Cécile B. Evans

Cécile B. Evansfor a Future Adaptation of Giselle (Willis' battle of whatever forever), 2021Installation ViewKistefos Museum, Jevnaker

Cécile B. Evans
for a Future Adaptation of Giselle (Willis' battle of whatever forever), 2021
Installation View
Kistefos Museum, Jevnaker

Cécile B. Evansfor a Future Adaptation of Giselle (Willis' battle of whatever forever), 2021Installation ViewKistefos Museum, Jevnaker

Cécile B. Evans
for a Future Adaptation of Giselle (Willis' battle of whatever forever), 2021
Installation View
Kistefos Museum, Jevnaker

Cécile B. Evansfor a Future Adaptation of Giselle (Willis' battle of whatever forever), 2021Installation ViewKistefos Museum, Jevnaker

Cécile B. Evans
for a Future Adaptation of Giselle (Willis' battle of whatever forever), 2021
Installation View
Kistefos Museum, Jevnaker

Cécile B. EvansNotations for an Adaptation of Giselle (welcome to whatever forever), 2020Installation viewCentre Pompidou, Paris

Cécile B. Evans
Notations for an Adaptation of Giselle (welcome to whatever forever), 2020
Installation view
Centre Pompidou, Paris

Cécile B. EvansNotations for an Adaptation of Giselle (welcome to whatever forever), 2020Installation viewCentre Pompidou, Paris

Cécile B. Evans
Notations for an Adaptation of Giselle (welcome to whatever forever), 2020
Installation view
Centre Pompidou, Paris

Cécile B. EvansNotations for an Adaptation of Giselle (welcome to whatever forever), 2020Installation viewCentre Pompidou, Paris

Cécile B. Evans
Notations for an Adaptation of Giselle (welcome to whatever forever), 2020
Installation view
Centre Pompidou, Paris

Cécile B. EvansNotations for an Adaptation of Giselle (welcome to whatever forever), 2020Videostill00:26:58

Cécile B. Evans
Notations for an Adaptation of Giselle (welcome to whatever forever), 2020
Videostill
00:26:58

Cécile B. EvansA Screen Test for an Adaption of Giselle, 2019Videostill00:08:49

Cécile B. Evans
A Screen Test for an Adaption of Giselle, 2019
Videostill
00:08:49

Cécile B. EvansA Screen Test for an Adaption of Giselle, 2019Videostill00:08:49

Cécile B. Evans
A Screen Test for an Adaption of Giselle, 2019
Videostill
00:08:49

Cécile B. EvansA Screen Test for an Adaption of Giselle, 2019Videostill00:08:49

Cécile B. Evans
A Screen Test for an Adaption of Giselle, 2019
Videostill
00:08:49

Cécile B. EvansAmos' World, 2019Installation viewFRAC Lorraine, Metz

Cécile B. Evans
Amos' World, 2019
Installation view
FRAC Lorraine, Metz

Cécile B. EvansAmos' World, 2019Installation viewFRAC Lorraine, Metz

Cécile B. Evans
Amos' World, 2019
Installation view
FRAC Lorraine, Metz

Cécile B. EvansAmos' World, 2019Installation viewFRAC Lorraine, Metz

Cécile B. Evans
Amos' World, 2019
Installation view
FRAC Lorraine, Metz

Cécile B. EvansAmos' World, 2019Installation viewFRAC Lorraine, Metz

Cécile B. Evans
Amos' World, 2019
Installation view
FRAC Lorraine, Metz

Cécile B. EvansStoryboard III, 2019Acrylic, noticeboard, photographs, bacteria, pins, script pages41 x 61 cm

Cécile B. Evans
Storyboard III, 2019
Acrylic, noticeboard, photographs, bacteria, pins, script pages
41 × 61 cm

Cécile B. EvansEven a lie is a real thing (Forest), 2018Scale model, wood, foam, 3D printed objects, nylon, 3.5 inch LCD screens, media players, painted canvas, carved wooden hands134 x 162 x 123 cm

Cécile B. Evans
Even a lie is a real thing (Forest), 2018
Scale model, wood, foam, 3D printed objects, nylon, 3.5 inch LCD screens, media players, painted canvas, carved wooden hands
134 × 162 × 123 cm

Cécile B. EvansAmos' World, 2019Installation viewMuseum Abteiberg, Mönchengladbach

Cécile B. Evans
Amos' World, 2019
Installation view
Museum Abteiberg, Mönchengladbach

Cécile B. EvansAmos' World, 2019Installation viewMuseum Abteiberg, Mönchengladbach

Cécile B. Evans
Amos' World, 2019
Installation view
Museum Abteiberg, Mönchengladbach

Cécile B. EvansAmos' World, 2019Installation viewMuseum Abteiberg, Mönchengladbach

