An der Hülben

“Kein Tag ohne ein Temperament” / “No day without a temperament”

Valentin Carron, Maria Eichhorn, Martin Hotter, David Jourdan, Marie Lund, Michaela Meise
curated by Benjamin Hirte

November 15, 2011 – January 14, 2012

Valentin CarronUntitled (Square Guitar), 2009Wood inlay and tuning pegs100 x 62 x 12 cm

Valentin Carron
Untitled (Square Guitar), 2009
Wood inlay and tuning pegs
100 × 62 × 12 cm

“Kein Tag ohne ein Temperament” / “No day without a temperament”, 2011
Installation view
Layr An der Hülben, Vienna

(left)Marie LundBeginning Happening (Fig. 4), 2011Soapstone and shoehorn18 x 45 x 20 cm(right)Marie LundBeginning Happening (Fig. 8), 2011Soapstone and handlebar48 x 38 x 25 cm

(left)
Marie Lund
Beginning Happening (Fig. 4), 2011
Soapstone and shoehorn
18 × 45 × 20 cm

(right)
Marie Lund
Beginning Happening (Fig. 8), 2011
Soapstone and handlebar
48 × 38 × 25 cm

David JourdanUntitled (There's only 10 left) #1, 2011Endorsing ink on paper100 x 70 cmUnique piece

David Jourdan
Untitled (There's only 10 left) #1, 2011
Endorsing ink on paper
100 × 70 cm
Unique piece

Maria EichhornVier Multiples in Tasche, 200940 x 41 x 15 cmEdition, signed and numbered

Maria Eichhorn
Vier Multiples in Tasche, 2009
40 × 41 × 15 cm
Edition, signed and numbered

Martin Hotter
Bonsai (Buche/beech), 2011

“Kein Tag ohne ein Temperament” / “No day without a temperament”, 2011
Installation view
Layr An der Hülben, Vienna

Martin Hotter
Material on Bonsai Secession, portfolio of Martin Hotter, work report and basic information on the naturalistic style of Walter Pall, reader on Bonsai-art-debates, concept Bonsai Secession Press Release (draft) and cancelation e-mail "text by Niklas Lichti"

“Kein Tag ohne ein Temperament” / “No day without a temperament”, 2011
Installation view
Layr An der Hülben, Vienna

Courtesy of Collection Hotter

Almost nothing comes without a symptom or intervall. And depending on the situation and intention words like method, mania, praxis and canon push on to the stage in plain clothes.

But no day comes without a temperament. We think of moods having a heart or a stomach, rather than a tool in their right hand. But no, because everything becomes working and shaking hands in the evening.