Yassef, La Ferme Du Buisson, Marne-la-Vallée (FR)
Walks and Talks, with Lucas Ajemian, Invisible Exports, New York (US)
Untitled (Mime) from the Gensollen Private Collection, Istanbul (TK) organised by collectorspace New York
Julien Bismuth and Jean-Pascal Flavien, LA Existenzial, LACE (Los Angeles (US)
Contemporary Exhibitions) curated by Marie de Brugerolles (US)
Julien Bismuth, Galerie Georges-Philippe & Nathalie Vallois, Paris (FR)

Catalog, Galerie Parisa Kind, Frankfurt (DE)

„Notes towards a theory of distraction“ Simon Subal Gallery, New York (US)
Frustum, Galerie Emanuel Layr, Vienna (AT)
The Ventriloquism Aftereffect, Gesellschaft für aktuelle Kunst Bremen (DE)
„Parcours St Germain“ together with Virginie Yassef at the Hotel Lutetia (FIAC event), Paris (FR)

The Golden Ass, The Box, Los Angeles (US)
MIMED, The Armory Show, solo presentation by Layr Wuestenhagen, New York (US)
Shannon Bool et Julien Bismuth, Crac Alsace, Altkirch (FR)
Bloomberg Space, curated by Vanessa Desclaux, London (UK)
Les Tristes : Invisible Exports (with Lucas Ajemian), New York (US)

Titled (Untitled), Galerie Parisa Kind, Frankfurt (DE)
Les Continents incontinents, Galerie Georges-Philippe & Nathalie Vallois, Paris (FR)

Unbestimmte Stellen, Layr Wuestenhagen, Vienna (AT)
The Box LA, Los Angeles (US)
Les lettres tristes, with Lucas Ajemian, Foxy Productions, NY (US)

Monologues for Minerals, 1.1 (Salt Flat / Radio Stück), Galerie Parisa Kind, Frankfurt (DE)

Les Tristes; a particular sequence of varying pitch, tone or stress (with Lucas Ajemian), Galerie Parisa Kind, Frankfurt (DE)
Marchand d’oubli, Galerie Georges-Philippe & Nathalie Vallois, Paris (FR)
Devonian Press: Books and Limited Editions (with Jean-Pascal Flavien), A&M Bookstore, Milan (IT); Barbara Wien Gallery, Berlin (DE)

CTRL V, Am Schwarzenbergplatz, Vienna (AT)
Couch/Door Problem, Buzzer Reeves, Brussels (BE)
Lua Nova, Marli Matsumoto Arte Contemporânea, São Paulo (BR)
Log/ dialogue, The Box, Los Angeles (US) (upcoming) 

Lacan Show, curator: Marie-Laure Bernadac, Bernard Mercadé, Gérard Wajcman & Paz, Corona, Centre Pompidou Metz, Metz (FR)
Uncertain Codes, organized by Julien Bismuth, Gary R. Libby University Gallery, Gainesville, Florida (US)
Charles, Charles, Charles. Sors de ta réserve #4, Frac Île-de-France, Les Réserve, Romainville, France (FR)

New Space Show, Layr, Vienna (AT)
Fata Morgana, curated by Béatrice Grosse and Katinka Böck, Musée du Jeu de Paume, Paris (FR)
Stencils, curated by Sébastien Délire, Charleroi, Belgium (BE)

Night of Philosophy, curated by Mériam Kouichi, UNESCO, Paris (FR)

Des Visages, Carré d‘Art, Nîmes (FR)
Back to the Future, Galerie GP & N Vallois, Paris (FR)
Sanfona/Symphony, cultural and fundraising initiative between The Box LA and Pluto Projects for the Indigenous peoples of Brazil guided by Julien Bismuth and Corazon Del Sol, online

Oslo Biennial (NO)
21+, Kunstraum am Schauplatz, Vienna (AT)

Synonymie Ambiante, FRAC, Marseille (FR)
Natura Naturas, Mendes Wood, New York (USA)
Contre-Allees, Galerie Georges-Philippe & Nathalie Vallois, Paris (FR)
XIV edition of the Cuenca Biennial, Cuenca (ECU)