Cécile B. Evans
Amos' World, 2019
Installation view
Museum Abteiberg, Mönchengladbach

Cécile B. EvansAmos' World, 2019Installation viewMuseum Abteiberg, Mönchengladbach

Cécile B. Evans
Amos' World, 2019
Installation view
Museum Abteiberg, Mönchengladbach

Cécile B. EvansAmos' World, 2019Installation viewTramway, Glasgow

Cécile B. Evans
Amos' World, 2019
Installation view
Tramway, Glasgow

Cécile B. EvansAmos' World, 2019Installation viewTramway, Glasgow

Cécile B. Evans
Amos' World, 2019
Installation view
Tramway, Glasgow

Cécile B. EvansAmos' World, 2019Installation viewTramway, Glasgow

Cécile B. Evans
Amos' World, 2019
Installation view
Tramway, Glasgow

Cécile B. EvansAmos' World, 2019Installation viewTramway, Glasgow

Cécile B. Evans
Amos' World, 2019
Installation view
Tramway, Glasgow

Cécile B. EvansEven a lie is a real thing (Forest), 2018Scale model, wood, foam, 3D printed objects, nylon, 3.5 inch LCD screens, media players, painted canvas, carved wooden hands134 x 162 x 123 cm

Cécile B. Evans
Even a lie is a real thing (Forest), 2018
Scale model, wood, foam, 3D printed objects, nylon, 3.5 inch LCD screens, media players, painted canvas, carved wooden hands
134 × 162 × 123 cm

Cécile B. EvansIf only I could put it back together again (Amos’ Office), 2018Scale model, wood, paper, 3D printed objects, 3.5 inch LCD screens, media players122 x 184 x 15 cm

Cécile B. Evans
If only I could put it back together again (Amos’ Office), 2018
Scale model, wood, paper, 3D printed objects, 3.5 inch LCD screens, media players
122 × 184 × 15 cm

Cécile B. EvansIf only I could put it back together again (Amos’ Office), 2018Scale model, wood, paper, 3D printed objects, 3.5 inch LCD screens, media players122 x 184 x 15 cmDetail view

Cécile B. Evans
If only I could put it back together again (Amos’ Office), 2018
Scale model, wood, paper, 3D printed objects, 3.5 inch LCD screens, media players
122 × 184 × 15 cm
Detail view

Cécile B. EvansAmos' World, 2019Installation viewTramway, Glasgow

Cécile B. Evans
Amos' World, 2019
Installation view
Tramway, Glasgow

Cécile B. EvansAmos' World, 2019Installation viewTramway, Glasgow

Cécile B. Evans
Amos' World, 2019
Installation view
Tramway, Glasgow

(left)Cécile B. EvansA man in progress, 2017Hand-carved clay and wood hands, 3D sculpted and printed, hand painted resin masks, hooks, chroma blue screen paint120 x 100 x 10 cm (right)Cécile B. EvansI haven’t had the imagination to think that something wouldn’t be me (Amos’ Desk), 2018Scale model (wood, metal), acrylic plinth, carved wooden hands, 3D printed and hand painted mask, cables, c-type print, cinefilm negatives, tape140 x 84 x 41 cm

(left)
Cécile B. Evans
A man in progress, 2017
Hand-carved clay and wood hands, 3D sculpted and printed, hand painted resin masks, hooks, chroma blue screen paint
120 × 100 × 10 cm

(right)
Cécile B. Evans
I haven’t had the imagination to think that something wouldn’t be me (Amos’ Desk), 2018
Scale model (wood, metal), acrylic plinth, carved wooden hands, 3D printed and hand painted mask, cables, c-type print, cinefilm negatives, tape
140 × 84 × 41 cm

Cécile B. EvansUnidentified Weizenbaum Secretary (Character Study), 2018Custom made server case, custom acrylic case cover, UV to media print, electrical tape, packing gauze72 x 66 x 9 cm

Cécile B. Evans
Unidentified Weizenbaum Secretary (Character Study), 2018
Custom made server case, custom acrylic case cover, UV to media print, electrical tape, packing gauze
72 × 66 × 9 cm

Cécile B. EvansAmos' World is Live, 2018Performance, live film shootingArt Night, London

Cécile B. Evans
Amos' World is Live, 2018
Performance, live film shooting
Art Night, London

Cécile B. EvansAmos' World is Live, 2018Performance, live film shootingArt Night, London

Cécile B. Evans
Amos' World is Live, 2018
Performance, live film shooting
Art Night, London

Cécile B. EvansAmos' World is Live, 2018Performance, live film shootingArt Night, London

Cécile B. Evans
Amos' World is Live, 2018
Performance, live film shooting
Art Night, London

Cécile B. EvansAmos' World is Live, 2018Performance, live film shootingArt Night, London

