Master Class (Textuelle Bildhauerei Klasse), Prof. Heimo Zobernig, Academy of Fine Arts, Vienna (AT)

Bachelor Of Communication Design, Swinburne University, Sydney/Melbourne (AU)

Neon Parc, Melbourne (AU)

Smart Sculptures, Galerie Emanuel Layr, Vienna (AT)

E4 E5, Salon Kennedy, Frankfurt am Main (DE)

ViennaContemporary, with Galerie Emanuel Layr, Vienna (AT)
Relaax.in, online
Midday Hour, Minerva, Sydney (AU)

C C, Croy Nielsen, Berlin (DE)
Emanuel Layr at Independent New York, with Benjamin Hirte, New York (US)

Andy Boot, Galerie Emanuel Layr, Vienna (AT)
Room, Albert Baronian, Brussels (BE)
Artissima, by invitation of Krist Gruijthuijsen, Emanuel Layr, Turin (IT)
Frieze Art Fair, Frame section, New York (US)

Überfäche, 21er Raum, 21er Haus, curated by Severin Dünser, Vienna (AT)
Renwick Gallery, New York (US)
Croy Nielsen at SUNDAY Fair, with Ben Schumacher, London (UK)
Croy Nielsen, Berlin (DE)

Andy Boot, Caitlin Keogh, Renwick Gallery at NADA, Miami (US)
SS12, Martini Projects, Göteborg (SE)
abc art berlin contemporary - about painting, Croy Nielsen at abc, Berlin (DE)
Stella di Mare, O‘, Milan (IT)

Andy Boot, David Burton, Croy Nielsen, Berlin (DE)
Schaulager, with Veronika Gahmel, Galerie Amer Abbas, Vienna (AT)
April, April, Clockwork Gallery, Berlin (DE)

Offce, Croy Nielsen, Berlin (DE)

New Space Show, Layr, Vienna (AT)
An eeriness on the Plain, 1301SW, Melbourne (AU)

Fatty Finn, Yuill|Crowley, Sydney (AU)

Neighbours, RIOT, Ghent (BE)
Hard Boiled, Neon Parc, Sydney (AU)
UKYA City Takeover: Nottingham 2019 (UK)

One Colour, Philipp Pflug Contemporary, Frankfurt am Main (DE)

something, Minerva, Sydney (AU)
‚4 YES | 4 NO‘, Salon Kennedy, Frankfurt, DE
Le Musée du Chat, De Markten, Brussels (BE)

Vienna Contemporary, with Galerie Emanuel Layr and Croy Nielsen, Vienna (AT)
The Gestural, 21er Haus, Vienna (AT)
Greener Grass, KS Room Meierhof, Schloss Kornberg (AT)
The Language of Things, 21er Haus, Vienna (AT)
Liste Basel, with Galerie Emanuel Layr, Basel (CH)
Dream, with Galerie Emanuel Layr, Hong Kong
NOW/HERE, Franz Josefs Kai 3, Vienna (AT)
Group show, Albert Baronian, Brussels (BE)

Relational Changes, curated by_Cointemporary, Christine König Galerie, Vienna (AT)
Full House, Shanaynay, Paris (FR)
Elapse/End, Maisterravalbuena, Madrid (ES)
honky tonk lagoon, Spring 1883, with Minerva, Sydney (AU)
Casual Conversation, Minerva, Sidney (AU)
Allegro Giusto, Instituto Svizzero, Rome (IT)
Fun House, Minerva Offsite, Melbourne (AU)
The Good, The Bad & The Ugly (part 2), Sarah Cottier Gallery, Sydney (AU)

The Go-Between, National Museum of Capodimonte, Naples (IT)
Lotte Sonnenschein: Bildbaumeister Extended, Temporäre Halle für Kunst, Linz (AT)
Blackout, Galerie Rodolphe Janssen, Brussels (BE)
Allegro Giusto, Istituto Svizzero, Rome (IT)
Spring 1883, Minerva, Melbourne (AU)
De Generation of Painting, Fondazione 107, Turin (IT)
The Go-Between, Sprovieri, London (UK)
The Next Level, Annarumma, Napoli (IT)
I don‘t know dem, Spreez, Munich (DE)
Sunny and Hilly, Minerva, Sydney (AU)
Stay in Love, curated by Chris Sharp. Lisa Cooley, New York and Laurel Gitlen, New York (US)

Le Milieu du Monde - Het Middelpunt van de wereld, a proposition by David de Tscharner with Le Musée du Chat de Françoise Baronian, Brussels (BE)
Group Show curated by Martin Erik Andersen, Susanne Ottesen, Copenhagen (DK)
The Collection #3, 21er Haus, Vienna (AT)
The Program, Gallery 400, Chicago (US)
First | Thirteen, Salon Kennedy, Frankfurt am Main (DE)
Voyages Intérieurs (Inner Journeys), Maison Particulière, Brussels (BE)
Chat Jet: Painting ‹Beyond› The Medium, Künstlerhaus, Graz (AT)
Beyond the Object, Brand New Gallery, Milan (IT)
If I Was John Armleder (What a curator is not supposed to do), curated by Luca Cerizza, Art Genève (CH)