Threads Left Dangling, Veiled in Ink, Galerie Emanuel Layr, Vienna (AT)
Hotel du Pavot 2, Frac Ile de France, Chateau de Rentilly, Bussy-Saint-Martin (FR)
American Interior, carriage trade, New York (US)
Modus Operandi, Société d‘éléctricité, Brussels (BE)
Palais Potemkine, curated by Emile Ouromov, National Art Gallery of Sofia (BG)
Dimensões Variáveis/Variable Dimensions, curated by Gregory Lang and Inês Grosso, MAAT, Lisbon (PT)

The Language of Things: Material Hi/Stories from the Collection, 21er Haus, Vienna (AT)
Me souwiendra (ou l‘ousage de la parole), Index Gallery, Paris (FR)
Economie de la tension, Centre d‘Art Contemporain Parc St.Léger, Pouges-les-Eaux (FR)
Variable Dimensions, Emily Harvey Foundation, New York (US)
I will go where I don‘t belong, co-curated by Milovan Farronato and Camille
Henrot, Stromboli (IT)
L‘homme aux cents yeux, curated by Gilles Baume, Plateau-Frac Ile de France, Paris (FR)
Impromptu, The Box, Los Angeles (US)

Very Long Fingers, Simone Subal Gallery, New York (US)
Artistes et Architecture, curated by Gregory Lang, Pavillon de L‘Arsenal, Paris (FR)
CAC de la Ferme du Buisson, Noisiel (FR)
Infiltrations, Centre d‘Art Bastille, Grenoble (FR)
Dub, Parcours Night 2015, curated by Florence Dérieux, Art Basel, Basel (CH)
Alfred Jarry archipelago, curated by Keren Detten, Julien Pellegrin and Leonardo Bigazzi, traveling exhibition, Le Quartier, Quimper (FR)
Theatre of Operations, Phase 1 : Reconaissance, Théâtre de l‘Usine, Geneva (CH)
McGuffin, École des Beaux Arts, curated by Marie Brugerolle, Geneva (CH)
Rideaux/Blind, Institut d‘Art Contemporain, curated by Marie de Brugerolle, Lyon (Villeurbanne) (FR)
La rhétorique de marées, curated by Ariane Michel, Esquibien (FR)
The Artist is a mysterious entertainer, FRAC Besançon, curated by Vanessa Desclaux, Besançon (FR)
The rhetoric of the tides, curated Ariane Michel, La Criée, Rennes (FR)
Alfred Jarry, Archipelago: la Valse des Pantins, Acte I, le Quatier, Quipmer and la Ferme du Buisson, Noisiel (FR)
Alfred Jarry, Archipelago: la Valse des Pantins, Acte II, Marion Marini Museum, Florence (IT)

Itself Not So, curated by Rachel Valinsky, Lisa Cooley, New York (US)
Unlooped-Kino, Manifesta 10, St. Petersburg (RU)
Clear, curated by Aaron Moulton, Gagosian, Los Angeles (US)
Langue des oiseaux et coq à l‘âne, curated by Marion Daniel, Frac Bretagne (FR)
Le Rire, curated by Léo Guy-Denarcy, Centre d‘Art Contemporain du Pays de Lorient (FR)
All that falls, Palais de Tokyo, curated by Gérard Wajcman and Marie de Brugerolle, Paris (FR)
Véritable prélude de flasques (pour un chien), curated by Marie Frampier, Maison Populair, Montreiul (FR)

Satellite 6 : Suite pour exposition(s) et publication(s), curated by Mathieu Copeland, Jeu de Paume, Paris (FR)
L‘image dans le tapis, curated by Olivier Michelon, Les ateliers des Arques, Les Arques (FR)
Secret Codes, curated by Augustín Perez Rubio, Galeria Luisa Strina, Saõ Paolo (BR)
Goodbyehello, Sammlung Lenikus, Vienna (AT)
LA Existancial, curated by Marie de Brugerolle, LACE, Los Angeles (US)
It‘s When It‘s Gone That You Really Notice It, Simone Subal Gallery, New York (US)
Domino – Domino Bis, curated by Martin Michard, Église des Cordeliers, Gourdon (FR)

Parallelwelt Zirkus, Kunsthalle Wien, Vienna (AT)
The Poster Show, Galerie Carlier-Gebauer, Berlin (DE)

Partenaires Particulieres, CRAC Alsace, Alsace (FR)
Making and art, Stadtgalerie Schwaz (AT)
Mirages, Fountains and Dissociative Composition, Galerie Catherine Bastide, Brussels (BE)
„a painting show“, Autocenter Berlin (DE)
Terminal Jest, Articulture Biennial Arts Festival, DCCC, Delaware (US)
One is the Loneliest Number…, ICA Philadelphia (US)