Cécile B. Evans
Amos' World is Live, 2018
Performance, live film shooting
Art Night, London

Cécile B. EvansAmos' World is Live, 2018Performance, live film shootingArt Night, London

Cécile B. Evans
Amos' World is Live, 2018
Performance, live film shooting
Art Night, London

Cécile B. EvansAmos' World is Live, 2018Performance, live film shootingArt Night, London

Cécile B. Evans
Amos' World is Live, 2018
Performance, live film shooting
Art Night, London

Cécile B. EvansAmos' World is Live, 2018Performance, live film shootingArt Night, London

Cécile B. Evans
Amos' World is Live, 2018
Performance, live film shooting
Art Night, London

Cécile B. EvansAMOS' WORLD: Episode One, 2017Architectural video installation, wood and steel construction, video

Cécile B. Evans
AMOS' WORLD: Episode One, 2017
Architectural video installation, wood and steel construction, video

Cécile B. EvansAMOS' WORLD: Episode One, 2017Architectural video installation, wood and steel construction, video

Cécile B. Evans
AMOS' WORLD: Episode One, 2017
Architectural video installation, wood and steel construction, video

Cécile B. EvansAMOS' WORLD: Episode One, 2017Architectural video installation, wood and steel construction, videostill

Cécile B. Evans
AMOS' WORLD: Episode One, 2017
Architectural video installation, wood and steel construction, videostill

Cécile B. EvansAMOS' WORLD: Episode One, 2017Architectural video installation, wood and steel construction, videostill

Cécile B. Evans
AMOS' WORLD: Episode One, 2017
Architectural video installation, wood and steel construction, videostill

Cécile B. EvansAMOS' WORLD: Episode One, 2017Architectural video installation, wood and steel construction, videostill

Cécile B. Evans
AMOS' WORLD: Episode One, 2017
Architectural video installation, wood and steel construction, videostill

Cécile B. EvansAMOS' WORLD: Episode One, 2017Architectural video installation, wood and steel construction, videostill

Cécile B. Evans
AMOS' WORLD: Episode One, 2017
Architectural video installation, wood and steel construction, videostill

Cécile B. EvansAMOS' WORLD: Episode One, 2017Architectural video installation, wood and steel construction, videostill

Cécile B. Evans
AMOS' WORLD: Episode One, 2017
Architectural video installation, wood and steel construction, videostill

Cécile B. EvansAMOS' WORLD: Episode One, 2017Architectural video installation, wood and steel construction, videostill

Cécile B. Evans
AMOS' WORLD: Episode One, 2017
Architectural video installation, wood and steel construction, videostill

Cécile B. EvansAMOS' WORLD: Episode One, 2017Architectural video installation, wood and steel construction, videostill

Cécile B. Evans
AMOS' WORLD: Episode One, 2017
Architectural video installation, wood and steel construction, videostill

Cécile B. EvansA man in progress, 2017Hand-carved clay and wood hands, 3D sculpted and printed, hand painted resin masks, hooks, chroma blue screen paint120 x 100 x 10 cm

Cécile B. Evans
A man in progress, 2017
Hand-carved clay and wood hands, 3D sculpted and printed, hand painted resin masks, hooks, chroma blue screen paint
120 × 100 × 10 cm

Cécile B. EvansA man in progress, 2017Hand-carved clay and wood hands, 3D sculpted and printed, hand painted resin masks, hooks, chroma blue screen paint120 x 100 x 10 cm

Cécile B. Evans
A man in progress, 2017
Hand-carved clay and wood hands, 3D sculpted and printed, hand painted resin masks, hooks, chroma blue screen paint
120 × 100 × 10 cm

Cécile B. EvansAmos' World, Episode One, 2017Installation viewmumok, Vienna

Cécile B. Evans
Amos' World, Episode One, 2017
Installation view
mumok, Vienna

Cécile B. EvansBlind Faith: Between the Visceral and the Cognitive in Contemporary Art, 2018Installation viewHaus der Kunst, Munich

Cécile B. Evans
Blind Faith: Between the Visceral and the Cognitive in Contemporary Art, 2018
Installation view
Haus der Kunst, Munich

Cécile B. EvansBlind Faith: Between the Visceral and the Cognitive in Contemporary Art, 2018Installation viewHaus der Kunst, Munich

Cécile B. Evans
Blind Faith: Between the Visceral and the Cognitive in Contemporary Art, 2018
Installation view
Haus der Kunst, Munich

Luke Healey, (Review) Bewilderingly kaleidoscopic”: Cécile B. Evans @ Tate Liverpool, in: The Double Negative (November 2016)

Cécile B. EvansBlind Faith: Between the Visceral and the Cognitive in Contemporary Art, 2018Installation viewHaus der Kunst, Munich