Tiling, Seventeen, London (UK)
Needles in the Camel‘s Eye, Thomas Duncan Gallery, Los Angeles (US)
Idea is the Object, curated by Pavan Segal and Tracy Parker, D‘Amelio Gallery, New York (US)
The Weight of Living, MOT International, London (UK)
LISTE 17, presented by Renwick Gallery, Basel (CH)
Art Cologne, presented by Croy Nielsen, Cologne (DE)
SculptureCenter Beneft, New York (US)
Nein Teen, One Night Only Gallery, Oslo (NO)

Historia Mysteria, Renwick Gallery, New York (US)
Attitudes in a state of fux, Artachment; Basel (CH)
Attitudes in a state of fux, das weisse haus, Vienna (AT)
the pay together thing, Labor, Budapest (HU)
Artachments presents, Ausser Haus, Heidelberger Kunstverein, Heidelberg (DE)
LISTE 16, presented by Croy Nielsen, Basel (CH)
Dialogos, Assab One, Milan (IT)
Offce Special, Croy Nielsen, Berlin (DE)
Group show and inauguration of the new gallery space, Croy Nielsen, Berlin (DE)
Adventures in a Miniature Landscape, LOG, Bergamo (IT)
Obsolete Boundaries, Lust Gallery, Vienna (AT)

NAK Benefzauktion, Neuer Aachener Kunstverein, Aachen (DE)
Heterotopias, Musée Cantonal des Beaux-Arts, Lausanne (CH)
Seitenfügel NO, Kurzbauergasse/Sportklubstrasse, Vienna (AT)
Transition. A Private Matter, curated by Alessandro Castiglioni and Katia Baraldi, Prague (CZ)
SUNDAY, Croy Nielsen at SUNDAY Fair, Berlin (DE)
Berlin-Paris, Croy Nielsen at Marcelle Alix, Paris (FR)
Rundgang, Akademie der bildenden künste, Vienna (AT)

Ateliers des Bundes (AT)

Publication grant, BKA (AT)

New Work Grant (Emerging), Australia Council for the Arts

Nordisk Kunstnersenter Dalsåsen / Nordic Artists‘ Center, Dale (NO)

Atelier Rondo, Kultur Steiermark, Graz (AT)

chicane.space

Cointemporary, online

‚Relational Changes‘, Cointemporary, ‚curated by‘, Christine König Galerie, Vienna, AT

Melissa Loughnan, ‚Australian to Zeitgeist: An A t Z of Australian Contemporary Art‘, Thames & Hudson, London 2017
Leigh Cuen, ‚Why Artists and Art Collectors Love Blockchain Technology‘, International Busines Times, 29.08.2017
Matthew Wall, ‚How Bitcoin is in Itrating the $60bn glbal artmarket‘, BBCNews, 25.07.2017

‚21er Raum 2012-2016‘, Agnes Husslein-Arco, Severin Dünser, 21er Haus
‚Trend Kunst Guide 2016‘, Trend Das Wirtschaftsmagazin, 35.03.2016

Max Henry ‚Art And Money At the Curated_by Vienna‘, Spike Art, 14.10.2015
Christa Benzer, ‚Kunst und Kapital‘, Der Standard,
25.09.2015
Nicole Scheyerer, ‚Womöglich wird das Wek gar nicht mehr gebraucht‘, Frankfurter Allgemeine, 15.09.2015
Jordan Pearson, ‚This Digital Art Gallery Immortalizes Your Patronage in the Blockchain‘, Vice, 19.06.2015
Hannah Ghorashi, ‚MAK Vienna Becomes First Museum To Use Bitcoin To Acquire Art‘, 24.04.2015
Francesca Johanson, ‚Andy Boot, Minerva / Sydney‘, Reviews, Flash Art International, #302, May-June 2015

Federica Bianconi, ‚L‘arte non c‘è più‘, Artribune, 18.11.2014
Laura C. Mallonee, „Buying Art in Bitcoin‘, Hyperallergic, 21.07.2014
Natalie Brunner, ‚Contemporary‘, Homebase, FM4 Radio, 05.0.2014
Karen Rosenberg, ‚Stay in Love‘, Art in Review, The New York Times, January 16, 2014

Aaron Bogart, ‚Andy Boot‘, Reviews, Art Agenda, December 2013
Kari Rittenbach, ‚Patterns, relations and planes of reference‘, Focus, Frieze d/e, # 9, Apr/May.

Roberta Smith, ‚Idea is the Object‘, Art in Review, The New York Times, 2 August 2012.
Jakob Neulinger, ‚Jenny Holzer & Andy Boot‘, Spex, #339, July/August
Kito Nedo, ‚Routine Pleasures‘, Artforum online, 01.05.2012

Chris Sharp, ‚Backgrounds, Surfaces and Landscapes‘, Monograph, Kaleidoscope Press.
Michele d‘Aurizio, ‚Backgrounds, Surfaces and Landscapes‘, Kaleidoscope Press.