Monsieur Miroir, 12e Prix Fondation d‘entreprise Ricard, curated by Émilie Renard, Fondation d‘entreprise Ricard, Paris (FR)
Printemps de Septembre, curated by Éric Mangion, Toulouse (FR)
Playing the city II, Schirn Kunsthalle, Frankfurt (DE)
„Mike, Alec or Rufus?“ („Tom, Dick or Harry“), Layr Wuestenhagen, Vienna (AT)
Solace, Austrian Cultural Forum, New York (US)

Treasures for Theatre, La Ferme du Buisson, Paris (FR)

Ne pas jouer avec les choses mortes, Villa Arson, Nice (FR)
Comme des betes, Musee des Beaux Artes, Lausanne (CH)
Anthology, Otero Plassart Gallery, Los Angeles (US)
Festival a/d Werf, Utrecht (NL)
La seconde est partie la première, Musée du Jeu de Paume, Paris (FR)
SOME THING ELSE, Peter Blum Gallery, curated by Simone Subal, NY (US)
SIGNALS, Orange County Museum Art (USA)
Garage Sale, Galerie Parisa Kind, Frankfurt (DE)

PAWNSHOP, Cur. Anton Vidokle, E-Flux, New York (US)
Dangling Man, Office Baroque Gallery, Antwerp (BE)
La Boum, Layr Wuestenhagen, Vienna (AT)
A point in space is a place for an argument, David Zwirner, New York (US)
Welcome to My World, Alexandre Pollazzon, Ltd, London (UK)

Nice Art, curated by Axel Huber, Lahr (DE)

International Laundry, Galerie Parisa Kind, Frankfurt (DE)

Tri-Annuale: Part I, Los Angeles Contemporary Exhibitions, Los Angeles (US)

While I was also listening to Krysten, LeRoy, Julien, Jennie, Félicia, David, Yann, Luke, Sarah…, Human Resources, Los Angeles, CA (US)

Festival Actoral, Montevideo, Marseille, France (FR)
Paroles, Centre Georges Pompidou, Paris, France (FR)
Slapdash, curated by Emile Ouromov in partnership with the Fondation Ricard, National Art Gallery of Sofia, Sofia, Bulgaria (BG)

Legno, curated by Pier Paolo Pancotto, Villa Medici, Rome (IT)
Untitled Performance, Volcano Extravaganza, Stromboli (IT)
Villa Medici, Rome (IT)
Willy Nilly, curated by Gilles Baume, FRAC Le Plateau Ile de France, Paris (FR)
Billy, Performance with Alan Fairbairn and Christophe Marand, curated by Gilles Baume, FRAC Le Plateau Ile de France, Paris (FR)
Untitled (Signed), curated by Teresa Calonje, Second Home, London (UK)
Untitled (Track), Simone Subal Gallery, New York (US)
Untitled (Lisp or Lapse), Emily Harvey Foundation, New York (US)

Untitled (Fill), The Box, Los Angeles (US)
Night of Philosophy, curated by Meriam Kouichi, French Institute, New York (US)
Per4m, Artissima, Turin, curated by Chris Sharp, Sophie Goltz and Simone Menegoi (IT)
L comme Litote, Palais de Tokyo, intervention curated by Sébastien Faucon, April 10-12, Paris (FR)
Dub, curated by Florence Dérieux, Parcours, Art Basel (CH)

Plouf!, (with Jean Pascal Flavien), Palais de Tokyo, Paris (FR)
Rieur, as part of „L‘art chemin faisant... Le Rire, un parcours jaune“, Atelier D‘Estienne, Lorient (FR)

Untitled (Mime) from the Gensollen Private Collection, Collectorspace, Istanbul (TR)

Exposição, with Helmut Batista and Amilcar Packer, Teatro Ipanema. Rio de Janeiro (BR)
Verbo, curated by Julia Rodrigez, Galeria Vermelho (BR)
Weary Willie, Parallelwelt Zirkus, Kunsthalle Wien, Vienna (AT)
Bodies That Matter, Beursschouwburg, Brussels (BE)

I was a male Yvonne de Carlo. Critical art can be sophisticated, even entertaining, (with Jean Pascal Flavien), MUSAC, Léon (ES)
Untitled (Wait), Art Contemporary, Los Angeles (US)
In dieser großen Zeit, with Alpar Fendu, GAK Bremen (DE)
Fuß fassen, COCO, with Andreas Duscha, Vienna (AT)