Cécile B. Evans
Blind Faith: Between the Visceral and the Cognitive in Contemporary Art, 2018
Installation view
Haus der Kunst, Munich

Cécile B. EvansBlind Faith: Between the Visceral and the Cognitive in Contemporary Art, 2018Installation viewHaus der Kunst, Munich

Cécile B. Evans
Blind Faith: Between the Visceral and the Cognitive in Contemporary Art, 2018
Installation view
Haus der Kunst, Munich

Cécile B. EvansThe Way Things Do, 2017Installation viewFundació Joan Miró, Barcelona

Cécile B. Evans
The Way Things Do, 2017
Installation view
Fundació Joan Miró, Barcelona

Cécile B. EvansTest Cards: Sprung a Leak, 2017Installation viewLayr Seilerstaette, Vienna

Cécile B. Evans
Test Cards: Sprung a Leak, 2017
Installation view
Layr Seilerstaette, Vienna

Kate Sutton, (Review), Cécile B. evans at Emanuel Layr Vienna, in: Artforum 55, No. 8 (April 2017)

Cécile B. EvansTest card VI, 2016Custom acrylic stands, custom anodized server case, UV media print on acrylic, foam gauze, LED light wire, cables118.5 x 44 x 20 cm

Cécile B. Evans
Test card VI, 2016
Custom acrylic stands, custom anodized server case, UV media print on acrylic, foam gauze, LED light wire, cables
118.5 × 44 × 20 cm

Cécile B. EvansTest card VI, 2016Custom acrylic stands, custom anodized server case, UV media print on acrylic, foam gauze, LED light wire, cables118.5 x 44 x 20 cmDetail view

Cécile B. Evans
Test card VI, 2016
Custom acrylic stands, custom anodized server case, UV media print on acrylic, foam gauze, LED light wire, cables
118.5 × 44 × 20 cm
Detail view

Cécile B. EvansTest card II, 2016Custom acrylic stands, custom anodized server case, UV media print on acrylic, foam gauze, LED light wire, cables118.5 x 44 x 20 cm

Cécile B. Evans
Test card II, 2016
Custom acrylic stands, custom anodized server case, UV media print on acrylic, foam gauze, LED light wire, cables
118.5 × 44 × 20 cm

Cécile B. EvansTest card II, 2016Custom acrylic stands, custom anodized server case, UV media print on acrylic, foam gauze, LED light wire, cables118.5 x 44 x 20 cmDetail view

Cécile B. Evans
Test card II, 2016
Custom acrylic stands, custom anodized server case, UV media print on acrylic, foam gauze, LED light wire, cables
118.5 × 44 × 20 cm
Detail view

Cécile B. EvansAfter Us, 2017Installation viewK11, Shanghai

Cécile B. Evans
After Us, 2017
Installation view
K11, Shanghai

Cécile B. EvansWhat the Heart WantsHD Video00:41:05

Cécile B. Evans
What the Heart Wants
HD Video
00:41:05

Cécile B. EvansSprung a leak, 2017Installation viewM-Museum Leuven, Leuven

Cécile B. Evans
Sprung a leak, 2017
Installation view
M-Museum Leuven, Leuven

Cécile B. EvansSprung a leak, 2017Installation viewM-Museum Leuven, Leuven

Cécile B. Evans
Sprung a leak, 2017
Installation view
M-Museum Leuven, Leuven

Cécile B. EvansSprung a leak, 2016Mixed media installation, videostill

Cécile B. Evans
Sprung a leak, 2016
Mixed media installation, videostill

Cécile B. EvansSprung a leak, 2016Mixed media installation, videostill

Cécile B. Evans
Sprung a leak, 2016
Mixed media installation, videostill

Cécile B. EvansSprung a leak, 2016Installation viewTate Liverpool, Liverpool

Cécile B. Evans
Sprung a leak, 2016
Installation view
Tate Liverpool, Liverpool

Cécile B. EvansWhat the Heart Wants, 2016Videostill00:41:05

Cécile B. Evans
What the Heart Wants, 2016
Videostill
00:41:05

Cécile B. EvansHandy if you are learning to fly, 2016Installation view9th Biennale for Contemporary Art, Berlin

Cécile B. Evans
Handy if you are learning to fly, 2016
Installation view
9th Biennale for Contemporary Art, Berlin

Cécile B. EvansWhat the Heart Wants, 2016Videostill00:41:05

Cécile B. Evans
What the Heart Wants, 2016
Videostill
00:41:05

Cécile B. EvansWhat the Heart Wants, 2016Videostill00:41:05

Cécile B. Evans
What the Heart Wants, 2016
Videostill
00:41:05

Cécile B. EvansWhat the Heart Wants, 2016Videostill00:41:05

Cécile B. Evans
What the Heart Wants, 2016
Videostill
00:41:05

Cécile B. EvansHandy if you are learning to fly, 2016Installation view9th Biennale for Contemporary Art, Berlin

Cécile B. Evans
Handy if you are learning to fly, 2016
Installation view
9th Biennale for Contemporary Art, Berlin

Cécile B. EvansHandy if you are learning to fly, 2016Installation view9th Biennale for Contemporary Art, Berlin

Cécile B. Evans
Handy if you are learning to fly, 2016
Installation view
9th Biennale for Contemporary Art, Berlin

Cécile B. EvansHandy if you are learning to fly III, 2016Custom built holocube, assorted miniatures, HD video, plexiglass stands, corn syrup, lacquer, c-type print, books115.5 x 119 x 86 cm

Cécile B. Evans
Handy if you are learning to fly III, 2016
Custom built holocube, assorted miniatures, HD video, plexiglass stands, corn syrup, lacquer, c-type print, books
115.5 × 119 × 86 cm

Cécile B. EvansWorking on What the Heart Wants, 20163 screen livestream installation, Raspberry Pis, HD files, streaming program, ethernet cables, table chairs and different items of the artist

Cécile B. Evans
Working on What the Heart Wants, 2016
3 screen livestream installation, Raspberry Pis, HD files, streaming program, ethernet cables, table chairs and different items of the artist

Cécile B. EvansWorking on What the Heart Wants, 20163 screen livestream installation, Raspberry Pis, HD files, streaming program, ethernet cables, table chairs and different items of the artist

Cécile B. Evans
Working on What the Heart Wants, 2016
3 screen livestream installation, Raspberry Pis, HD files, streaming program, ethernet cables, table chairs and different items of the artist

Cécile B. EvansWorking on What the Heart Wants, 2016Installation viewLira Gallery, Rome

Cécile B. Evans
Working on What the Heart Wants, 2016
Installation view
Lira Gallery, Rome

Cécile B. EvansWorking on What the Heart Wants, 2016Installation viewLira Gallery, Rome

Cécile B. Evans
Working on What the Heart Wants, 2016
Installation view
Lira Gallery, Rome

Cécile B. EvansWorking on What the Heart Wants, 2016HD video, film still (screen 1)

Cécile B. Evans
Working on What the Heart Wants, 2016
HD video, film still (screen 1)

Cécile B. EvansWorking on What the Heart Wants, 2016HD video (screen 3)

Cécile B. Evans
Working on What the Heart Wants, 2016
HD video (screen 3)

Cécile B. EvansHyperlinks or it didn't happen, 2014Videostill00:22:37

Cécile B. Evans
Hyperlinks or it didn't happen, 2014
Videostill
00:22:37

Cécile B. EvansHyperlinks or it didn't happen, 2014Videostill00:22:37

Cécile B. Evans
Hyperlinks or it didn't happen, 2014
Videostill
00:22:37

Cécile B. EvansHyperlinks or it didn't happen, 2014Videostill00:22:37

Cécile B. Evans
Hyperlinks or it didn't happen, 2014
Videostill
00:22:37

Cécile B. EvansHyperlinks or it didn't happen, 2014Videostill00:22:37

Cécile B. Evans
Hyperlinks or it didn't happen, 2014
Videostill
00:22:37

Cécile B. EvansHow Happy a Thing can be, 2014Videostill00:09:30

Cécile B. Evans
How Happy a Thing can be, 2014
Videostill
00:09:30

Cécile B. EvansHow Happy a Thing can be, 2014Videostill00:09:30

Cécile B. Evans
How Happy a Thing can be, 2014
Videostill
00:09:30

Cécile B. EvansHow Happy a Thing can be, 2014Videostill00:09:30

Cécile B. Evans
How Happy a Thing can be, 2014
Videostill
00:09:30

Cécile B. EvansAGNES, 2014Digital commissionSerpentine Galleries, LondonAGNES is a bot who lives on the Serpentine Galleries' website. Visitors of the website can interact with AGNES by clicking on an icon of two hands.

Cécile B. Evans
AGNES, 2014
Digital commission
Serpentine Galleries, London

AGNES is a bot who lives on the Serpentine Galleries' website. Visitors of the website can interact with AGNES by clicking on an icon of two hands.