The Funniest Sculpture in the world, Monsieur Miroir, Fondation Ricard, Paris, (FR)
The Funniest Sculpture in the world, CRAC Alsace, Alsace (FR)
Le Rire Jaune, Galerie Vallois, Paris (FR)
Stillleben, Schirn Kunsthalle, Frankfurt (DE)

„/“, Kunsthalle Wien project space, Vienna (AT)
„Plouf!“, together with Jean Pascal Flavien, Tate Modern London (UK)
E‘cart / Retard, La Ferme du Buisson, Paris (FR)

Monologues for Minerals, Festival a/d Werf, Utrecht (NL) (with Giancarlo
Vulcano)
Monologues for Minerals, Musée départemental d‘art contemporain de Rochechouart, Rochechouart (FR) (with Giancarlo Vulcano)
Monologues for Minerals, IAC - Institut d‘art contemporain, Villeurbanne (FR) (with Giancarlo Vulcano)
Monologues for Minerals, Bétonsalon, Paris (FR) (with Giancarlo Vulcano)
Monologues for Minerals, Parasol Unit, London (UK) (with Giancarlo Vulcano)
Monologues for Minerals,Karriere bar, Copenhagen (DK) (with Giancarlo Vulcano)

Palme D’Or Television, (together with Lucas Ajemian, Mike Bouchet, Sebastien Clough, Christian Jankowski and Seth Williamson), Frankfurt Art Fair, Frankfurt (DE)

Announcement,(together with Jean-Pascal Flavien and Giancarlo Vulcano and The Occasion Band) Confucius Square, New YorK (US)

Space: A Lecture, Michelle Maccarone Gallery, New York (US)

A Hidden Object, Independent Performance Space, Los Angeles (US) (together with Jean-Pascal Flavien)
Untitled (Whales), Independent Performance Space, Los Angeles (US) (together with Jean-Pascal Flavien)

Comfort Table, S.O.S. Gallery, Los Angeles (US) (together with Mike Bouchet)

Prix K-Way Perf4m, Artissima, Torino (IT)
Fondation des Arts Graphiques et Plastiques, Paris (FR)

Résidence Atelier les Arques, France (FR)

Peter S.Reed Foundation Artist‘s Grant, Ohio (US)
Capacete, Rio de Janeiro, Brasil (BR)

Artist‘s Book, Paris, France (FR)

Transfer. Mühlheim, Germany (DE)

Kahler Grant, Princeton University (US)

Graduate School Summer Stipend for Research Abroad, Princeton University (US)

Los Angeles Contemporary Exhibitions (US)

Foundation for Art Ressource Art, Los Angeles (US)

Visual Arts Department Award, UCLA (US)

National Merit Scholarship (US)

Davide Daninos, „ Julien Bismuth Hiaitsiihi“, Flash Art, February

Béatrice Gross „Etre aux monde/ Etre à la forêt monde“, Journal des Arts, October
Marie de Brugerolle, „Post-Performance-Painting“, Mousse, January
Christian Egger, „Julien Bismuth at Emanuel Layr“, Spike, January

‚L‘exposition sibylline de Julien Bismuth‘, Ouest France, June 28, 2017
Ellegood, Anne, Looking Forward: Anne Ellegood. Leading curators select stand-out presentations at Frieze New York 2017, Frieze Magazine, April 21
Kimberley Bradley, « Critic’s Guide : Vienna », Frieze.com, 26 September n.s.
“L’exposition sibylline de Julien Bismuth”, Ouest France, 28 June

Noam Segal, «Julien Bismuth» in KeenOn Magazine.com, September

Sharon Mizota, ‚Julien Bismuth Tinkers with the DNA of his Images at The Box‘, Los Angeles Times, October 16

Julien Bismuth: ‚An image as the ______ of a surface‘, Art & Design, Art in Review, by Martha Schwendener, The New York Times, January 16, print
Julien Bismuth: An image as the _____ of a surface‘ at Simone Subal Gallery, On View, by Andrew Russeth, The New York Observer, January 29th 2014, print
,Julien Bismuth‘, by Courtney Fiske, Artforum.com, January 29
,Julien Bismuth at Simone Subal‘, Art in America, January 30‚Julien Bismuth, An image as the _____ of a surface‘, Time Out New York, January 23