Cécile B. EvansAGNES, 2014Digital commissionSerpentine Galleries, London

Cécile B. Evans
AGNES, 2014
Digital commission
Serpentine Galleries, London

Cécile B. EvansAGNES, 2014Digital commissionSerpentine Galleries, London

Cécile B. Evans
AGNES, 2014
Digital commission
Serpentine Galleries, London

Cécile B. EvansAGNES, 2014Digital commissionSerpentine Galleries, London

Cécile B. Evans
AGNES, 2014
Digital commission
Serpentine Galleries, London


Cécile B. Evans

*1983, Belgian - American
lives and works in London

Awards and Residencies

  • 2016

    Schering Stiftung
    Alfried Krupp von Bohlen und Halbach-Stiftung for Young Artist’s Monograph

  • 2015

    Andaz Art Award, Andaz Foundation Amsterdam

  • 2014

    Grant for the Arts, Arts Council of England
    Shortlisted for the Future Generation Art Prize, Pinchuk Art Centre, Kiev
    Artist in Residence, PITCH/Unilever Think Tank, London

  • 2013

    Push Your Art Prize, Palais de Tokyo & Orange, Paris
    Artist in Residence, Wysing Arts Centre, Cambridge

  • 2012

    Emdash Award (now Frieze Award), Emdash/Frieze Foundation, London
    Artist in Residence, CCA Andratx, Majorca
    Artist in Residence, NIDA, Lithuania

Solo Presentations, Screenings, Commissions and Performances

  • 2021

    A Screen Test for an Adaptation of Giselle, White Box, CWB, Paris (FR)

    A Screen Test for an Adaptation of Giselle, High Line, New York (NY)

  • 2020

    Studies for a Series of Adaptations of Giselle, La Salle de Bains, Lyon (FR)
    Notations for an Adaption of Giselle (wecome to whatever forever), Frieze LIVE, (online stream)
    Notations for an Adaption of Giselle, MOVE! 2020, Centre Pompidou, Paris (FR)

  • 2019

    Amos‘ World, FRAC Lorraine, Metz (FR)
    A Screen Test or an Adaptation of Giselle, supported by Balmain, Grand Palais, FIAC offcial program, Paris (FR)
    Amos‘ World, Museum Abteiberg, Mönchengladbach (DE)
    Amos‘ World: Episode Three, Museo Madre, Naples (IT)
    Something Tactical is Coming Up, Chateau Shatto, Los Angeles (US)

  • 2018

    Amos‘ World, Tramway, Glasgow (UK)
    Amos‘ World is Live, Performance, Art Night London (UK)
    Amos‘ World, Episode 1, mumok, Vienna (AT)

  • 2017

    Castello di Rivoli, Torino (illy prize) (IT)
    Art Basel Statements with Galerie Emanuel Layr, Basel (CH)
    Sprung A Leak, Museum M, Leuven (BE)
    Test Cards: Sprung a Leak, Galerie Emanuel Layr, Vienna (AT)
    What the Heart Wants, Kunsthalle Aarhus (DK)
    Working on/Test cards, tongewoelbe T25, Ingolstadt (DE)

  • 2016

    Sprung a Leak, Tate Liverpool (UK)
    Timeline for a Copy without Origins, Kunstverein Bielefeld (DE)
    Working on What the Heart Wants, Lira Gallery, Rome (IT)
    What the Heart Wants, Kunsthalle Winterthur (CH)
    What the Heart Wants, de Hallen, September (NL)
    To Live and Work in Midcentury (w. Yuri Pattison), H.M.Klosterfelde Edition Berlin (DE)

  • 2015

    Frieze Frame, Barbara Seiler Gallery, Frieze Art Fair, New York (US)
    Feeling For You, Museum of Contemporary Art Santa Barbara (US)

  • 2014

    Hyperlinks, Seventeen Gallery, London (UK)
    Talk to PHIL, curated by Elise Lammer, Post Digital Cultures, Lausanne (CH)
    AGNES, curated by Ben Vickers, Serpentine Galleries, London (UK)
    How happy a Thing can be, solo exhibition and commission Radar/Loughborough University Arts (UK)
    AGNES GOES LIVE, curated by Lucia Pietroiusti, Serpentine Cinema, London (UK)
    The Brightness, BFI (Creative Summit), London (UK)
    AGNES MEETS PATRONS, Kunstverein Munich, Munich (DE)

  • 2013

    The Brightness, Palais de Tokyo & Orange, Paris (FR)
    BRIGHT, curated by Joe Balfour, Bold Tendencies 7, London (UK)

  • 2012

    This is Your Audio Guide, curated by Sarah McCrory, Frieze Projects/Emdash Award, London (UK)
    Lecture, Palais de Tokyo, Paris (FR)
    TRILOGY, Peckham Artist’s Moving Image, London (UK)

  • 2011

    Straight Up, Spencer Brownstone Gallery, New York (US)
    Straight Up: A Screening in Times Square, Playland Gifts, New York (US)
    Straight Up, MVS Sex Kino, Berlin* (DE)
    Art by Telephone, (w/ Rebecca Lamarche Vadel), Delano Hotel, Miami (US)

Selected Group Exhibitions

  • 2022

    Post Nature, Ulsan Art Museum, Ulsan (KR)

  • 2021

    Leeum Museum, Seoul (KR)
    The Modern Exorcist, Taipei Fine Arts Museum (TW)
    The Dreamers, Belgrade Biennale, Belgrad (SRB)
    BEHIND THE SCREEN, Klosterfelde Edition, Berlin (DE)
    Liquid Life / Kistefos Museum, Jevnaker (NO)

  • 2020

    No Space, Just a Place, Daemlim Museum, Seoul (KO)
    Artefact 2020: Alone together, STUK, Leuven (BE)
    A Screen Test for an Adaption of Giselle, International Rotterdam Film Festival (NL) (Screening)

  • 2019

    Age of You, MOCA Toronto (CDN)
    ‚Forget Sorrow Gras‘: An Archaeology of Feminine Time, Times Museum, Guanghzou (CHN)
    Amos‘ World, PTV: Performance TV, Chapter 7, Ujazdowski Castle Centre for Contemporary Art, Warsaw (PL) (Screening)
    Present Futures Film Screening / Cécile B. Evans, Jon Rafman, Laurence Lek, CCA, Glasgow (UK)
    Producing Futures - An Exhibition on Post-Cyber-Feminisms, Migros Museum, Zurich (CH)
    Is This Tomorrow?, Whitechapel Gallery, London (UK)

  • 2018

    Fictional Matters, Screening, CCA Glasgow (UK)
    Low Form, MAXXI, Rome (IT)
    Frieze London, duo with Anna-Sophie Berger, w. Galerie Emanuel Layr (UK)
    9th Seoul Photo Festival, Seoul Museum of Art (KR)
    Zeitspuren, Kunsthaus Pasquart, Biel (CH)
    The Public Body .03, Artspace, Sydney (AU)
    monokino, Screening, Mu.ZEE, Ostend (BE)
    I AM, Screening, Garage Museum, Moscow (RU)
    SOPHIE, H.E.R., London (UK)
    Film prgram, Art Basel Hong Kong, Screening (HK)
    Common Front Effectively, Nam June Paik Art Centre, Seoul (KR)
    Cellular World: Cyborg-Human-Avatar-Horror, Gallery of Modern Art, Glasgow International 2018 (UK)
    Hello World – For the Post-Human Age, Art Tower Mito, Ibaraki (JP)
    Adverbs of Time, Centro Centro Madrid (ES)
    How Happy a Thing can be, Art Basel Hong Kong Film (HKG)
    Blind Faith, Haus der Kunst, Munich (DE)
    Unthought Environments, Renaissance Society, Chicago (US)

  • 2017

    Lived In, Galleri Opdahl, Stavanger (NO)
    Still Human, Rubell Family Collection, Miami (US)
    Like a Moth to a Flame, OGR Torino & Fondazione Sandretto Re Rebaudengo, Turin (IT)
    7th Moscow International Biennale of Contemporary Art (RU)
    The Commodifcation of Love, Kamel Mennour, Paris (FR)
    The Way Things Do, Fundació Joan Miró, Barcelona (ES)
    4th Ural Industrial Biennial, Ekaterinburg (RU)
    Being There, Louisiana Museum of Modern Art, Copenhagen (DK)
    Screening of How Happy a Thing Can Be, Whitney Museum, New York (US)
    After Us, K11 Art Foundation in collaboration with the New Museum NY, K11 Art Museum, Shanghai (CHN)
    Antenna Space, Shanghai (CHN)
    Vienna Biennale, MAK Vienna (AT)

  • 2016

    9th Berlin Biennale, Berlin (DE)
    20th Sydney Biennale (AUS)
    Moscow Biennial of Young Art at Moscow Modern Art Museum (RU)
    The Promise of Total Automation, Kunsthalle Wien (AT)
    Stranger,Museum of Contemporary Art Cleveland (US)
    Politics of Portraiture, Jessica Silverman Gallery, San Francisco (US)
    Wild Style, Peres Projects, Berlin (DE)

  • 2015

    CO-WORKERS, Musze d’Art Moderne, Paris (FR)
    Software, Hard Problem, Cubitt, London (UK)
    Projections, 53rd New York Film Festival (US)
    lppvrvt, curated by Tom Morton, Marfa Ballroom, Texas (US)
    Then They Form Us, Museum of Contemporary Art Santa Barbara, California (US)
    Peeling Wall, curated by Dora Budor, Fahrenheit, Los Angeles (US)
    Breaking Joints, curated by Steven Cairns, ICA London (UK)
    Whose Subject Am I?, curated by Roy Huschenbath, Kunstverein Dusseldorf (DE)
    Hybridize or Disappear, curated by Jowo Laia, National Museum of Contemporary Art, Lisbon (PT)
    Inhuman, curated by Susanne Pfeffer, Fridericianum, Kassel (DE)
    Indifferences, curated by Fanny Gonella, Kunstlerhaus Bremen & Gesellschaft fur Aktuelle Kunst (DE)
    Only the Lonely, curated by Elina Suoyrjo, La Galerie, Paris (FR)
    Global Art Forum, curated by Shumon Basar, Kuwait and Dubai (KW & AE)
    Group Therapy: Mental Distress in a Digital Age, FACT, Liverpool (UK)
    Love After Materialism, curated by John Hampton, Trinity Square Video, Toronto (CA)