Le Signe singe, in Les inrockuptibles, n° 907, du 17 au 24 avril, p.102
Roxana Azimi, La performance, une nouvelle Experienz, in Quotidien de l’Art, n°361, 17 avril, pp. 8-9

Anna Soucek, Ö1 online, May 3
Katharina Fessler, Der Standard, September 21
Silas Marti, Folha de Sao Paulo, October 2

Sarah Lehrer-Graiwer, Julien Bismuth. The Golden Ass, in Art Review, n°48, mars, p. 131 (ill.)
Judith Souriau, Julien Bismuth in conversation with Judith Souriau, www.residencyunlimited.org, avril
Stefan Tasch, The Gap, Termine Galerien, April
Sarah Lehrer-Graiwer, Julien Bismuth: The Golden Ass, The Box Los Angeles, ArtReview, Febuary 22
Julien Bismuth at GAK Bremen, artnews.org, October 3

Lindsay Pollock, Katya Kazakina, Bloomberg.com, Fowler’s $7000 geometrics pump collectors at N.Y. Armory Show, March
Eva Komarek, Wirtschaftsblatt.at, Armory show: Am Hudson klingeln wieder die Kassen, March
Jordan Galloway, New York press, The Art! It Speaks!, February (ill.)
Willa Paskin, BlackBook, « Artists Lucas Ajemian and Julien Bismuth think it’s time you redecorated your kitchen », 26 February (ill.)
Emmanuelle Lequeux, Beaux-Arts Magazine, De la performance à l’exposition, n°307, January, p. 135 (ill.)
Mathilde Villeneuve, Mouvement, Performance de la trace, January

Timothée Chaillou, Technikart, Julien Bismuth / Jean-Pascal Flavien, n°hors- série Art contemporain, Autumn, p. 50 (ill.) Patrice Joly, 02 on-line, Week-end de performances à la Tate modern, February
Jen Schwarting, The Brooklyn Rail, Lucas Ajemian and Julien Bismuth: Les Lettres Tristes, February (ill.)

Manisha Jothady, Die Presse, Galerien in Wien: Als die Dinge sprechen lernten, March 12

Marie de Brugerolle, Flash Art, Next to performance, # 257, Nov-Dec, pp. 88-90
Roberta Smith, The New York Times, A Point in Space is a Place for an Argument, July 20
Christoph Schütte, Frankfurter Allgemeine Zeitung, Scheitern als Chance; Julien Bismuth in der Galerie Parisa Kind, June 20, p. 46

Santiago Espinosa de los Monteros, Art Nexus, november ns, Made 05, The Lost Word, # 17, Feb
Léa Bismuth, www.paris-art.com, Julien Bismuth, Marchand d‘oubli, 10 nov. ns, Made 05,“The Lost Word“, # 17, Feb

Susan Kandel, ‚Taking on Beuys, Bunyan and Keaton‘, Art Reviews, Los Angeles Times, 25 November 2017

Hiaitsiihi: architectes d'un monde invisible, written in collaboration with Marco Antonio Gonçalves, éditions b2, Paris (FR)

Pulcinella Studies, The Box editions, designed by Nemuel DePaula, Los Angeles (CA)

Stücke, Galerie Emanuel Layr, Vienna
Speaking and Listening, Shelter, Centre d‘art la Criée, Rennes
Estructuras Vivientes, Cuenca Biennial 2018, ed. By Jesus Fuenmayor, Cuenca Biennal, Cuenca

Palais Potemkine, ed. Emile Ouromov, Paris: Fondation d‘entrprise Ricard

Pages Deux, Éd. Motto distribution, Berlin
a cover to cover, Éd. Motto distribution, Berlin

Choreographing Exhibitions, edited by Mathieu Copeland and Julie Pellegrin, Les Presses du Réel, 2013
Pages, Motto Distribution, Berlin
Julien Bismuth, A cover to cover (uncover), Motto Destribution, Berlin
Devonian Press, Musée des Abattoirs, Toulouse
Drawing by design: on a recent exhibition of works by Toba Khedoori, published by David Zwirner Gallery

Playing the City: Interviews, Ed. by Matthias Ulrich, Sternbergpress 2012
„I was a male Yvonne de Carlo,“ exhibition catalog, edited by Marie de Brugerolles and Dora Garcia, MUSAC, Léon, Spain
XOXO, Sabine Müller (Ed.), Royal Collage of Art, London
Fragmentation 04, Artist‘s book insert, curated by Necmi Sönmez, edited by Mine Haydaroğ lu, published in Sanat Dünyamiz, Issue 131
The Circus as Parallel Universe, exhibition catalog, Kunsthalle Wien, Vienna

Monsieur Miroir, 12e Prix Fondation d’entreprise Ricard, commissaire: Émilie Renard, Editions Fondation d’entreprise Ricard, Paris
Une Forme pour toute action, Le Printemps de Septembre Toulouse, France
Ne pas jouer avec des choses mortes, catalogue d’exposition, Villa Arson, Nice, Ed. Les Presses du réel
Julien Bismuth, a conversation with Sophie Kaplan, Journal de l’exposition
Mind The Gap, CRAC Alsace, Altkirch, France

Comme des bêtes, Musée cantonal des Beaux-Arts, Lausanne, 5 Continents Editions, Milan

Nuit Blanche 2004, (textes) Ami Barak et Fanny Etienne, éd. Paris Musées, pp. 26, 60

„The Habit of Error“, Spike, septembre
„Pantanal“, Spike, septembre
„Pulcinella“, The Art Newspaper (Ed. française), juillet
„The language forest“, Purple Magazine, Issue 33

« Christian Scheidemann », Memoire Universelle, Éd. Béatrice Grosse et Benoît Bethune 2015
The real world of hoists and holes, Jason Rhodes: PeaRoeFarm cat. Exh.., David Zwirner Gallery, New York

Jason Rhoades, ‚PeaRoeFoam‘, Published by David Zwirner, New York
‚Gus the polar bear‘, Memoire Universelle, edited by Béatrice Grosse and Benoît Bethune

Toba Khedoori, Published by David Zwirner, Radius Books, New York
Playing the City: Interviews, Ed. Matthias Ulrich, Berlin
Choreography Exhibitions, Matthieu Copeland et Julie Pellegrin, Ed. Les Presses du Réel, Paris

Artist‘s Annual, « Toba Khedoori », « Tony Conrad », « Matt Mullican», Paris
Drawing by design: on a recent exhibition of works by Toba Khedoori, Toba Khedoori, David Zwirner Gallery

The error in the landscape, Devonian Press
Portrait de l’artiste en jeune objet, in cat. exp. Ne pas jouer avec des choses mortes,Villa Arson, Nice, Ed. Les Presses du réel, pp. 92-94

Monologues for Minerals, Devonian Press, Rio de Janeiro
L’Éléphant de Troie, in cat. exp. Virginie Yassef. La seconde est partie la première, Ed. Jeu de Paume, Paris, pp. 41-49

Mike Bouchet : Celebrity Artist, Der Soziographische Blick, Kunstraum, Innsbruck, Innsbruck
« … », Devonian Press, Rio de Janeiro
Christopher Williams : Eighteen Lessons., Parachute, Vol. 120, printemps
Staged Cryptographies, Guy de Cointet : a retrospective, Ed. Marie de Brugerolle. Presses du Réel, Dijon
Starts and Stops (en collaboration avec Jean-Pascal Flavien), Devonian Press, Rio de Janeiro
No Drama House (en collaboration avec Jean-Pascal Flavien), Devonian Press, Rio de Janeiro
Announcement (en collaboration avec Jean-Pascal Flavien et Giancarlo Vulcano), Devonian Press, Rio de Janeiro
Flotsam and Jetsam. Devonian Press, Rio de Janeiro

John Baldessari, Beaux-Arts Magazine, no. 256, octobre
The Paintings of Richard Jackson, Richard Jackson, Nye House Editions, New York
Steve Mc Queen, Parachute, vol. 119, automne
A Hold!, Devonian Press, Rio de JaneiroThe world before time, (en collaboration avec Jean-Pascal Flavien), Devonian Press, Rio de Janeiro
The time before the world (en collaboration avec Jean-Pascal Flavien), Devonian Press, Rio de Janeiro

Untitled (Five Easy Pieces), catalogue, Palme D’Or, New York
Who’s that Guy?, Parachute, vol. 117, automne

Tract, revista MU, vol.5
Buoy Script, Third Street, vol.10
The Interrupted Hunt : Dante’s On the Eloquence of the Vernacular », Ampersand vol. 1

Costner Complex, in Costner Complex: an exhibition by Jason Rhoades, Portikus, Frankfurt