  • 2014

    Evans, Kiessling, Loytved, Pattison, Pischel, Rucker; Helga Maria, Klosterfelde Editions, Berlin (DE)
    Future Generation Art Prize, Pinchuk Art Centre, Kiev (UA)
    Magic of Things, curated by David Gryn, Art Basel Miami Beach Film, Miami (US)
    (!?), curated by Alexander Benenson, Impakt Festival, Utrecht (NL)
    Cartography of the Mind‘s I, Barbara Seiler Gallery, Zurich (CH)
    Friday Late, curated by David Hoyland, Victoria and Albert Museum, London (UK)
    Phantom Limbs, Pilar Corrias Gallery, London (UK)
    Peeling Wall, introduced by Dora Budor and Chrissie Iles,
    Grand Century, New York (US)
    Ends Again, Supplement Gallery, London (DE)
    La Voix Humaine, curated by Saim Demircan, Kunstverein Munich, (DE)
    TTTT, curated by Sarah Williams, Jerwood Foundation, London (UK)
    Annals of the 29th Century, curated by Gareth Bell Jones, Wysing Arts Centre, Cambridge (UK)
    Locomotion Artist’s Moving Image, selected by O. Koleif , N. Miller, and A. Gritz, London (UK)
    Dream On, Goethe Institut, London L before K, selected by Anna Gritz, Hamburg Film Festival, Hamburg (DE)
    Movable Types, curated by Victoria Camblin, Art Papers/Ponce Gallery, Atlanta (US)

  • 2013

    Bold Tendencies 7, curated by Joe Balfour, Bold Tendencies (Peckham) (UK)
    Open Heart Surgery, Moving Museum, London (UK)
    Palazzo Peckham, curated by Ollie Hogan, Venice (IT)

  • 2012

    How To Eclipse the Light, curated by Karen Archey, Wilkinson Gallery, London (UK)
    Desire, Bergen Kunstmuseum, Bergen E-Vapor 8, 319 Scholes curated by Francesca Gavin, New York (US)

  • 2011

    De Joode & Kamutzki Auction I & II, Hackescher Hof, Berlin (DE)
    Skeleton in the Closet II, curated by Rebecca Lamarche Vadel, ReMap3, Athens (GR)
    Skeleton in the Closet. curated by Rebecca Lamarche Vadel, Heidelberger Kunstverein, Heidelberg (DE)

  • 2010

    PIANO PIANO, Galerie Im Regierungsviertel, Berlin (DE)
    Berlin Kreuzberg Biennial, Various Locations, Berlin (DE)
    Le Souci de Soi, Don‘t Projects, Paris (FR)

Selected Talks and Conferences

  • 2021

    Projects are prophecies, prophecies are projects, Podcast (online)

  • 2018

    Hello World Talk Series, Art Tower Mito, Ibaraki (JP)

  • 2016

    Hybridise or Disappear, Art Basel Hong Kong, Hong Kong (CN)
    Guest Lecturer Royal College of Art, London (UK)
    Studium Generale, Rietveld Academy, Amsterdam Artist’s Film Club, ICA, London (UK)
    Lecture, Artspace, Sydney (AU)

  • 2015

    Impakt Festival, Utrecht Until Recently I Had A Voice, organized by the artist with A. Faramwy, Royal Academy of Arts, London (UK)
    Guest Lecturer, Royal Academy of Arts, London (UK)
    Sailing Under False Colours?, PACT Zollverein, Essen (DE)
    Guest Lecturer and Tutor, Slade School of Fine Arts, London (UK)

  • 2014

    Post Digital Cultures Symposium, invited by Elise Lammer, Lausanne (CH)
    Structures & Textures: The Status of the Object, invited by Melanie Buehler, Lunch Bytes/GI, Helsinki (FI)
    Emotion and Design Symposium, Loughborough University, Loughborough Torque, invited by Nathan Jones, FACT, Liverpool (UK)

  • 2013

    The Artist as Technologist,Art Basel Miami Beach Conversations, Miami (US)
    Performative Technology, ICA Salon, London (UK)
    Guest Lecturer, Norwich University, Norwich (UK)
    Rhizome Seven on Seven Conference, Barbican Centre, London (UK)

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